BroadwaySIGNs! ASL: PRIDE

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Historical Information

Song List

Cast

Special Guest - Barbara Pitts McAdams

Barbara Pitts McAdams is co-author of Moment Work: Tectonic Theater Project’s Process of Devising Theater.  An original company member and co-creator of Tectonic’s The Laramie Project, she has performed the play at BAM, Union Square Theatre, LaJolla Playhouse, Berkeley Rep and Denver Center Theatre.  Barb also appears in HBO Films’ The Laramie Project and shares an Emmy nomination for Best Adapted Screenplay.  With her company, Devising Works, Barb co-founded the #HereToo intitiative, gathering oral histories of young survivors of gun violence and youth activists, which become podcast episodes and content for customizable devised plays. #HereToo-Western Washington University received the Kennedy Center-ACTF Citizen Artist Award as well as Best Lead Devisers for Barb. Barb has directed and mentored numerous original plays with college and high school students, often with social justice themes. Barb directs and teaches acting at Drew University and mentors Drew’s NYC/Tectonic devising semester.  Barb’s theater acting credits include Vanya and Sonia and Masha and Spike, Blanche in A Streetcar Named Desire and endless new work. TV credits include Person of Interest, Forever, Kidnapped, 30 Rock, One Life to Live, As The World Turns, Law & Order, Law & Order: SVU, and Comedy Central’s Pulp Comics.

Creative Team

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Meet the Company

Sandra Mae Frank*

Host & Performer

Sandra Mae Frank (she/her) is a trained stage and film actor. She appeared in NBC's New Amsterdam as Dr. Elizabeth Wilder for the last two seasons, Season 4 and Finale Season 5. Ever since she made her mark in Deaf West's production of Spring Awakening as 'Wendla' on Broadway, she has been doing various projects from music videos, to theatre productions, films, and TV.  She is also the Production Manager of Deaf Austin Theatre, a non-profit theatre company in Texas. Sandra recently co-directed THE MUSIC MAN at Olney Theatre Center in Maryland. TELEVISION: NBC's Zoey's Extraordinary Playlist, Netflix's Daybreak, and Freeform's Switched at Birth. FILM: Season of Love, Entangled, Soul to Keep, and The Sound of Fear. REGIONAL THEATRE: Next to Normal and Fun Home at Ground Floor Theatre; Fun Home and Fiddler on the Roof at Lyric Theatre; The Solid Life of Sugar Water, Our Town, At Home at the Zoo (Assistant Director) at Deaf West Theatre; Richard III at NextStop Theatre Company. MUSIC VIDEOS: Kelly Clarkson's I Dare You and American Authors' Pride.

Joey Antonio

Host & Performer

Joey Antonio, Deaf performance artist, New York City, NY. Sesame Street (ASL), Dance Camp Movie (Alex), Zoey's Extraordinary "Silence," and America's Best Dance Crew with ASIID are notable accomplishments. Joey loves the world of performing arts and wants to make connections that include people who are deaf or hard of hearing. In the middle of all the excitement, he understands how important it is for each of our stories to be true. Stage: Mr. Holland’s Opus (Ogunquit Playhouse). Spring Awakening in L.A. (Deaf West Theatre). Bunnicula (Gallaudet Univ. Theatre). Tommy (Open Circle Theatre). Beggars, and Choosers: The Musical (Jill Wright). Virtual: Tiger Style! (Huntington Theatre). Malachi (Zuercher, Nash). Disconnected: The Musical (Hearts Production). Legally Blonde (Deaf’s Spotlight). Film/TV: “Zoey’s Extraordinary Playlist” (NBC). Youtube’s Dance Camp (Youtube Red). “The Alphabet Song”/”What I Am” (Sesame Street). “Morning Dew” (Kelsey Lu), and “I Dare U” (Kelly Clarkson).

Kailyn Aaron-Lozano

Performer

Kailyn Aaron-Lozano is a multi-talented DASL/educator with a wide range of interests. This South Central Los Angeles native holds a History degree from California State University, Northridge, and two Master from Gallaudet University in Deaf Studies and Sign Language Education. ASL translation with music is her love, and she has worked in Theatre: Rodgers + Hammerstein's CINDERELLA at the Zach Theatre; My Onliness at New Ohio Theatre NYC; TV/Film: Washington Black (unreleased TV Series) - Hulu, Sesame Street: American Sign Language (ASL) Series - Sesame Street Workshop, Reverse Polarity (web series) - DPAN TV. She has co-authored a chapter entitled "Sign Language Music Videos: Language Preservation or Appropriation?" in The Routledge Companion to Art and Disability. Her ambition is to see sign language inclusion in everyday life.

Joey Caverly*

Performer

James Caverly is an actor, director, playwright, and Director of Artistic Sign Language. He has performed in Children of a Lesser God at Studio 54. Regional credits include: Olney Theatre Center, Huntington Theatre Co., Berkeley Repertory Theatre, Studio Theatre, Kitchen Theatre Company, and SpeakEasy Stage Co. He has directed works for Gallaudet University, Kent State University, New York Deaf Theatre, and Mosaic Theatre Co. He also appeared in Hulu’s Only Murders In The Building as Theo Dimas.

Dr. Brian A. Cheslik

Performer & DAT Artistic Director

Dr. Brian A. Cheslik- originally from Ohio, has been involved in theatre for the past 25+ years and has performed every function in the theatrical hierarchy. Dr. Cheslik is the artistic director of Deaf Austin Theatre, where he co-directed the 2019 award winning Deaf/hearing collaborative production of Next to Normal, the 2022 production of The Last Five Years, and most recently, Rodgers & Hammerstein’s Cinderella, in collaboration with the ZACH Theatre. Some of his favorite acting roles include Tribes (Billy) at Le Petit Theatre in New Orleans, Shakespeare’s R & J (Student 2), Corpus Christi (James), Selkie (Pa), Drop Dead (Chaz Looney), and Lost in Yonkers (Jay). In addition to theatre, Dr. Cheslik is a professor of ASL & Interpretation at the University of Texas RGV, where he is the program coordinator for the ASLI Program. He holds a bachelor's degree in English Literature from Gallaudet University, a master’s and doctorate in Deaf studies & Deaf education from Lamar University, and is a member of the Stage Directors & Choreographers (SDC) society. In his spare time, he enjoys making TikTok videos of ASL music.

Jules Dameron

Performer & Laramie Project Director

Jules Dameron (he/him) is a deaf trans and gay film & theatre director, actor & writer, working with both deaf and hearing actors. Jules graduated from Gallaudet University with a B.A. in TV/Cinema and then obtained an MFA in Film Production/Directing at one of the leading film schools in the world, the University of Southern California. Shifting between both deaf and hearing cultures, Jules has a strong insight into how the deaf community has a different way of sharing information. Mediating between two cultures has helped Jules harness a direction style and vision that is unique and unparalleled. Jules has worked on a truck-load of projects, from low budget to high budget, from music videos to webseries. Among the highlights are directing “Møkkakaffe” a 7-episode series in Oslo, Norway for the NRK channel, a series of ASL videos for Sesame Street, helping provide the same experience and amusement to young viewers through a deaf lens. Jules is also currently the writer and director of the soon-to-be-made feature film, Deaf President Now, a film illustrating the events of the Deaf President Now protests at Gallaudet University in 1988. Jules is also co-writing / co-directing a play called, "What is Emily Drawing?" highlighting the effects of language deprivation in deaf children. When not in the director's chair, Jules extends his acting talents to the stage playing various roles in notable shows like Romeo and Juliet, Rocky Horror Picture Show, and Lés Miserables. Jules is thrilled to be taking on the role of Harry for Deaf Broadway’s “Company." Jules aspires to work more with hearing and deaf creatives to pave the way for more authentic representation in the media.

Dickie Hearts*

Performer

DICKIE HEARTS is a Deaf, gay, multiracial actor. His TV credits include a recurring role on Netflix’s “Tales of the City” (2019), a supporting role on HBO’s “High Maintenance” (2020), and a guest-starring role on Netflix’s “Grace & Frankie” (2017). Stage credits include his Off-Broadway debut in "Dark Disabled Stories" (2023) at Public Theater, which he received his first Lucille Lortel award nomination. New York Deaf Theatre’s "Maple & Vine," IRT’s “Stepchild," "Please Untranslate Me," and “Trash." Dickie Hearts continues to push for more Deaf, LGBTQ+, and BIPOC visibility and representation onstage and onscreen. Hearts is a Disability Futures Fellowship ‘22 recipient and is repped by Nicolosi & Co.

Andrew Morrill

Performer

Andrew Morrill NEW YORK credits include SheNYCArts: Dancing Girls (Quasimodo), JACK NY: Trash (Tim), IRT Theatre: Please Untranslate Me (Researcher). REGIONAL: Deaf West/Getty Villa: Oedipus, Olney Theatre Center: The Music Man, Phamaly Theatre: The Christians, Mosaic Theatre Company: Quid Pro Quo; dog & pony DC: Seven Stages. Direction of ASL credits include Grey House (Broadway), Dark Disabled Stories (Bushwick Starr/Public Theater). EDUCATION: MFA in Acting from the University of Illinois Urbana-Champaign.

Heba Toulan*

Performer

Heba Toulan, an Egypt native, lives in Houston. Her credits include Olivia for Twelfth Night, Hecate for Macbeth at the Woodlands Arts in the Park and Shakespeare in the Shade, Deaf Broadway's Rocky Horror Picture Show, and Les Miserables, She recently starred in SENSES, Bailey's Voice, Compromised Experiment, You're Home, and The Window Washer. An accomplished model, Heba has modeled for over 20 brands, and walked for a number of designers. She can be found behind a book, or fostering great pyrenees. Her web site is www.hebatoulan.com.

Erin Rosenfeld

Special Guest Performer

Erin is honored to join the Broadway Signs cast of Pride! She recently made her Broadway debut in “Grey House” as understudy for Bernie, A1656, and Marlow. Other select credits include Sylvia in “Tribes” and being a winner of the International Danny Awards. Erin is passionate about breaking barriers in theatre and increasing Deaf representation onstage. When she’s not performing, Erin can be found doing advocacy work in the Deaf community. Her efforts have led to features in Teen Vogue, Forbes, CBS Inside Edition, Buzzfeed, and more. She hopes you enjoy the show!

