BWW Stage Mag In the Time of the Butterflies - Book-It Repertory Theatre Stage Mag

In the Time of the Butterflies

 
at Book-It Repertory Theatre
 
 
A Play by
Caridad Svich
Based on the Novel by
Julia Alvarez
Directed by
Ana María Campoy
 
Starring
 
Avióna Rodriguez Brown
Jasmine Lomax
Beth Pollack
Quetzie Taborga*
Sofía Raquel Sánchez*
Carolynne Wilcox
 
 
*Members of Actor's Equity Association

A Word from our Artistic Director

I first read In the Time of the Butterflies in high school and its depiction of love and terror is forever etched into my memory. The descriptions of the Dominican Republic, a country I knew little about, sounded beautiful, colorful, and almost musical in Julia Alvarez's depiction. But against this pleasing backdrop, Alvarez paints a world of fear. Trujillo rules the island with an iron fist, our own country complicit with his evil. Resistance is crushed mercilessly and the elites treat the subjugated island as their playground. Through her recounting of real people and circumstances, Alvarez asks what we would do if we were in the situation of the Mirabal Sisters. Would you stand up to inequity or ignore it in favor of your own comfort and safety? 

 

At what age did you become aware of injustice?

 

What Julia Alvarez portrays, Caridad Svich enlivens, and Ana María Campoy brings thrillingly to life, is something we must not look away from. A story of heroism. A story of family. A story of tragedy that ends with hope. And a reminder to those who experience comfort at the expense of others that freedom must be recognized.

 

We must bear witness. It is what we are here to do.

 

Enjoy the show.

 

Gus Menary (he/his)

Artistic Director 

Book-It Repertory Theatre

A Word from the Playwright

'The Memory of the Butterflies'

Julia Alvarez in her novel In the Time of the Butterflies (1994) weaves an intimate, complex, time-shifting tale of four sisters and their political awakening as activists under the Trujillo regime in the Dominican Republic. Based on the true story of the Mirabal Sisters, Alvarez’s novel considers with respect, affection and tenderness the quotidian lives of Minerva, Patria, Maria Teresa and Dede from the time they are girls to when they are women. Haunted by the knowledge that Minerva, Patria and Maria Teresa were murdered in 1960 by Trujillo government-backed assassins, the novel is a memory piece narrated by the surviving sister Dede as she recounts her family’s story to a young American woman. Although the story that Alvarez relates from history is weighted by the untimely, unjust end of these women’s lives, the novel is remarkably immediate and possessed of a luminous, graceful radiance and lightness of tone. Told in the imagined voices of the sisters through alternating chapters, the novel is comprised of diary entries, drawings, letters and sections of narrative that travel back and forward across historical time. Alvarez, in conjuring the voices of the sisters and their family, conveys with warmth the common everyday disagreements and entanglements among siblings while charting the defiant, heroic acts of resistance that play a significant part in their lives. In the post-script to the novel, Alvarez explains how the writing of the novel was for her an act of questioning, and how through the process of writing, “the characters took over, beyond polemics and facts,” and how “she began to invent them.”

Writing a play is also an act of invention. Rather than replicate Alvarez’s prose and dialogue, I too have sought as a writer to find my own site for the imaginary to be released, and for these characters, these sisters, to find new life. Given that the story is based on fact, there is unquestionably for me as a writer a profound debt to the lives of these real women and the legacy they left behind. There is also the complicated and necessary imaginative leap that needs to be taken to negotiate the facts in and of themselves with Alvarez’s respectful and enchanting inventions. The intimate, reflective spaces that Alvarez creates in her novel are impossible to mimic when translating this story to the stage. For one, the novel exists in and of itself as a work of artistry, and therefore, mimicry alone would not do justice to these women’s lives or to Alvarez’s work as writer. If one is to make a play for the theatre, then it too needs to exist on its own and find its distinct voice and sensibility.

