

Original Broadway Production Produced by Tom Hulce & Ira Pittelman
Ruth and Stephen Hendel Vivek Tiwary and Gary Kaplan Aged In Wood and Burnt Umber
Scott M. Delman Latitude Link HOP Theatricals and Jeffrey Finn Larry Welk
Bensinger Filerman and Moellenberg Taylor Allan S. Gordon/Élan V. McAllister
Berkeley Repertory Theatre
in association with Awaken Entertainment and John Pinckard and John Domo
and
Was originally produced by Berkeley Repertory Theatre, Berkeley, CA
Tony Taccone, Artistic Director / Susan Medak, Managing Director
Musical Arrangements and Orchestrations
Tom Kitt
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Jen Ryder |
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American Idiot Is presented through special arrangement with Music Theatre International (MTI).
All authorized performance materials are also supplied by MTI.
www.mtishows.com
Song List
American IdiotJesus of Suburbia
City of the Damned
I Don't Care
Dearly Beloved
Tales of Another Broken Home
Holiday
Boulevard of Broken Dreams
Favorite Son
Are We the Waiting
St. Jimmy
Give Me Novacaine
Last of the American Girls/She's a Rebel
Last Night On Earth
Too Much Too Soon
Before the Lobotomy
Extraordinary Girl
Before the Lobotomy (Reprise)
When It's Time
Know Your Enemy
21 Guns
Letterbomb
Wake Me Up When September Ends
The Death of St. Jimmy
East 12th St.
Nobody Likes You
Rock and Roll Girlfriend
We're Coming Home
Whatsername
Good Riddance
Cast
Creative Team
Angèlica Forcier Rosenthal
Jen Ryder
Meet the Company
Jesse Drake

Andrew Holland

Garrett Meyer

Rose Chaffee

Connor Nugent

Mackenzie Goodwin

Christine Armenion

Erin Balestrieri (she/her)

Lucas Mayo

Ben Gorelick

Victoria Sebastian

Meredith Byerly

Jordan Delage

Mariah Delage

Mayson Gentiluomo

Megan Lautieri

Danielle Nobles

Sam Allen

Andrew Gibson

Addy Macdonald

Haley Unger

Brianna A. Thornton

Violet Rosell

Melody Rosell

Angèlica Forcier Rosenthal

Jen Ryder

Orchestra, Designers, Crew, and Board of Directors
Orchestra
John Carey - Keyboard/Band Leader
Angelo Pocoli - Guitar 1/Band Leader
Jackson Page - Guitar 2
Tim Costa - Bass
Tom Holmes - Drums
Designers and Crew
Stage Manager - Becca Scheetz
Technical Director - Joe Sylvester
Producer - Tom Lott
Costume Design - Laurel Forcier and Erin Krakowa Lautieri
Set Design - Angèlica Forcier Rosenthal
Sound Design - Patrick Pettengill
Light Design - Craig Brennan
Projection Design - Angèlica Forcier Rosenthal
Light Board Operator - Craig Brennan
Projection Operator - Angèlica Forcier Rosenthal
Sound Board Operator - Patrick Pettengill
Master Carpenter - Larry Birch
Prop design - Rosemarie Kelly
Stage Crew - Nicole Perault and Caislin Bento
The Board of Directors
President - Erin Lautieri
Vice President - Rosemarie Kelly
Treasurer - Laurel Forcier
Recording Secretary - Jesse Drake
Director - Angèlica Forcier Rosenthal
Director - Jessica Pappathan
Director - Larry Birch
Director - Tom Lott
Director - Amanda Coan
Director's Note
American Idiot was one of the first shows I performed in after college and has always held a strong place in my heart. This show is far from a typical musical. In style, it is a two-and-a-half-hour rock opera; in story, it jumps between the lives of three different people, back and forth, and sometimes follows them all in different places at the same time.
What makes this show so moving — and why it was so important to me to do now — is the idea of the constant political theatre we non-consensually have to endure. This show came out in a post-9/11, George Bush era. Sure, iPhones were around, but they were not everywhere. They are now. I look back on this time and miss it. I miss not having to endure the constant rhetoric shoved down my throat — these stupid political circuses over issues I’ve never cared about and that there’s no way they can make me care about. The incessant need to divide people. I’m sick of it. And yet — it works. I think this is the most disturbing and disgusting part of this country and our political system. And it isn’t one side or the other. Both sides suck. They are both useless and do nothing to help anyone but themselves — and now they’re just comfortable being blatant about it.
I feel the same anger and hate in my heart every time Chuck Schumer talks as I do when I see Lindsey Graham flip-flopping. What I want the audience to know is that this show, to me, is not about Democrats vs. Republicans. If Kamala Harris were in office right now, I’d be going after her with the message of the show too.
When I was a kid, I watched 9/11 happen. It was played over and over on the news, at school — it was thrown in my face so often it’s almost all I remember from that year. And it never got any better. America has never been great… and with this current political system, it never will be, no matter who is in power. I am so sick of the empty promises, the leveraging of codifying rights so that the party has something to campaign on, the constant hate and attack of less than 3% of the population — because fear can drive a campaign too.
When I worked in politics, I wanted to make a difference — and what I learned was… I was the minority. People say they want to make a difference but look at what they don’t do: make one. I’m done settling for a president I don’t want to vote for, and I’m done pretending these people don’t just lie and deliver on nothing. I want to be the minority. If this is what politics is in this country, then this country is doomed — and I want to be remembered as the person who spoke up against it, called it what it is, and said: I’m not going to pretend this is working, and I’m not going to settle.
I learned a long time ago, working with presidential candidates and local politicians, that I can’t make change from the inside — I can’t fix problems from within a system that’s so broken — and so I left and learned quickly that I can do more with political art than I ever could in Congress. That’s what this show is to me and means to me. The only clear way to Progress is to question a system that more often than not helps no one.
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