Jo-Ann Dean

Producer

Jo-Ann Dean is a Creative Producer and CEO SIGNmation L.L.C. and Broadway SIGNs! live and virtual productions. A Grant Writer and Recipient of the 2023 National Endowment for the Arts Challenge America Award for Deaf Austin Theatre’s The Laramie Project. Dean launched Broadway SIGNs! Off Broadway at The Triad Theatre in NYC and in 2022 debuted at the legendary Feinstein’s 54 Below to rave reviews from Broadway journalists and theater critics. Hailed for bridging Deaf Artists with Broadway talent in Cabaret with sold out shows working with Oscar, Tony and Grammy winning artists. Accolades include On Stage: Broadway SIGNs! Off Broadway Pick of the Week by NY1’s Emmy Award Winner Frank DiLella; a featured segment in Fox 5 News Emmy Winning Broadcast “Breaking Sound Barriers” by Anchor Chris Welch on Broadway Actor Russell Harvard’s stage performance with To Kill A Mockingbird and his musical Off Broadway debut with Broadway SIGNs!. Dean is the Coordinator of ASL Tutoring Classes with Deaf Actors for the 2023 National Tour of Into The Woods Broadway Cast, a pilot program helmed by the Harriet Tubman Effect. Dean’s Commercial Off Broadway Producing credits include Cody Lassen’s A Commercial Jingle for Regina Comet at the Darryl Roth Theater, NYC featuring Alex Wise (Good Night, Oscar, Waitress), Ben Frankhauser (Newsies) and Joe Iconis’ Broadway Bounty Hunter. Dean is the CoProducer and Cofounder of ASL Cabaret creating a platform for Deaf Artists in Los Angeles performing at Hollywood’s Catalina Jazz Club, the iconic Rockwell Table & Stage & Prospect Theatre, with invitations to produce at The Wallis Annenberg’s Center for Performing Arts Sorting Room and at Fountain Theatre, the birthplace of Deaf West Theatre. Dean’s company SIGNmation is a proud Sponsor and ASL Interpreter Coordinator for Broadway Producer Ken Davenport’s TheaterMakers Summit 2020. A Broadway first, an all access ASL Interpreted virtual three day industry event. Jo-Ann is the recipient of Davenport Theatrical’s 2020 TheaterMakers Studio Producer of the Year Award for Broadway SIGNs!. Dean’s company SIGNmation pioneered Marvel’s first ASL Option for Ant Man (2015) on Disney Plus’ Streaming Platform with Post Production company Grupo Steno based in Brazil. She was directly responsible for providing casting of ASL Talent, Director of Artistic Sign Language (DASL) and set ASL Interpreter for the Picture in Picture (PIP) feature and set consultation. Additionally, she’s credited as Producer on Director Cameron S. Mitchell (PBS American Masters “Elsa”) short film “Kryptonite” for Easterseals Disability Film Challenge with Ryan Lane (Switched at Birth) and R&B legend Shanice. Nominated for 3 Awards: Best Actor Ryan Lane, Best Writer and Best Film. Her advocacy for American Sign Language, Deaf Artists and equal access on stage and audience led to Sponsorship and Alliance with Broadway Dreams Artist Intensive Week LA The Wallis and NYC Showcase. Dean is a member of New York Women in Film and Television (NYWIFT) and Women in Film (WIF). SIGNmation and Dean produce Open Caption Film Screenings, Industry ASL Interpreted Panels and Events to promote equity, inclusion, and diversity. Community Partnerships with Harriet Tubman Effect, Access Broadway, Act1Access and Theater Development Fund (TDF), Broadway Dreams Foundation. Film: Sony Pictures Studio, New York Film Festival, NYWIFT, WIF, ReelAbilities, American Foundation for the Blind and Lights, Camera, Access! Federal Grants awarded include National Endowment for the Arts, California Federal Charter School Implementation Grant for ASL Digital Imaging and Film Studio. LA Cultural Affairs Grant for Caption This! an original cable series with Deaf Artists. She is CoProducer on Indie Fest Winner, Director Linda Palmer’s Feature Film “Turnover” on Amazon. Creative Consultant on Director’s Judy Lieff’s Award Winning Documentary “Deaf Jam" on American Film Showcase and PBS. Her passion is producing accessible arts on stage, film & television and performing arts.

Kathryn Lloyd

Production Assistant

Kathryn Lloyd is thrilled to be involved with the production team of Deaf Austin Theatre as their Summer Intern! A rising senior at the University at Buffalo, she’s majoring in Musical Theatre and Minoring in American Sign Language and Creative Writing. Performance Credits include University at Buffalo’s Rodgers and Hammerstein’s Cinderella (Madame) and University at Buffalo’s The 25th Annual Putnam County Spelling Bee (Rona Lisa Peretti). She plans to attend graduate school next fall to major in American Sign Language Interpretation, and hopes to help work toward increasing Deaf/Disabled accessibility and representation within the entertainment industry in the future.

Miriam Rochford*

Stage Manager

Miriam Rochford is pleased to be working with DAT for the first time for Laramie Project. New York: Dark Disabled Stories (Bushwick Starr/The Public Theatre), Captive Audience; TITUS; Maple & Vine (New York Deaf Theatre), Princess Maleine (dellArte Opera Ensemble), The Rape of Lucretia (New Camerata Opera), Asking 4 Trouble (Ensemble Studio Theatre). Regional: Mr. Holland’s Opus; Singin' in the Rain (Ogunquit Playhouse), The Roommate; Hairspray (American Stage Theatre). Film: Flirting, With Possibilities (1st AD). Much love to her family and Joey.

Zak Taylor

Interpreter

ZAK TAYLOR (Interpreter) Zak is a Los Angeles native, CODA, who has interpreted for over 9 years, recently moved to New York City a year ago. Some of his work includes: The Price is Right, Let’s Make a Deal, the Harlem Film Festival, A Man of No Importance, and Broadway’s “The Kite Runner.”

Kevin Winebold

Music Director & Pianist

Kevin Winebold is a musical director, pianist, entertainer, and soon-to-be recording artist. His debut piano album, Return to the Heart, will be released on September 1. After touring the country with Footloose, The Wedding Singer, and All Shook Up, he made his New York debut as an actor/musician in The Irish…and How They Got That Way with The Irish Repertory Theatre. Next month, Kevin will be heading to Kenya to mount a new musical , Matumaini, with the Youth Theatre of Kenya in Nairobi.

Josh Canfield

Vocalist

Josh Canfield is a versatile artist with talents that span both Broadway and Television. As an actor, he appeared on Broadway, Off-Broadway, and at A.R.T., in the Tony Award- winning production of Natasha, Pierre, and the Great Comet of 1812. The Great Comet marked his second Broadway show, following Doctor Zhivago, but he is perhaps most recognized from his season on CBS’ Survivor: San Juan Del Sur. In 2019, he toured in the Broadway production of Falsettos, directed by James Lapine, covering the roles of Marvin and Whizzer. Josh has been in over 20 regional theatre productions including Anything Goes as Billy, opposite Andrea McArdle and Sally Struthers (Ogunquit Playhouse), and Cabaret (Emcee), Memphis (Huey), and The Rocky Horror Picture Show (Rocky) all at the Gateway Playhouse. Originally from Michigan, he received his MFA from the Royal Conservatoire of Scotland. Josh has been writing and composing for over 15 years and his works have been performed in London at the Shaw Theatre, and in New York City at the Signature Theatre and Ars Nova. @itsjoshcanfield www.alivethezombiemusical.com

Alberto Meldero

Interpreter

Christian Brailsford

Poem Reader

CHRISTIAN BRAILSFORD Broadway National Tour: Pretty Woman (David Morse, Happy Man u/s). Off-Broadway: Oratorio for Living Things, Cleopatra, Songs of a Serpent. International: Scar in Hong Kong Disney’s The Lion King. Regional: Summer: The Donna Summer Show (Andrew Gaines). Christian is honored to be a part of Broadway SIGNs! PRIDE a benefit for Deaf Austin Theatre. He thanks his family and friends for their unwavering love and support.

Joey Antonio, Joey Caverly, Brian Cheslik, and More Set for Deaf Austin Theatre's THE LARAMIE PROJECT

The first American Sign Language (ASL) and spoken English production of The Laramie Project with a Deaf and Hearing Cast opens at Deaf Austin Theatre on September 7th-16th. A livestream event via Stellar debuts on October 12th, 2023 to a global audience in honor of the 25th anniversary of Matthew Shepard's legacy. DAT's production will be the first professionally staged American Sign Language (ASL) production of The Laramie Project. 

The Laramie Project is a thought-provoking documentary play that explores the aftermath of the tragic 1998 murder of Matthew Shepard, a young gay college student in Laramie, Wyoming. The play delves into the impact of the incident on the local community and raises important questions about prejudice, hate crimes and tolerance. DAT aims to promote inclusivity, accessibility, and awareness of these same experiences faced by the Deaf and LGBTQIA communities. 

Director Jules Dameron, along with DAT's Artistic Director Dr. Brian Cheslik and DAT Production Manager Sandra Mae Frank, from Broadway's Spring Awakening Revival and NBC's New Amsterdam, helm this production and have brought together a powerhouse of Deaf actors and hearing ASL fluent actors. 

Cast features Joey Antonio (Dance Camp, ABC's Zoey's Extraordinary Play List), Joey Caverly* (Hulu's Only Murders in the Building, Olney Theatre Center's The Music Man), Brian Cheslik** (Co-Director DAT & ZACH Theatre's Cinderella, DAT & GFT's The Last Five Years & Next to Normal), Jules Dameron (see below), Taylor Flanagan (Ensemble/Gabrielle's voice in DAT & ZACH Theatre's Cinderella, Judith et al in Judith with Hyde Park Theatre), Leila Hanaumi (Assistant DASL/Ensemble in DAT & ZACH Theatre's Cinderella), Ashlea Hayes (ABC's Switched At Birth, NBC's Law and Order: SVU), Dickie Hearts* (Netflix's Tales of the City & Grace & Frankie, Public Theatre's Dark Disabled Stories); Amelia Hensley* (ABC's Station 19, Broadway's Deaf West Spring Awakening Revival); Justin Jackerson (Tybalt in Romeo and Juliet at Ophelia Jump Productions; The Perfect Match), Krissy Lemon (Gabrielle in DAT & ZACH Theatre's Cinderella, Cathy in DAT & GFT's The Last Five Years), Saul Lopez (ASL Jamie in DAT & GFT's The Last Five Years), Heba Toulan* (DAT & ZACH Theatre's Cinderella, SENSES, The Window Washer)

The creative team includes Director Jules Dameron (Director Møkkakaffe Norway TV series; Director of Crazy Town, Sesame Street ASL Series), Director of Artistic Sign Languag (DASL) Kailyn Aaron-Lozano (DASL DAT & ZACH Theatre's Cinderella, Deaf Broadway's Company at Lincoln Center, Hulu's Reverse Polarity); Stage Manager Miriam Rochford*; Assistant Stage Manager Kelsey Moringy;  Lighting Designer  Jacqueline Sindelar; Sound Designer Rodd Simonson; Costume & Set Designers Dr. Brian Cheslik** & Jules Dameron; Graphic Designer Michael Epstein.