Theatre is intimate and public, but unlike a novel is always in time. The spaces that prose allows are significantly different than what the theatre demands. Thus, my task as a playwright working with Alvarez’s novel has been to re-re-invent for myself the beautiful, willful and sad story of these vibrant and complicated women, and position their story within a heightened theatrical frame. The creation of the frame for me has in part been historical. The fact that the surviving sister carries the memories inside of her 3 and the task too of recording the family history for generations, a fact that also frames Alvarez’ novel, has been a liberating one for me as a dramatist. The present interrogates the past in this play but also sometimes creates its own resonant space for memories to reverberate. In doing so, music becomes a central sonic template, for, of course, music plays a key role in accessing memory, in placing moments in historical and emotional time, and in tapping into emotion. 

A Note from the Dramaturg

As the cultural and historical dramaturg for this production, I spent a great deal of time researching the Trujillo regime and the lives of the Mirabal sisters. I discovered many facts about the events and the people these characters were based on in order to aid in understanding the world of this play.

 

· Rafael Leonidas Trujillo Molina ruled the Dominican Republic for over 30 years.

· Trujillo governed through intimidation, fear, and corruption.

· in 1937, Trujillo was responsible for the death of approximately 20,000 Haitians.

· Trujillo, referred to by his enemies as “the goat” due to his virility and sexual appetite, persuaded or forced young women, married and unmarried, to engage in sexual acts. If a woman resisted, there would be consequences for her and her family.

· Trujillo attempted to make Minerva one of these women, but she publicly rejected him, putting the family on his radar and causing Trujillo to retaliate.

· The sisters eventually were leaders of a movement against the dictatorship along with their husbands.

· Trujillo, fed up with the rebellion, and in particular the Mirabal sisters, orchestrated an elaborate scheme to murder the sisters and tried to cover it up as an accident.

 

But what has stayed with me through the rehearsal process was not only the staggering number of atrocities that Trujillo committed, but instead, a reverberation of hope. I found it in the countless websites discussing the sisters, I found it in Julia Alvarez’s book, and I found it in Caridad Svich’s interpretation of this story–the beautiful play you are seeing tonight. In all accounts of the Mirabal sisters, there is a spirit of resilience, dedication, and a willingness to sacrifice for the greater good. I discovered women who, despite what appeared to be insurmountable odds, continued to fight against a regime that created a culture of fear so prevalent, that the consequences of dissidence dissuaded action. And the few that did stand up to fight for freedom, suffered enormous consequences.

 

The sisters were ahead of their time, balancing revolution with education, marriage and motherhood. Three of the sisters had marriages that by all accounts were egalitarian and true partnerships, a notion not yet common during the time they grew up. Patria, Minerva, and Maria Teresa were college graduates, while Dedé ran the family business. Even in the shadow of tyrannical rule, they lived and loved and dared to hope. Even in death, they became a torch whose light led the way for many women’s movements both locally and on an international scale…and they continue to be an inspiration and an example of the power of the human spirit.

Maria-Tania Bandes B. Weingarden

Dramaturg, In the Time of the Butterflies

Original Music

All Music Composed By: Eduardo Mendonça

Performed by: Eduardo Mendonça (Guitar)

                      Dave Pascal (Bass)                       Ernesto Pediangco (Percussion)

                      Aaron Norman (Flute & Piano)            

Recorded at the Center Theatre, Seattle, WA.  Recorded and Engineered by Ben Radin.

Cast

Avióna Rodriguez Brown (they/she/we)
Patria
Jasmine Lomax (they/them)
Minerva
Beth Pollack (she/her)
Dede / American Woman
Sofía Raquel Sánchez (they/them/elle)
Mate
Quetzie Taborga (they/them)
DJ
Carolynne Wilcox (she/they)
Adele
Viviana Garza (she/her)
Understudy

Creative Team

Caridad Svich (she/her)

Playwright

Ana María Campoy (she/her/ella)

Director

Elizabeth Stasio (she/her)

Stage Manager

Antonieta Carpio (she/ella)

Props Designer

Andreya Pro (she/they)

Props Design Assistant

Francesca Betancourt (she/her)

Intimacy Director

Alyssa Kay (she/her)

Fight Director

Sofía Raquel Sánchez (they/them/elle)

Choreographer

Gin Hammond (she/her)