* denotes members of Actors Equity Association (AEA)

**denotes members of Stage Directors & Choreographers Society (SDC)

The Laramie Project is funded in part by National Endowment for the Arts, Greater Austin Foundation for the Deaf, Matthew Shepard Foundation, BEA Investment Group, Ploeger ASL Interpreting, LLC;  Dozanu Innovation, National Disability Theatre, Communication By Hand, Sorenson, True+Way ASL, Hypernovas Productions and SIGNmation.

Tickets, starting at $25, can be purchased online: LIVE SHOW TICKETS

There will be a virtual live stream on Thursday, October 12th via Stellar. For tickets, STREAMING TICKETS.

Deaf Austin Theatre Raises Funds For Groundbreaking Production Of THE LARAMIE PROJECT In American Sign Language

Deaf Austin Theatre (DAT), a non-profit theatre company based in Austin, is excited to announce its latest venture, a groundbreaking production of "The Laramie Project" performed in American Sign Language (ASL), spoken English and supertitles this September. 

Deaf Austin Theatre has successfully raised an impressive $52,000 thus far and has secured financial grants and sponsorship from esteemed organizations with funding in part by the National Endowment for the Arts, The Matthew Shepard Foundation, BEA Investment Group and Greater Austin Foundation for the Deaf, along with endorsement by Playwright Moises Kaufman & The Tectonic Theatre Project. Jo-Ann Dean, SIGNmation is also a Producer on our production. 

"The Laramie Project" is a thought-provoking documentary play that explores the aftermath of the tragic 1998 murder of Matthew Shepard, a young gay man, in Laramie, Wyoming. The play delves into the impact of the incident on the local community and raises important questions about prejudice, hate crimes, and tolerance. By producing this play in American Sign Language (ASL), DAT aims to promote inclusivity, accessibility, and awareness of the experiences faced by the Deaf and LGBTQIA communities.

In an unprecedented collaboration, DAT has joined forces with Hypernovas Productions, a Los Angeles-based LGBTQIA Deaf owned production company. Together, they are committed to making history by presenting the first-ever professional production of "The Laramie Project" in ASL. "The Laramie Project'' has put together an amazing cast of Deaf and hearing ASL fluent actors, who will bring their exceptional performances to the forefront of this powerful production. The cast will be announced later this summer. Guiding the cast and crew is the esteemed director, Jules Dameron, the co-founder of Hypernovas Productions, renowned for his dedication to promoting inclusivity and celebrating the Deaf and LGBTQIA community in the arts.

The Laramie Project opens September 7th at Ground Floor Theatre in East Austin, and runs through September 16th. DAT and Hypernovass will be hosting a virtual streaming event on October 12th, 2023, via Stellar, thus ensuring a global audience can experience this extraordinary theatrical event in honor of the 25th anniversary of Matthew Shepard's death. Tickets for both events are already on sale and can be found at DAT's website (www.deafaustintheatre.org).

During Pride Month, DAT seeks to amplify the visual exposure of this project. While DAT has made significant progress towards its goal, with $52,000 raised and esteemed financial sponsorships, the company is seeking further support to reach its ambitious target of $70,000. These funds will contribute to paying the actors, crew, transportation, lodging, and other essential production expenses. Every contribution will make a meaningful impact on the success and accessibility of this groundbreaking production and timely retelling. 

Deaf Austin Theatre and Hypernovas Productions invite individuals, organizations, and the community at large to join them in supporting this pioneering theatrical endeavor during Pride month. Donations of any amount are welcomed and will contribute to shaping a more inclusive and accessible future for theatre.

To donate or learn more about Deaf Austin Theatre's production of "The Laramie Project," please visit www.deafaustintheatre.org and https://donorbox.org/the-laramie-project-2#info or contact Dr. Brian Andrew Cheslik, Artistic Director at artisticdirector@deafaustintheatre.org.

Deaf Austin Theatre (DAT) is a non-profit theatre company based in Austin, dedicated to producing and promoting accessible theatrical experiences for the deaf community and beyond. DAT aims to create a platform that highlights deaf culture, fosters artistic expression, and promotes inclusivity in the arts.

Photos: First Look at Sandra Mae Frank & More in ASL & Spoken English Production of CINDERELLA

ZACH Theatre & Deaf Austin Theatre are presenting a production of Rodgers + Hammerstein's Cinderella, playing in The Topfer at ZACH, through March 5, 2023.

Get a first look at photos below!

Starring Sandra Mae Frank under the direction of Michael Baron and Dr. Brian Cheslik, the Tony®-nominated musical fairytale Rodgers + Hammerstein's Cinderella will come to life. This fresh new musical and family favorite will be performed in both American Sign Language (ASL) and spoken English with supertitles artistically incorporated into the scenic design in addition to a fully inclusive experience from the time patrons arrive at the theatre.

The cast of deaf and hearing actors includes SANDRA MAE FRANK as Ella; TREY HARRINGTON as Topher; MEREDITH MCCALL as Madam; KENNY WILLIAMS as Sebastian; MERVIN PRIMEAUX-O'BRYANT as Marie/Fairy Godmother, KRISSY LEMON as Gabrielle; SARA BURKE as Charlotte; GREGOR LOPES as Jean-Michel; CHRISTOPHER TESTER as Lord Pinkleton; HEBA TOULAN as Ensemble; EMILY CATALFAMO as Ensemble/Ella Swing; LEE WALTER as Ensemble/Singing Voice for Marie, MARIEL ARDILA as Ensemble/Singing Voice for Ella; TAYLOR FLANAGAN as Ensemble/Singing Voice for Gabrielle; and JORDAN BARRON as Ensemble/Singing Voice for Jean-Michel.

This enchanting Tony®-nominated musical fairytale will put a spell on audiences of all ages. In partnership with Deaf Austin Theatre and performed simultaneously in English and American Sign Language, Rodgers + Hammerstein's Cinderella showcases some of your favorite tunes including "In My Own Little Corner," "Impossible," and "Ten Minutes Ago," in this funny, modern adaptation from the delightful Broadway revival. Add a dash of romance, a splash of stage magic-and POOF!-you're guaranteed to have a ball!

Photos & Video: Go Inside Rehearsals for ASL & Spoken English CINDERELLA at ZACH

ZACH Theatre in partnership with Deaf Austin Theatre will present Rodgers + Hammerstein's Cinderella playing January 25 - March 5 at The Topfer at ZACH with a cast and crew of deaf and hearing actors. The production is Co-Directed by Producing Artistic Director of the Lyric Theatre Michael Baron and DAT Artistic Director, Dr. Brian Cheslik.

Get a first look at photos and video inside rehearsal below!

This fresh new musical and family favorite will be performed in both American Sign Language (ASL) and spoken English with supertitle artistically incorporated into the scenic design and fully inclusive experience from the time patrons arrive at the theatre. Broadway veteran Sandra Mae Frank (Deaf West's Spring Awakening) will play the title role of Ella. Sandra recently was Co-Director (with Michael Baron) of the critically acclaimed production of The Music Man at Olney Theatre in Maryland and can currently be seen as Dr. Elizabeth Wilder on "New Amsterdam" on NBC.

The cast of deaf and hearing actors will also include Trey Harrington as Topher; MEREDITH MCCALL as Madam; Kenny Williams as Sebastian; MERVIN PRIMEAUX-O'BRYANT as Marie/Fairy Godmother, KRISSY LEMON as Gabrielle; SARA BURKE as Charlotte; GREGOR LOPES as Jean-Michel; Christopher Tester as Lord Pinkleton; HEBA TOULAN as Ensemble; EMILY CATALFAMO as Ensemble/Ella Swing; Lee Walter as Ensemble/Singing Voice for Marie, MARIEL ARDILA as Ensemble/Singing Voice for Ella; Taylor Flanagan as Ensemble/Singing Voice for Gabrielle; and JORDAN BARRON as Ensemble/Singing Voice for Jean-Michel.

Tickets are available online at zachtheatre.org, by phone at 512-476-0541 Tuesday through Friday, 12-5 p.m.

Sandra Mae Frank to Star in ASL & Spoken English CINDERELLA

ZACH Theatre in partnership with Deaf Austin Theatre has announced the cast of Rodgers + Hammerstein's Cinderella playing January 25 - March 5 at The Topfer at ZACH with a cast and crew of deaf and hearing actors. Co-Directed by Producing Artistic Director of the Lyric Theatre Michael Baron and DAT Artistic Director, Dr. Brian Cheslik, The Tony®-nominated musical fairytale Rodgers + Hammerstein's Cinderella will come to life in The Topfer to start the New Year for 2023.

This fresh new musical and family favorite will be performed in both American Sign Language (ASL) and spoken English with supertitle artistically incorporated into the scenic design and fully inclusive experience from the time patrons arrive at the theatre. Broadway veteran Sandra Mae Frank (Deaf West's Spring Awakening) will play the title role of Ella. Sandra recently was Co-Director (with Michael Baron) of the critically acclaimed production of The Music Man at Olney Theatre in Maryland and can currently be seen as Dr. Elizabeth Wilder on "New Amsterdam" on NBC.

"Since beginning pre-production work, I immediately found that we share theatrical mindset. It's been an amazing collaborative and directing partnership that I hope leads to future endeavors between Deaf Austin Theatre and ZACH as well as Deaf Austin Theatre and Lyric Theatre of Oklahoma, which is where Michael is based as artistic director," expressed director Dr. Brian Cheslik. "This production is so important because it provides a space for deaf performers who have long been ignored in this industry. It will help people to realize that yes, deaf people can enjoy music and perform in musicals too. We can do anything hearing people can do...even here! We just do it a different way."