Dialect Coach

Gloria Alcalá (they/them)

Music Director

Aaron Norman (they/them)

Music Supervisor

Eduardo Mendonça (he/him)

Music Composer

Michael B. Maine (he/him)

Projections Designer

Janelle Kimbrough (she/they)

Costume Designer

Jerik Fernandez (he/him)

Sound Designer

Darren McCroom (he/him)

Lighting Designer

Bella Rivera (they/she)

Scenic Designer

Maria-Tania Bandes B. Weingarden (she/her)

Dramaturg

Selina Senn (she/her)

Production Assistant/Covid Compliance Officer

Tierney Breana Valentine (she/her)

Assistant Stage Manager

José Amador (El)

Associate Director

Emily K Kight (she/her)

Costume Designer

Production Staff

Production Manager

Dan Schuy (he/him)

 

Company Manager & Casting Director

Zenaida Smith (she/her)

 

Technical Director

Benjamin Radin (he/him)

 

Assistant Technical Director

Andrew Long (he/him)

 

Master Carpenter

Sergio Vivas (he/him)

 

Scenic Charge Artist/Prop Supervisor

Jessica Christensen (she/her)

 

Master Electrician/Board Operator

Danny Herter (he/him)

 

Sound Engineer/Board Operator

Conor Fortner (he/him)

 

Wardrobe Supervisor and Additional Costume Design

Emily Kight (she/her)

 

Meet the Company

Avióna Rodriguez Brown (they/she/we)

Patria
Avióna Rodriguez Brown (they/she/we) - Patria Avióna is making their Book-It mainstages debut; is a Queer, AfroMexican, second generation American-born, curvaceous person who bends time and space itself to be involved in the Arts & Theater industry. Avióna is currently the Community Engagement Specialist at The 5th Avenue Theatre; as well as an actor, dramaturg, director, teaching artist, playwright, prop designer, stage manager, student & a board member for Evergreen Land Trust and Pricearts. Select theater credits: Silhouette (Annex Theater), Two Sisters & a Piano (Theater Schmeater), Romeo & Juliet (OFFRoad Shakespeare Co.). Film credits: KIMI (HBO MAX), GOING HOME (Pureflix). "Graciás a toda mí familía elegida y de sangre. #SoyAfro todos los días de mí vida, agradezco a Ana María y a nuestro equipo por llevarme a reconocer esa experiencia.”

Jasmine Lomax (they/them)

Minerva
Jasmine Lomax (they/them) - Minerva Jasmine is thrilled to return to Book-It Repertory Theatre as one of the super awesome box office ninjas and as a creative talent! When Jasmine is not directing, they act, write, stage-manage, and build Legos with their son Kayden. Some of their recent credits include The Bonesetter’s Daughter (Assistant Director) with Book-It Repertory Theatre, Or, (Intimacy Director/ Dramaturg), and Alice in Wonderland (Associate Director/Dramaturg/Actor) with Theatre22, as well as WE’VE BATTLED MONSTERS BEFORE! (Stage Manager) with ArtsWest. For fun, follow them on Instagram for more information on upcoming projects and to take a peek at their work with Delta Dental of Washington as the Tooth Fairy! 

Beth Pollack (she/her)

Dede / American Woman
Beth Pollack (she/her) - Dede / American Woman Beth Pollack is a Seattle-based performer, teaching artist, and arts administrator. Previous work with Book-it includes Mañanaland (Renata) and teaching for Book-it’s education programs. Select Seattle credits: A Midsummer Night’s Dream (Hermia/Snug/Cobweb), Hamlet (Hamlet), Macbeth (Banquo/Ross), and Romeo & Juliet (Capulet) with Seattle Shakespeare Company’s Wooden O and Educational Touring Program, and all 5 iterations of Dacha Theatre’s Dice series, for which she memorized the entirety of Twelfth Night, Hamlet, As You Like It, Pride & Prejudice, and Romeo & Juliet. As an educator, Beth has worked with Seattle’s Young Shakespeare Workshop, Seattle Children’s Theatre, Seattle Shakespeare Company, Book-It Repertory, Jet City Improv, ACT Theatre, and The 5th Avenue Theater, where she has served as the Rising Star Project Coordinator since 2015. She is also a proud company member of Dacha Theatre. Beth holds a BA in Theatre Studies and the Historicization of Dramatic Literature from NYU’s Gallatin School of Individualized Study and would be happy to explain what that means. More at www.beth-pollack.com