"Collaborating with both deaf and hearing artists on musicals has been a rewarding and constantly creative process. Sandra Mae Frank and I recently co-directed a deaf/hearing production of The Music Man in Washington, DC.," said director Michael Baron. The process of working on that show was revolutionary in that for the first time the deaf perspective was of equal or of greater importance to the interpretation of the material. Many of the deaf artists who worked on The Music Man are a part of this company of Cinderella - including my co-director, Sandra Mae Frank. She is returning to the stage in the lead role of Cinderella. Creating this production will be challenging, joyous, heartfelt, and full of discoveries - but one, I promise, you love and remember for years to come."

The cast of deaf and hearing actors will also include Trey Harrington as Topher; MEREDITH MCCALL as Madam; Kenny Williams as Sebastian; MERVIN PRIMEAUX-O'BRYANT as Marie/Fairy Godmother, KRISSY LEMON as Gabrielle; SARA BURKE as Charlotte; GREGOR LOPES as Jean-Michel; Christopher Tester as Lord Pinkleton; HEBA TOULAN as Ensemble; EMILY CATALFAMO as Ensemble/Ella Swing; Lee Walter as Ensemble/Singing Voice for Marie, MARIEL ARDILA as Ensemble/Singing Voice for Ella; Taylor Flanagan as Ensemble/Singing Voice for Gabrielle; and JORDAN BARRON as Ensemble/Singing Voice for Jean-Michel.

Directed by Michael Baron and DR. BRIAN CHESLIK. Additional production team includes ALLEN ROBERTSON as musical director, CASSIE ABATE as choreographer, MERVIN PRIMEAUX-O'BRYANT as assistant choreographer; STEPHANIE BUSING as scenic, properties and projections designer, Chris Evans as assistant projections designer, JEFFREY MEEK as costume designer, SERRET JENSEN as hair and makeup designer, ANNIE WIEGARD as lighting designer, FABIAN GARCIA as assistant lighting designer, ANNA ALEX as sound designer, SHANNON RICHEY as stage manager, KAILYN AARON-LOZANO as Lead Director of ASL, and LAILA HANAUMI as Director of ASL.

On why bringing Cinderella to the stage was important, ZACH Producing Artistic Director Dave Steakley said, "With over 50,000 deaf and hard of hearing residents in Austin, I want to make sure ZACH is serving the members of our community, especially the students at Texas School for the Deaf. It occurred to me that Rodgers + Hammerstein's newer Broadway adaptation of Cinderella would be a good story because this version puts her in the driver's seat of her life's journey. Likewise, I want us to produce a work that puts our deaf director, choreographer, actors and production team in control. It has been a very exciting process so far, and I know the result will be a highly original interpretation of this classic tale that is joyous and moving in its inclusivity."

Steakley continued, "Brian Cheslik is the leading deaf director in our state and he knows ZACH well as he has signed many of our performances over the years. It made sense to pair him with Michael Baron, who is at the forefront of productions which collaborate between ASL and English, having helmed several productions across the country as the hearing director. The creativity is sparking between these two great artists."

Special Events in celebration of Rodgers + Hammerstein's Cinderella:

• Pride Night on Thursday, January 26, 2023

Performance Details:

Rodgers + Hammerstein's Cinderella

When: January 25-March 5, 2023
Where: The Topfer at ZACH | 202 South Lamar | Austin, TX | 78704
Tickets: Start at $25 available at ZACH's box office - 512-476-0541 x1, zachtheatre.org

Summary: zachtheatre.org/cinderella

This enchanting Tony®-nominated musical fairytale will put a spell on audiences of all ages. In partnership with Deaf Austin Theatre and performed simultaneously in English and American Sign Language, Rodgers + Hammerstein's Cinderella showcases some of your favorite tunes including "In My Own Little Corner," "Impossible," and "Ten Minutes Ago," in this funny, modern adaptation from the delightful Broadway revival. Add a dash of romance, a splash of stage magic-and POOF!-you're guaranteed to have a ball!

Age recommendation: Six and up

Run time: Approximately two hours with a 20-minute intermission.

TICKETING AND MEMBERSHIPS:

Tickets are available online at zachtheatre.org, by phone at 512-476-0541 Tuesday through Friday, 12-5 p.m. Free, short term and convenient parking available at the front entrance. ZACH Theatre is wheelchair accessible. Student Rush Tickets are $17 one hour before show time (with valid ID). A limited amount of Pay-What-You-Will tickets are available the day of for Mainstage preview performances November 16-20 only. Groups of 8 or more may request reservations by calling 512-476-0594 x245 or by emailing groupsales@zachtheatre.org.

ZACH XP memberships are $39 per month and give access to all 2022-23 season Mainstage and Family series shows. ZACH XP Members get early-access to reserve seats. Visit zachtheatre.org/zachxp to learn more.

CAST

Sandra Mae Frank - Ella

Trey Harrington - Topher

Meredith McCall - Madame

Kenny Williams - Sebastian

Mervin Primeaux-O'Bryant - Marie/Fairy Godmother

Krissy Lemon - Gabrielle

Sara Burke - Charlotte

Gregor Lopes - John-Michel

Christopher Tester - Lord Pinkleton

Heba Toulan - Ensemble

Emily Catalfamo - Ensemble/Ella Swing

Lee Walter - Ensemble/Singing Voice for Marie

Mariel Ardila - Ensemble/Singing Voice for Ella

Taylor Flanagan - Ensemble/Singing Voice for Gabrielle

Jordan Barron - Ensemble/Singing Voice for Jean-Michel

PRODUCTION TEAM

Michael Baron - Co-Director

Dr. Brian Cheslik - Co-Director

Allen Robertson - Musical Director

Cassie Abate - Choreographer

Mervin Primeaux-O'Bryant - Assistant Choreographer

Stephanie Busing - Scenic, Properties & Projections Designer

Chris Evans - Projections Assistant

Jeffrey Meek - Costume Designer

Serret Jensen - Hair and Makeup Designer

Annie Weigand - Lighting Designer

Fabian Garcia - Assistant Lighting Designer

Anna Alex - Sound Designer

Shannon Richey - Stage Manager

Danielle Grisko - Assistant Stage Manager

Casey Boriskie - Assistant Stage Manager

Kailyn Aaron-Lozano - Lead Director of ASL

Laila Hanaumi - Director of ASL

Shannon Ploeger - ASL Interpreter Coordinator

COVID PROTOCOLS AND HEALTH AND SAFETY:

About ZACH Theatre

A non-profit organization, ZACH creates intimate theatre experiences that ignite the imagination, inspire the spirit, and engage the community. As Austin's leading professional producing theatre, ZACH employs more than 300 actors, musicians, and designers annually to create its own diverse array of nationally recognized plays and musicals under the leadership of Producing Artistic Director Dave Steakley and Managing Director Jamie Herlich Mclalwain. Each year, ZACH serves nearly 140,000 Central Texans - 57,000 of which are children and youth who participate in our education and outreach programs, as well as inspiring camps and classes. Founded in 1932, ZACH is the longest continuously running theatre company in the state of Texas, and one of the ten oldest in the country. Visit https://www.zachtheatre.org for more information.

Deaf Austin Theatre's THE LAST FIVE YEARS to Open This Weekend

Deaf Austin Theatre's The Last Five Years is set to open at Ground Floor Theatre this weekend!

An emotionally powerful and intimate musical about two New Yorkers in their twenties who fall in and out of love over the course of five years, the show's unconventional structure consists of Cathy, the woman, telling her story backwards while Jamie, the man, tells his story chronologically; the two characters only meet once, at their wedding in the middle of the show.

The cast features:

Cathy (ASL) Krissy Lemon

Cathy (Eng) Carolyn O'Brien

Jamie (ASL) Saúl López

Jamie (Eng) John Christopher

Directed by Dr. Brian A. Cheslik & Lisa Scheps
Musical Direction: Dr. Ellie Jarret Shattles
Choreographed by Mervin Primeaux O'Bryant
ASL Consultant: Sandra Mae Frank

Performance Details:

December 2nd - 18th
Showtime: 8pm CT (Sundays at 5pm CT)
Show will be live streamed on December 8th and 10th

Location:
Ground Floor Theatre
979 Springdale Rd, Ste 122
Austin, TX 78702

American Sign Language & English LAST FIVE YEARS to be Presented by Ground Floor Theatre and Deaf Austin Theatre

Ground Floor Theatre will collaborate with Deaf Austin Theatre for The Last Five Years by Jason Robert Brown and directed by GFT Co-Artistic Director Lisa Scheps and DAT Artistic Director Dr. Brian Cheslik running December 2-18, 2022 at Ground Floor Theatre. Tickets on sale now at groundfloortheatre.org/five.

"Deaf Austin Theatre is excited to be partnering with Ground Floor Theatre on The Last Five Years," said Dr. Brian Cheslik, Artistic Director, Deaf Austin Theatre. "Organizations that serve the underrepresented communities, such as GFT, have worked to provide a place to be 'heard.' We look forward to bringing another amazing production to the Austin community through American Sign Language.

Drama Desk award-winner The Last Five Years is Jason Robert Brown's intimate window into a couple's doomed marriage. Since it's Off-Broadway premiere in 2002, Brown's funny, poignant, and devastatingly honest two-character production has enraptured audiences around the world with its spellbinding and emotional score and libretto. This collaboration will be presented in both English and American Sign Language.

With direction by Lisa Scheps and Dr. Brian Cheslik, the production team includes music director Dr. Ellie Jarrett Shattles, choreography by Mervin P. O'Bryant, scenic design by Gary Thornsberry, lighting design by Amber Whatley, costume design by Desireé Humphries, graphic design by Erica Moreno along with Demetri Bellini as technical director, Sandra Mae Frank as ASL Master/DASL, and Kelsey Moringy as stage manager.

"I am so excited to bring this piece to GFT and doubly excited to be co-directing with Brian. Our concept for this show is going to leave folks talking for a long time...I can't wait to see it on its feet," said Ground Floor Theatre Co-Artistic Director, Lisa Scheps.

Casting will be announced at a later date.

The Last Five Years | December 2 - 18, 2022

by Jason Robert Brown | Directed by Lisa Scheps and Dr. Brian Cheslik

Music Direction by Dr. Ellie Jarrett Shattles | Choreography by Mervin P. O'Bryant | Scenic Design by Gary Thornsberry | Costume Design by Desireé Humphries | Lighting Design by Amber Whatley | ASL Master/DASL Sandra Mae Frank

groundfloortheatre.org/five

An emotionally powerful and intimate musical about two New Yorkers in their twenties who fall in and out of love over the course of five years, the show's unconventional structure consists of Cathy, the woman, telling her story backwards while Jamie, the man, tells his story chronologically; the two characters only meet once, at their wedding in the middle of the show.

Performances are December 2-18, 2022 at Ground Floor Theatre, 979 Springdale Road, Suite 122, Austin, TX at the corner of Springdale and Airport. Performances are Thursday through Saturday nights at 8:00PM and Sundays at 5:00PM. The "First Friday" performance on December 2 includes a reception. One Wednesday industry performance on December 14 at 8:00PM. Ground Floor Theatre believes in "theatre for everyone" regardless of ability to pay, so tickets are always Pay What You Can. Suggested ticket prices are $30 for general admission and $50 for VIP. VIP seating includes a reserved seat, a glass of bubbly and the assurance of helping GFT keep the Pay What You Can policy. Tickets are on sale now and can be purchased at groundfloortheatre.org/five.

SEASON PASSES: Season passes are available for the 2023 season. Season passes are a way for patrons to support GFT's Pay What You Can policy by paying a bit more for tickets. Passes can be used in any way you like - from all tickets for one show or spread them around for the season. Season passes for the 2023 Season (four shows), to be announced shortly, are now available at $200 per pass. For more information or to purchase a season pass please visit groundfloortheatre.org/seasonpass.

2022 Season Shows: https://www.groundfloortheatre.org/2022season

About Ground Floor Theatre:

Ground Floor Theatre produces works focusing on historically underrepresented communities. It serves as an incubator to foster and grow new and groundbreaking works that shine a light on groups that are often overlooked. It is also a home for the Austin theatre community to come together and learn from one another in order to help Austin continue to excel as a leader in The National Theatre community. For more information visit www.groundfloortheatre.org.

About Deaf Austin Theatre:

Deaf Austin Theatre is a non-profit organization, whose purpose is to enrich, inspire, educate, create and entertain the Austin community by producing live theatre experiences in American Sign Language (ASL), theatre workshops and acting camps. For more information visit www.deafaustintheatre.org.

Deaf Austin Theater Presents Four-Part MURDER MYSTERY

Deaf Austin Theatre presents a 4-part series of a Murder Mystery, written and directed by TK Sylvester.

The show runs October 17-November 7.

Actors participate remotely via Zoom; DAT adds voice-overs so hearing listeners can follow as well.

Episodes are released every Saturday 6 PM CST on the theatre's Youtube Channel: Deaf Austin Theatre.

Subscribe to the Deaf Austin Theatre YouTube channel HERE.

Previously released episodes:

Episode 1: A Rendez-Vous of Old Friends

Episode 2: Games and Thunder

Deaf Austin Theatre (DAT) is a non-profit organization, whose purpose is to enrich, inspire, educate, create and entertain the Austin community by producing live theatre experiences in American Sign Language.

Ground Floor Theatre Announces Cast For NEXT TO NORMAL

Ground Floor Theatre (GFT) and Deaf Austin Theatre (DAT) announce casting for the Tony Award-winning Broadway musical, Next to Normal running December 5-21, 2019 at the Ground Floor Theatre, 979 Springdale Rd. Directed by Lisa Scheps and Brian Cheslik, this collaboration with GFT and DAT will feature a cast of both hearing and deaf actors, and the show will be presented synchronously in spoken English and American Sign Language (ASL).

In keeping with GFT's mission of producing groundbreaking works by and for underrepresented communities, Ground Floor Theatre teamed up with Deaf Austin Theatre for this production of Tom Kitt & Brian Yorkey's Pulitzer prize winning Next to Normal to be fully deaf inclusive. Each character will be played by 2 cast members - one deaf, one hearing. In addition to being inclusive, this production will add the beauty of American Sign Language to every performance enhancing the message of the show which deals with mental health, addiction, and suburban family dynamics.

Directors Lisa Scheps and Brian Cheslik discuss bringing these two theatre companies together for this co-production. Scheps exclaims, "I am excited to be co-directing this challenging piece with Deaf Austin Theatre's Brian Cheslik. Adding ASL and deaf characters to Next to Normal makes this compelling play more dynamic and relevant.... I can't wait!" Cheslik expands his excitement, "Next to Normal is going to be like nothing else that Austin has seen before. This collaboration between Deaf Austin Theatre and Ground Floor Theatre will be sure to open doors to more collaboration between hearing and Deaf actors all across the South. It is a dream show for me, and I am so thrilled to be working alongside Lisa Scheps to bring this dream to reality."

Next to Normal explores how one suburban household copes with crisis and mental illness. Dad's an architect; Mom rushes to pack lunches and pour cereal; their daughter and son are bright, wise-cracking teens, appearing to be a typical American family. And yet their lives are anything but normal because the mother has been battling bipolar disorder for 16 years. Next to Normal takes audiences into the minds and hearts of each character, presenting their family's story with love, sympathy and heart.

The production has a cast of 11 that blends hearing and deaf performers. The cast includes JoAnn Benfield (Dr. Madden/ASL), Sandra Mae Frank (Natalie/ASL), Kirk Kelso (Dr. Madden/English), Jim Lindsay (Dan/English), Kerry McGinnis (Diana/ASL), Daniel Ponce (Henry/English), Megg Rose (Diana/ASL), Tyrique Sylvester (Henry/ASL), Maryanna Tollemache (Natalie/ASL), Seth Washington (Dan/ASL), and Riley Wesson (Gabe/English/ASL).

Directed by Lisa Scheps and by Brian Cheslik. The production team includes musical direction by Adam Roberts and Dr. Ellie Jarret Shattles; choreography by Kelsey Oliver, costume and prop design by Patti Neff-Tiven, scenic design by Zac Crofford; lighting design by Amber Whatley; sound design by Jeff Miller; ASL coordination by Sharon Ploeger; production stage manager Kelsey Moringy; and Danielle Grisko as stage manager.

Performances run December 5-21, 2019 at Ground Floor Theatre, 979 Springdale Road, Austin, TX at the corner of Springdale and Airport. Performances are Thursday through Saturday nights at 8:00PM and Sundays at 5:00PM. The "First Friday" performance on December 6 includes a reception. Ground Floor Theatre believes in "theatre for everyone" regardless of ability to pay, so tickets are always "Pay What You Can". Tickets can be purchased at groundfloortheatre.org

This project is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department and Texas Commission on the Arts.

Ground Floor Theatre (GFT) concentrates on works by and for underrepresented communities. It serves as an incubator to foster and grow new and groundbreaking works that shine a light on groups that are often overlooked. It is also a home for the Austin theatre community to come together and learn from one another in order to help Austin continue to excel as a leader in The National Theatre community. For more information visit www.groundfloortheatre.org.

Deaf Austin Theatre (DAT) is a non-profit organization, whose purpose is to enrich, inspire, educate, create and entertain the Austin community by producing live theatre experiences in American Sign Language (ASL), theatre workshops and acting camps. For more information visit www.deafaustintheatre.org.

Review: If These Hands Could Talk… And They Do In The BROADWAY SIGNS! TWILIGHT ZONE SPOOKTACULAR At 54 Below

Heigh-Ho, My Merry Rainbow readers! Bobby Patrick (We/Us/Our), your RAINBOW Reviewer here. Putting the silent T in cabareT to bring you ALL the Tea!

Director/Performer Russell Harvard Brought some of the most gifted voices and hands (as in American Sign Language Hands) to the stage at 54 Below on Halloween Night for a BROADWAY SIGNS! TWILIGHT ZONE SPOOKTACULAR. Using a mixture of live piano and musical tracks over the club's sound system, and employing the deaf theatre technique of Shadowing (a live hearing singer as the voice and a deaf actor performing the songs in sign language) this Halloween festival was more than a treat to the eyes and ears - it was a total blast, a party, in fact. Broadway SIGNs! is a project created by Signmation, and their producer Jo-Ann Dean, that creates Theatrical Off-Broadway Productions LIVE!, performing at places like the Triad Theater, 54 Below, and Stellar Livestream. Created in collaboration by Deaf Artists & Broadway talent to celebrate American Sign Language (ASL) in Musicals, Theater, Dance & Comedy - so says their website.

What Bobby saw on Halloween night was more than all of the words in that description. It was a transformational experience of music, coupled with movement communication. Director Harvard brought in several of his colleagues from Deaf West Theatre (the folks that brought their SPRING AWAKENING to the Broadway in 2015), along with other sign language performers and veteran voices from our NYC stages, and tasked them with bringing the fun for All Hallows Eve. Kicking off the night with THIS IS HALLOWEEN from THE NIGHTMARE BEFORE CHRISTMAS, Harvard, himself, performed to the original soundtrack recording, and, in his adorable skeleton togs, set the costume party tone for the denizens of 54. The second number, Screamin' Jay Hawkins' I PUT A SPELL ON YOU, established the other performing style of the night with superb actress, Ashlea Hayes, signing, coupled with Jared Wayne Gladly's live singing voice. Each number executed in this fashion brought to the stage 2 performers, so that the audience got to experience the layers of collaboration that filled the room. Stand-out shadows of the night (see what Bobby did there?) included LIFE OF THE PARTY, performed with abandon by Joey Antonio and Mary Hould, PIRATE JENNY, sung in Noax's silky but powerful voice, and Joshua Castille's hands, as well as his entire limber body. So expressive was Castille that each word from his singer's mouth seemed to reform his shape, giving a dancer's choreography look and feel to it all. This was immediately followed by Russell Harvard taking the stage again to sign SWEEN TODD's uber eerie paean to his razor's, THESE ARE MY FRIENDS, accompanied by the basso profundo vocals of the marvelous Antwayn Hopper, and, in the vernacular of the theatre, the number dripped blood - literally. Both men were on fire for this song, which elicited so much excitement from the audience, for a moment it felt like an encore would have to be delivered. It was not yet the end of the show, however, for the room was then charmed to see Sandra Mae Frank of TV's NEW AMSTERDAM perform (sans vocals of any kind) Lydia's lament from BEETLEJUICE - DEAD MOM. Though the lyrics rolled across the monitor screens stage left & right, they were superfluous, as this young actor's style, talent, and interpretation of the words, with her body, conveyed all the hurt and teenage angst that the composition needed.