Sofía Raquel Sánchez (they/them/elle)

Mate
Sofía Raquel Sánchez (they/them/elle) - Mate Sofia is a bi-coastal actor and playwright, and they’re thrilled to be making their Book-It debut! Their acting work includes: Seattle Repertory Theater’s Ghosts (u/s Regina), Washington Ensemble Theater’s Dance Nation (Amina), Seattle Shakespeare Company’s Romeo and Juliet (Romeo), Seattle Children’s Theater’s Ghosted (Kayla), Seattle Public Theater’s Fire Season (Jessamyn), Strawberry Theater Workshops’ Lydia (Ceci), and more. Sánchez’s playwriting work includes:Untitled Musical (Village Theater’s Northwest Creator Residency); I Think I Love You (Copious Love Productions); Mi Cielo (Penguin Productions); and Black Widowed (CornishCollege of the Arts). Sánchez has a BFA in Original Works from Cornish College of the Arts. Shout out to their favorite composer and fiance, Rafael Molina, and keep up with Sánchez’s chaos and shenanigans at sofiaraquelsanchez.com

Quetzie Taborga (they/them)

DJ
Quetzie Taborga (they/them) - DJ Quetzie is a neurodivergent, queer, Latine, fat theatre maker of mixed descent. They are a storyteller, activist and educator who revels in the power and impact of works written for and by historically marginalized populations. They have worked locally with Seattle Opera, 5th Avenue Theatre, Village Theatre, Seattle Rep and others, as well as regional theatres across the country. They are currently based in Seattle, Washington. They would like to thank their family and their sweet schmee for their support, love, and near endless supply of Diet Mountain Dew during this process. "We must be impatient for change. Let us remember that our voice is a precious gift and we must use it." -Claudia Flores

Carolynne Wilcox (she/they)

Adele
Carolynne Wilcox (she/they) - Adele An half-Uruguayan actor and playwright with an MFA in Original Works from Towson University (MD), Carolynne is delighted to be making her Book-It debut with In The Time of the Butterflies. Recent in-person stage appearances include Village Theatre (The Book Club Play), Sound Theatre Company (Pariah), and Latino Theatre Projects (Frida Kahlo: Viva La Vida, a Spanish language production), plus a whole series of online performances during the pandemic years, including productions of her plays Clytemnestra (Mythodical Ensemble), A Series of Small Cataclysms, and Loom (both with The Shattered Glass Project). Much love to the ITTOTB ensemble of creatives, as well as to Ian, Echo, and Clio, who are her heart…y las mariposas Tambien—I hope they’re flying free. More info on Carolynne’s work as an artist is available at www.carolynnewilcox.com.

Viviana Garza (she/her)

Understudy
Viviana Garza (she/her) - Understudy Viviana is a brown queer Latine actor of Mexican descent currently living in Seattle. Originally from Southern California, Viviana has always fought against injustice and stood up for what is right. She originally came to Seattle to pursue work in public policy, but soon realized she could convey the messages of social justice and racial equity through the medium of the performing arts. Viviana is thrilled to be a part of this poignant work that brings to life one of her favorite books "In the Time of the Butterflies" in her debut working with this talented team and theater company. Viviana is honored to have performed in many wonderful shows including Reboot Theatre Company's "Cabaret" as the dance captain, Kit Kat dancer, and gorilla ballet dancer on pointe; Showtunes Theatre Company's production of "9 to 5" as Maria; and Centerstage Theatre Company's panto "Puss in Boots" as Princess Desiree.