And so, my lambs, whether deaf or hearing, a FAB Halloween was had by all, thanks to the supreme talents of players, directors, and music director Don Pardo. It will be worth it, indeed, to keep an eye out for any more BROADWAY SIGNS* performances, as the entertainment is well worth the time and the ticket to walk across their bridge between the deaf and the hearing worlds, and for that, more than anything else, Bobby gives BROADWAY SIGNS! TWILIGHT ZONE SPOOKTACULAR At 54 Below a rowsing...

4 ½ Out Of 5 Rainbows

To Read About The Full Company From This Holloween Extravaganza Go: HERE

For More Info on Broadway Signs Visit The SIGNmation Website: HERE

*Broadway SIGNs! is an Off-Broadway Production of Deaf Artists and Broadway Talent creating performances in American Sign Language (ASL) for stage, dance, theatre, and comedy both virtually and live. As a Theatrical Cabaret, Broadway SIGNs! debuted NYC Off-Broadway with sold-out performances at The Triad Theatre. Our vision is to create a space and platform for visibility, authenticity, and collaborations by Deaf Creatives, Actors, Dancers, and Choreographers within the Broadway Community. Deaf Hosts, Actors, and Dancers choose and develop their own musical, dramatic and comedic performances and translate them into ASL/English. All performances are in American Sign Language and accessible in Spoken English. Art is for everyone, so recorded performances are also captioned. Music Direction and Piano Accompaniment by Henco Espag. Produced by Jo-Ann Dean, SIGNmation L.L.C.

All Photos By Yours Truly, Bobby Patrick

BROADWAY SIGNS! TWILIGHT ZONE SPOOKTACULAR, Karen Mason, and More Will Play 54 Below Next Week

Next week, 54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond. A recipient of the 2022 Tony Awards Honor for Excellence in the Theatre, 54 Below celebrates Broadway musicals and writers of the past and present, promoting an ongoing engagement with their work. To purchase tickets or for more information, visit www.54Below.com or call (646) 476-3551.

BROADWAY SIGNS! TWILIGHT ZONE SPOOKTACULAR WITH Russell Harvard, Sandra Mae Frank, Josh Castille, & FRIENDS - OCTOBER 31 AT 7:00 PM

Costumes encouraged! Join Broadway SIGNs! for a Halloween Spooktacular with Broadway headliners from Deaf West's Spring Awakening, including Russell Harvard, Josh Castille, and Sandra Mae Frank, with an ensemble cast. Expect a Twilight Zone-inspired night of musical storytelling, pop hits, and Halloween classics in American Sign Language (ASL), featuring a stellar cast of Deaf artists and vocalists from Broadway and beyond!

From a rockin' "This is Halloween" from Tim Burton's The Nightmare Before Christmas to the King of Pop's "Thriller" to "The Monster Mash," you'll be up dancing the whole night! Rock out to Beetlejuice's "Say My Name" with Josh Castille and Sandra Mae Frank as they bring us into the Netherworld alongside Angel Lin and Robert Ariza. It's not Halloween without "Pirate Jenny," led by her skeleton crew, Josh Castille and Noax. Finally, what's a Spooktacular without Joey Antonio and Mary Hould, who are "The Life of the Party?"

Other special guests include A Strange Loop's Antwayn Hopper, who'll join Russell Harvard as Sondheim's Demon Barber, Sweeney Todd, and Deaf West's breakout star Ashlea Hayes and Aladdin's Jared Wayne Gladly, who will "Put a Spell On You!"

Broadway SIGNs! music director Dan Pardo ("John Mulaney and the Sack Lunch Bunch," Amazing Grace, Russell Harvard's From the Ground Up) returns for an encore on piano and vocals. Directed by Russell Harvard.

Creative produced by Jo-Ann Dean, Broadway SIGNs! www.SIGNmation.com

Featuring Joey Antonio, Robert Ariza, Josh Castille, Sandra Mae Frank, Jared Wayne Gladly, Russell Harvard, Ashlea Hayes, Antwayn Hopper, Mary Hould, Angel Lin, Noax, and Gabriel Silva.

Production team includes Broadway SIGNs! Producer Jo-Ann Dean, music director Dan Pardo, stage manager Miriam Rochford, and ASL interpreter Alberto Medero.

$70 cover charge ($78.50 with fees). $105 premium seating ($117 with fees). $25 food & beverage minimum.

BLACK MAGIC: A HALLOWEEN CELEBRATION WITH Maria Wirries - OCTOBER 31 AT 9:30 PM

Broadway's Witchiest Woman, Maria Wirries, is creeping out of her Crypt for a Halloween Celebration! Currently Maria is in the Off-Broadway Revival of Kinky Boots and last seen in Penelope at the York Theater and Dear Evan Hansen on Broadway and on Tour. Maria is ready to share her magical practice with you to kick off All Hallows Eve! Come hear all of your spooky favorites and participate in some powerful group manifesting and magical moments!

Featuring fierce vocals by Lindsay Joan and Nick Drake and a kick-ass band led by Music Director and Guitarist Matt SanGiovanni.

$40 cover charge ($45.50 with fees). $65 premium seating ($73 with fees). $25 food & beverage minimum.

Karen Mason: 30.. AND COUNTING - NOVEMBER 1 & 2 AT 7:00 PM

54 Below is proud to present the return of Karen Mason - in an encore performance of 30... And Counting, her critically acclaimed show honoring her three-decade collaboration with music director Christopher Denny. Mason performed her first concert with Denny on August 5, 1992 and they have continued the working together to this day. A few years later, director Barry Kleinbort was added to the mix, and this triad of talent have been creating brand new arrangements and shows ever since. This evening will highlight some of their favorite arrangements including "Help/Being Alive," "Watch What Happens/I Will Wait for You," and "Finding Wonderland," with many more surprises. Tom Hubbard joins on bass.

Karen Mason was recently seen playing Mrs. Marsh on Ryan Murphy's "Halston" on Netflix. On tour, she was last seen as Madame Giry in the North American premiere of Love Never Dies (Andrew Lloyd Webber's epic sequel to The Phantom of the Opera). On Broadway, she starred as The Queen of Hearts in Wonderland and originated the role of Tanya in Mamma Mia! (2002 Drama Desk nomination as Best Actress). Her other leading roles include Norma Desmond in Sunset Boulevard on Broadway and in Los Angeles for three years; Velma von Tussel in the Broadway company of Hairspray; and "Monotony" singer and Mazeppa in Jerome Robbins' Broadway.

$55 cover charge ($62 with fees). $90 premium seating ($100.50 with fees). $25 food & beverage minimum.

Amy Jo Jackson: THE BRASS MENAGERIE - NOVEMBER 1 AT 9:30 PM

Don't call it a comeback - it's a RETURN! Amy Jo Jackson is delighted to bring "this beautifully realized piece of work" - winner of a 2022 Bistro Award - back to 54 Below. The Brass Menagerie is a campy romp through the women of Tennessee Williams... in SONG! If you've ever wondered what it would be like to hear Blanche DuBois, Maggie the Cat or the Wingfields sing through their plays, wonder no longer - Amy Jo Jackson is here to bring all of the charm and vivacity, vivacity and charm that the South demands to these iconic women. Whether you're familiar with the works of Tennessee or not, you'll enjoy this ridiculous lark of a concert, taking you through such plays as A Streetcar Named Desire, Cat on a Hot Tin Roof, Summer and Smoke, The Rose Tattoo, and many more, mashed up with the classic songs of the musical theatre canon. With Brian Nash on the keys, prepare yourselves for an evening of strong drinks, strong accents, and even stronger choices.

$35 cover charge ($40 with fees). $60 premium seating ($67.50 with fees). $25 food & beverage minimum.

NEW MUSICAL! SWEAR BY THE MOON BY PEYTON MARION AND Caitlin Thomas - NOVEMBER 2 AT 9:30 PM

Deep in the heart of Appalachia, there is history, mystery, and most importantly moonshine. Swear By The Moon is the latest musical created by up-and-coming writing team Peyton Marion and Caitlin Thomas. Set in 1939 in the shadow of the Blue Ridge Mountains of Tennessee, Swear by the Moon is a story about government wrongdoing, resilience, queer love, land, legacy, and liquor with a score that pays homage to the American South and Appalachian musical traditions. So take a trip down south with us. We hope you're thirsty.

Featuring Bailey McCall as Rosie, Tatiana Wechsler as Ginny, Savidu Geevaratne as Joey, Gabriella Marzetta as Lou, Trevor Bunce as Mr. Brewer, Jordan Rubenstein as Sheriff Pete, Kat Rodriguez as Mary Dean, and Noah Silverman as ensember.

Music directed by Caitlin Thomas and Emily Goggin.

Produced by Vaibu Mohan.

$35 cover charge ($40 with fees). $60 premium seating ($67.50 with fees). $25 food & beverage minimum.

MISSED MY CHANCE: A LITTLE TOO GROWN FOR THE ROLE, FEAT. Summer Raye Mays & FRIENDS! - NOVEMBER 3 AT 7:00 PM

Summer Raye Mays and friends are back by popular demand with a sequel show to the hit When I Grow Up: A Little Too Young for the Role, which featured kids playing roles they are too young for! Directed and produced by Summer Raye Mays, original cast member of Mrs. Doubtfire, Missed My Chance: A Little Too Grown for the Role is exactly the opposite: your favorite Broadway stars will be playing musical theatre roles that they are too "grown" for. Featuring songs from Broadway classics to shows currently running, Missed My Chance is for anyone seeking a laugh, a bit of nostalgia, or some phenomenal performances. Don't miss your chance, and join us for another night to remember!

Music direction by Joshua Turchin.

Featuring Max Bartos, Cara Rose DiPietro, Erin Engleman, Callahan Gillispie, Eli Hamilton, Makena Jackson, London Riley Keller, Andrew Maroney, Sean McManus, Joshua Turchin, and Tory Vagasy.

$40 cover charge ($45.50 with fees). $65 premium seating ($73 with fees). $25 food & beverage minimum.

Brandon James Gwinn: FOUR PIANOS - NOVEMBER 3 AT 9:30 PM

Richard Rodgers Award winner Brandon James Gwinn (Marie's Crisis, Trixie Mattel's "Moving Parts" on Netflix) returns to 54 Below with Four Pianos, a tribute to their favorite singing pianists. Flanked by an expanded version of their T-Shirt Tuxedo Trio, Brandon (called "one hell of an entertainer" by the Bistro Awards) plays and sings a collection of American songbook and jazz classics, all inspired by recordings and arrangements made famous by Blossom Dearie, Frances Faye, Diana Krall, and Bobby Short.

$40 cover charge ($45.50 with fees). $65 premium seating ($73 with fees). $25 food & beverage minimum.

LUKE ISLAM FEAT. KAYLEIGH CEREZO & MORE! - NOVEMBER 4 AT 7:00 PM

This performance will also be livestreamed. For tickets and more information, click here.

Luke Islam, star of Netflix's "13: The Musical," Disney Plus' "The Mighty Ducks: Game Changers," & Golden Buzzer recipient on Season 14 of NBC's "America's Got Talent," makes his 54 Below & New York City solo concert debut! For one night only, Luke performs a breathtaking selection of songs that are all greatly significant to him. Featuring music all the way from Broadway classics, such as Funny Girl & Company, to tunes by modern-day hit artists like Billie Eilish & several others, Luke Islam creates an atmosphere that so many different groups of people will love and enjoy. Come on down to W 54th Street & join us for a night that you most certainly will not forget!

Featuring special guest Kayleigh Cerezo.

With Ben Boecker on piano, Andrew Jagannath on guitar, Tony Jarvis on bass, and Laiyo Nakahashi on drums.

Produced and directed by Brooke Procida and Studio PCI.

$65 cover charge ($73 with fees). $105 premium seating ($117 with fees). $25 food & beverage minimum.

WHAT IF? BELOVED MUSICAL THEATRE CHARACTERS SWITCH SONGS, FEAT. Jonalyn Saxer, ALYSSA WRAY, & MORE! - NOVEMBER 4 AT 9:30 PM

What if the Baker and Baker's Wife sang Therapy from Tick, Tick... Boom!? What if instead of the groundbreaking "The Wizard and I," Elphaba sang the Legally Blonde classic "So Much Better?" Join us for an exciting evening of What If's as we explore your favorite musical theater characters, and how their story would be different (or similar!) if replaced with another song. Come see familiar and new faces sing unexpected combinations from the most beloved musicals, while you ponder the question, What If...

Featuring Martha Sue Allen, Joe Bliss, Helora Danna, Erin Engleman, Kaileigh Fiorillo, Mia Cherise Hall, Amelie Jacobs, Gryphyn Karimloo, Jake Levy, Moana Poyer, Jonalyn Saxer, and Alyssa Wray.

Produced by Jorden Amir and Cara Weglarz.

Music direction by Jorden Amir.

$40 cover charge ($45.50 with fees). $60 premium seating ($67.50 with fees). $25 food & beverage minimum.

Virginia Woolf'S A ROOM OF ONE'S OWN, STARRING Mary Bridget Davies - NOVEMBER 5 AT 7:00 PM

Tony Award nominee (for her role as Janis Joplin) Mary Bridget Davies returns to 54 Below after her triumphant debut of Virginia Woolf's A Room Of One's Own! Davies embodies Virginia Woolf in a concert version of Woolf's classic text; a landmark in feminist thought. Now, with kind permission of the Estate of Virginia Woolf, it is a play with music, directed by the award-winning Kirsten Z. Cairns (Benjamin Britten's Turn Of The Screw, Curlew River) and with original music by Mark Berman ("Sex and The City," Bullets over Broadway) and Ms. Davies' music producer T.J. Armand (The Queen's Six, Sama).

Mary Bridget Davies will be joined on stage by Mark Berman (piano), Alex Prezzano (guitar) and Dave Richards (bass).

$40 cover charge ($45.50 with fees). $70 premium seating ($78.50 with fees). $25 food & beverage minimum.

54 SALUTES Frank Sinatra - NOVEMBER 5 AT 9:30 PM

Encore by popular demand! Join us for Frank Sinatra - The Second Century - A Celebration of Sinatra's Timeless Hit Songs!

SINATRA RETURNS! An all-star cast of Broadway and nightclub stars will perform the songs that propelled Ol' Blue Eyes into the stratosphere of superstars. Hear the hits that turned Sinatra into an icon for the ages, making him one of the rare show business beacons who continues to shine even in his second century. You'll hear songs like "One For My Baby," "Chicago," "My Way," "It Was a Very Good Year," and so many more.

This show comes courtesy of impresario Scott Siegel, who has created this enormously popular and enduring Sinatra series for 54 Below.

The show will be produced, written, directed and hosted by Scott Siegel, the creator of Town Hall's signature series, Broadway by the Year. He has written/directed/produced concerts for Michael Feinstein at Jazz at Lincoln Center and has, over the course of the last 21 years, created more than 400 major concerts all over the world.

Music direction by Ron Abel.

Produced written, directed, and hosted by Scott Siegel.

Featuring Shaun Alan Williams and more stars to be announced!

$50 cover charge ($56.50 with fees). $85 premium seating ($95 with fees). $25 food & beverage minimum.

David Sabella: THE RAZZLE DAZZLE OF CHICAGO - NOVEMBER 6 AT 7:00 PM

David Sabella, original co-star in Chicago the Musical, celebrates the anniversary of Broadway's longest running American musical with the music of Kander and Ebb and a special behind-the-scenes look at the show's creation and his long history as "Mary Sunshine."

David Sabella is best known for his co-starring performance in Chicago The Musical, with Bebe Neuwirth, Ann Reinking, and Joel Grey. He is an award winning singer and actor, having won the 2022 MAC award for "Major Male Artist" and an "Outstanding Lead Actor in a Play" award for the off-Broadway production of The Phillie Trilogy. He has also appeared in opera houses and concert halls throughout the US and Europe, including Lincoln Center and Carnegie Hall, and was a winner of the 1995 Luciano Pavarotti International Voice Competition, where Maestro Pavarotti publicly declared him to be "Excellent... not good, Excellent!"

$55 cover charge ($62 with fees). $90 premium seating ($100.50 with fees). $25 food & beverage minimum.

THE LEADING LADY CLUB: A CELEBRATION OF WOMEN ON BROADWAY AND BEYOND, FEAT. Jackie Burns, Ali Ewoldt, & MORE! - NOVEMBER 6 AT 9:30 PM

This performance will also be livestreamed. For tickets and more information, click here.

Welcome to the club! The Leading Lady Club is a celebration of women who are leading the way on Broadway and beyond. Join this cast of phenomenally talented women and female-identifying performers for a night of songs featuring Broadway's leading ladies! Brought to you by the creators of The Leading Lady Club Podcast.

Featuring Jackie Burns, Ali Ewoldt, Brennyn Lark, Taylor Symone Jackson, Megan Masako Haley, and Ginna Claire Mason.

Produced and hosted by Caitlin McNeilage and Lauren Montana.

Music directed by Simone Allen.

$35 cover charge ($40 with fees). $60 premium seating ($67.50 with fees). $25 food & beverage minimum.

LIVE FROM 54 BELOW

54 Below's new series is designed to make more shows accessible to fans all over the world. "Live from 54 Below" will feature LIVE performances of current shows on the calendar, streamed directly from Broadway's Living Room. Seven cameras will capture the excitement of being at the venue - all paired with the club's dramatic lighting and award-winning sound design. To recreate the live experience, all shows will be presented exclusively at the time of performance with an in-house audience and will not be available on demand afterwards.

The following performances will be streamed live. For tickets, visit www.54Below.com/LIVE

LUKE ISLAM, FEAT. KAYLEIGH CEREZO & MORE! November 4 at 7:00pm ET / Tickets $25

THE LEADING LADY CLUB: A CELEBRATION OF WOMEN ON BROADWAY AND BEYOND, FEAT. Jackie Burns, Ali Ewoldt, & MORE! November 6 at 9:45pm ET / Tickets $25

SAFETY INFORMATION:

54 Below is committed to providing an unforgettable experience for all guests, staff, and artists in a safe and healthy environment. We are following the most current guidelines of the Center for Disease Control and Prevention (CDC), the New York State Department of Health and Federal Occupational Safety and Health Administration (OSHA) related to COVID-19. Additional information on our safety protocols can be found here.

Please note that all guidelines and policies are subject to change in accordance with government mandates and recommendations.

Tickets and information are available at www.54Below.com.

MORE ABOUT 54 BELOW:

54 Below was founded as a place for the Broadway community to celebrate Broadway performers, both established and new, who sing not only the music of Broadway and the Great American Songbook, but also new material intended for Broadway and off-Broadway stages. The club features fine dining and superb scenic, lighting, and sound designs entirely imagined by Broadway designers. For performers, writers, musicians, and more, 54 Below gives opportunities to advance their craft, expand their repertoires, and develop their voices in a way that is more personal, making them stronger as artists. It gives Broadway fans an opportunity to see their favorite artists in a different way, deepening their relationship and understanding of their talent.

A recipient of the 2022 Tony Awards Honor for Excellence in the Theatre, 54 Below celebrates Broadway musicals and writers of the past and present, promoting an ongoing engagement with their work. It is also a place for innovation in musical songwriting and performance. Collaborations born at 54 Below give rise to and help develop new theatrical projects and new musicals. In addition, its popular streaming video activities and audio recordings support these activities, helping to build a new Broadway audience worldwide, both in age and geography.

54 Below is one of the most in-demand performance venues in the city, presenting over 700 shows each year. Unique in its mission, it has become an indispensable member of the Broadway ecosystem, providing a place for seasoned and emerging artists to hone their craft, try out new work, grow their fanbases, and gather as a community. The management team includes Proprietors and nine-time Tony Award winning Broadway producers Steve Baruch, Richard Frankel, and Tom Viertel, Creative and Programming Director Jennifer Ashley Tepper, and restaurant General Manager Mandisa Boxill.

Located at 254 West 54th Street, the club presents live shows at 7pm and 9:30pm. Tickets and information at 54below.com.

Review: Russell Harvard Goes Next Level With His ASL Cabaret FROM THE GROUND UP at 54 Below

When I arrived at 54 Below on Friday night for the Russell Harvard show, I knew there was a waiting list - I had seen it on the website. My plus-one for the evening had canceled, and there were paying guests, guests who really wanted to see Russell's ASL cabaret, and I had two seats to spare. After a brief tête-à-tête with concierge Dylan Bustamante, my two seats were made available and I had a spot, standing at the back of the club, in Photographer Corner (Dylan seemed shocked I wanted to give my seats but I've seen plenty of shows from the back of the theater, I didn't mind standing).

Giving up those seats was one of the smartest things I ever did.

Russell Harvard's show FROM THE GROUND UP is a good show. And Russell Harvard is a good cabaret artist. Had I been in my usual seat, reserved for 54 Below press, I would have been able to enjoy both Russell and his cabaret play in the extreme. While standing at the back of the theater, though, I was able to watch his audience enjoy his performance... and THAT was theater.

By simple virtue of the fact that deaf and hard of hearing people cannot hear, all of their communication is visual - at least, almost all of it is because there are those members of the deaf community who have residual hearing, and, naturally, everybody can feel the vibrations of the music. Still, the fact remains that being able to see a deaf actor perform a nightclub act is essential to the enjoyment of their storytelling. American Sign Language (ASL) is more than a form of communication, it is an artform of expressive beauty, and when a deaf actor is telling stories, they don't just use ASL, they put their entire being into their craft through dance and through facial expressions - it is an all-encompassing activity, and a very physical one. That physicality, though, is not limited to the actor on the stage: the audience response is physical as well, it is visual as well, because the actor should be afforded the immediate response that hearing actors get when they are performing theater. So the deaf and hard of hearing members of the audience were inclined to give Mr. Harvard more in return than the universal deaf form of applause, the waving of hands in the air. There was much waving, and chair dancing, and sometimes people rising out of their seats with their dancing. There was an active, assertive, appreciative exchange of energy between Russell Harvard and the full house of patrons at 54 Below. It was a sight to behold, beautiful, heartwarming, human.

Just like Russell Harvard.

A veteran of three Broadway plays, Mr. Harvard is easily one of the most likable performers ever to set foot onto a cabaret stage. In her opening introduction on Friday night, Alexandria Wailes waxed poetic and praiseful about his qualities, at times making him sound rather too good to be true, but after spending seventy minutes with him and his musical cabaret, it was more than clear that Ms. Wailes was only speaking that which is fact. It was easy to spend those seventy minutes with Russell Harvard because he is a gifted storyteller, abundant of honesty and humor, adorable of personality, and almost uncomfortably easy on the eye. He is the complete package. And he can dance. That's a big part of Harvard's cabaret show because his musical storytelling is a breathtaking flurry of sign language, lip-synching, and dancing to recorded music by Madonna and Paula Abdul and Lady Gaga, as well as music performed by artists sharing the stage with Russell, like Tom Berklund, Andy Mientus, and theatrical treasure Michael Cerveris. And while the dancing did come into play during the sung-through numbers from The Wizard of Oz (Berklund), Spring Awakening (Mientus) and Sweeney Todd (Cerveris), getting to watch Russell get his groove on to those Eighties pop divas (and a divo or two) informed the audience of something important about Harvard: his playfulness. How much a person invests their body into the act of dancing says a lot about them - and what we learned about Russell Harvard is that he is fun, and fun is remarkably endearing.

Also endearing about Russell is the frankness with which he communicates with his audience. He has nothing to hide, no pretense, no wish to be anything but transparent. Did he need to look at his script? Yes, and he told us he did, and he told us he was nervous. Did he sweat so much that he needed to change his shirt, on stage, mid-show? Yes, and he did, and he laughed when dollar bills were thrown up onto the stage (and when Cerveris crept up under the piano to swipe the discarded sweaty garment from the floor as a keepsake). Did he make jokes about how much he had to hydrate? (Remember, this was a VERY physical show). Yes, and we loved it. We really loved him. Russell kept the audience in the conversation at all times, explaining what drew him to performing, why he was attracted to pieces of music, how particular theatrical experiences informed his life. During all seventy minutes of FROM THE GROUND UP, Russell Harvard engaged his audience in an intimate expression of who he is as an artist and who he is as a man, and that is what cabaret is all about: intimacy. Russell Harvard has the makings of a fine cabaret and concert show about him, and he has the makings of a fine cabaret and concert star about him: that is to say, a fine cabaret and concert star, not a fine deaf cabaret and concert star. Hearing people might think that there is nothing in From The Ground Up for them, but they would be wrong, they would be very wrong.

From The Ground Up is not my first cabaret show by a deaf actor. Early in my tenure at Broadway World Cabaret I caught a wonderful club act by Joshua Castille (who, I think, I clocked in the audience at this act) in which he performed ASL and dance to recorded pop songs and show tunes. I, and many others, have enjoyed Rian Keating's MAC Award winning cabaret/storytelling shows - Keating is not deaf from birth and has some experience talking and singing, though he is very open about his need for powerful hearing aids - his are not ASL shows, though they are informed by his being a deaf person. There is no reason why anybody should let the fact that Russell Harvard does not perform as a singing artist deter them from coming to enjoy his storytelling. Indeed, it is one of the reasons why everyone should come. Whether working side-by-side with fellow deaf actors John McGinty ("Rum Tum Tugger") or Wailes ("Drifting" by Groovelily), or performing alongside hearing actors providing the vocals, the entire program is a dance between the artists, a mutual exchange of contented energies, and a collaborative effort between like minds, especially when it comes to Russell and his Musical Director Dan Pardo, who keeps his eye on every performer, at all times, and who never misses a thing. It's an admirable feat, particularly when one considers that there is no director credited for the show (something Harvard and producer Jo-Ann Dean might want to rethink).

Particularly enjoyable during From The Ground Up were a pas-de-troi between singing actor Mientus and deaf actors Harvard and Treshelle Edmond to the Spring Awakening number "The Mirror-Blue Night" (it was artistically extremely satisfying) and the "Sweet Transvestite" between Russell and Cerveris, which was a little slice of camp heaven on earth. But the unquestionable triumph of the evening was watching the full force of Harvard's acting commitment and manual dexterity while performing "Waving Through a Window" - it was a tour-de-force performance that, alone, made the ticket price and walk to the club in the unbearable heat worth while. The truth is, though, that the entirety of Russell Harvard's ASL cabaret show is worth catching because it is more than entertainment: it is a window, allowing us to see inside of the life of another human being, which we all need, and which cabaret is so good at doing.

I write a lot about the need for inclusivity and diversity in cabaret. Not just for people of color, not just for members of the LGBTQIA+ community, for everyone. I have sat in this room at 54 Below and watched shows created by black artists that are attended by primarily black audiences. I have sat in this room at 54 Below and watched programs centering around the Latin experience, the Asian community, the trans artists, all of which have been attended by members of the Latin, Asian, and trans communities. But they shouldn't be. These programs that the fine folks at 54 Below facilitate should be attended by everyone. We should, all of us, be seeking out cabaret theater that doesn't just entertain but that helps us to expand our minds, to broaden our experiences. These are the days of inclusivity, especially here, in New York, where the citizens fight bigotry and stand together (not absolutely everyone, of course, but the vast majority) in an effort to create equality and community. Members of society and of the cabaret and concert community should be populating the audiences of these programs at 54 Below (and other like-minded clubs) in an effort to learn, to grow, and to support. The rewards are great because, not only do we get to learn about people whose life experiences are different than our own, we get to make room at the table for those artists who fit into a different demographic than ours. When we expand the audience at shows like From The Ground Up to include more than just the deaf community, we normalize the possibility that theaters around the country will show an interest in Russell Harvard's show, not because it's a good deaf cabaret, but because it's good cabaret. When we make ourselves, our audiences, our community one that is all-inclusive, we make possible group shows and Award ceremonies and casts made up of artists of every single demographic working the club circuit. Representation is important, and that means making space for artists of all the demographics at every club, in every show, not just the ones that will be attended by other people from that demographic, looking to see their stories being told. We should all want to hear all the stories, and we should all want to raise up the people telling those stories. From The Ground Up is cabaret theater that would suit any room where there is a stage and an audience looking for fine storytelling and a window through which to look, to see, to learn. That's why Russell Harvard's musical autobiographical cabaret isn't just good theater, it's important theater, bestowing upon Russell Harvard that rare and wonderful combination that is artist and activist.

Without knowing it, Russell Harvard has created one of the most important shows of the season.

The wonderful ASL interpreter for From The Ground Up was Alberto Medero and Michael Purcell served as voice interpreter for Russell Harvard.

Find more great cabaret and concert work at the 54 Below website HERE.

THIS is the Russell Harvard Instagram page and the Russell Harvard Facebook page is HERE. Twitter users can find Russell Harvard HERE.

Learn more about FROM THE GROUND UP Producer Jo-Ann Dean and the work being done by Broadway SIGNs! at the SIGNmation website HERE.

Photos by Stephen Mosher

Visit the Stephen Mosher website HERE.

Deaf Broadway Actor Russell Harvard to Present FROM THE GROUND UP at Feinstein's/54 Below

Broadway SIGNs! Producer Jo-Ann Dean will debut Broadway's Russell Harvard (Spring Awakening, To Kill A Mockingbird, King Lear) in his first Solo Artist musical performance From the Ground Up on Friday, July 15 at 9:30 pm at Feinstein's/54 Below.

He is the first Solo Deaf Artist taking stage to rock a night of musical storytelling through American Sign Language (ASL) performing hits from Madonna to Broadway with his all-star friends. A brilliant storyteller he'll share his ASL roots and what ignited his passion for music and sign language in a generationally Deaf family. He's joined by Tony Award® nominee Joe Iconis (Be More Chill, Love in Hate Nation, Broadway Bounty Hunter), Andy Mientus (Spring Awakening Deaf West revival, Les Misérables, Wicked, "Smash") Alex Wyse (Spring Awakening Deaf West revival, Waitress, A Commercial Jingle for Regina Comet), and more stars to be announced! The performance is inclusive in ASL, bringing new audiences to 54 Below with Voice Narration by Tom Berklund and ASL Interpretation by Alberto Medero on stage for Guest Artists. A visual feast and set led by Music Director Dan Pardo (Andrew Barth Feldman's Park Maps) on piano. Produced by Jo-Ann Dean, Broadway SIGNs! www.SIGNmation.com

Russell Harvard has appeared as lead actor in Emmy winning Fargo, Oscar winning There Will Be Blood opposite Daniel Day Lewis, Tony winning To Kill A Mockingbird, now aiming for the Grammy's! His interviews garnered a 2021 Emmy win for Chris Welch Fox 5 News "Breaking a Sound Barrier" an entertainment special. Frank DiLella's NY1 On Stage: Pick of the Week Broadway SIGNs! @Triad Theater featured Russell's Waving Through A Window performed with Alex Wyse to a sold out performance. Russell founded Deaf Austin Theater (DAT) in his hometown Austin for Deaf Artists to write, produce and direct theatrical works in native American Sign Language and to be accessible for all.

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