Caridad Svich (she/her)

Playwright
Caridad Svich received a 2012 OBIE for Lifetime Achievement. Her work has been seen in print, in person, hybrid and virtual stages at diverse venues across the US and abroad. Key plays in her repertoire include 12 Ophelias, Iphigenia Crash Land Falls…, Red Bike and The House of the Spirits (based on Isabel Allende’s novel). Theatrical & transmedia world premieres in 2021-23: The Book of Magdalene at Main Street Theater, Houston, Theatre: a love story at Know Theatre, Cincinnati, The House on the Lagoon, based on Rosario Ferre’s novel, at GALA Hispanic Theatre in Washington D.C. Eva Luna, based on Isabel Allende’s novel, at Repertorio Espanol in NYC, Ushuaia Blue at the Contemporary American Theatre Festival, and Bernarda Alba, the opera, at Cleveland Opera Theater, and a workshop play/film version of Memories of Overdevelopment with Workshop Theater in New York City. Meanwhile, her translation of Lorca’s Yerma will receive its world premiere at Oregon Shakespeare Festival in the spring of 2023. Among her recognitions are an American Theatre Critics Association Primus Prize, the Edgerton Foundation New Play Award, and National Latino Playwriting Award (which she has received twice). She has edited and/or authored several books on theatre, most recently Toward a Future Theatre published by Methuen Drama. Her second independent feature film Abilene (as screenwriter) is currently in post-production.

Ana María Campoy (she/her/ella)

Director
Ana María Campoy is a first-generation Chicana, theatre artist, educator, and advocate. As an arts educator and theatre artist she has worked with Olympia Family Theatre, Seattle Repertory Theatre, Pacific Northwest Ballet, Book-It Repertory Theatre, Seattle Children’s Theatre, Seattle Shakespeare Company, Village Theatre, ArtsImpact's Voices from the Fields, and Oregon Shakespeare Festival's FUERTE Festival. One of her most cherished acting roles includes Catherine in a bilingual adaptation of David Auburn’s Proof, which she also produced and translated alongside director Arlene Martínez-Vásquez, and is now under consideration for publication. She has toured nationally in Living Voices’s solo show, La Causa. She’s developed multiple bilingual scripts for Seattle Shakespeare’s Touring Productions such as: Romeo y Julieta, The Taming of the Shrew, Twelfth Night, Macbeth, and Hamlet, the latter two she also directed. She continues to collaborate with Seattle Shakespeare Company as Associate Artist and is proud to be a Board Member for Sound Theatre Company. In addition to her work within the arts, she founded and now runs the volunteer collective, WashMasks Mutual Aid to provide PPE, support, and advocacy for migrant and seasonal farm workers and their families during throughout the pandemic (www.washmasks.org; @washmasks on Instagram). Deep gratitude and joy to the entire team. Much love to Jesse, Arlene, Roxana, Jay, Taryn, and Val. Para mis hermanas, Alejandra y Adriana.

Elizabeth Stasio (she/her)

Stage Manager
Liz is a local stage manager and theatre artist. Her particular specialties include chair wrangling and making things out of tape. Previous work with Book-It includes last season’s The Bonesetter’s Daughter, as well as The Dog of the South and Slaughterhouse-Five. Other backstage and stage management credits include work with Seattle Shakespeare Company, Seattle Rep’s Public Works, 14/48, Annex Theatre, Seattle Children’s Theatre, The 5th Avenue Theatre, and others. Big love to AMC, friend and collaborator extraordinaire, for this beautiful show and process.

Antonieta Carpio (she/ella)

Props Designer
Antonieta continues to strive to provide spaces for Brown, Black and Queer inclusive and intersectional narratives as a producer, designer, and dramaturg, particularly in the devised and immersive realm. Check her work out on instagram. Ha sido un sueño ayudar esta historia a través del objeto, mientras soñamos por un futuro mejor para todas nuestras hermanxs. Que Viva!

Andreya Pro (she/they)

Props Design Assistant
Andreya Pro is a queer, Latine actor, singer, and creative dabbler in the Seattle & South Sound areas. Holding her BFA in theatre performance, recently she’s worked with Pork Filled Productions, Seattle Shakespeare Company, Sound Theatre, and Tacoma Arts Live. Andreya is passionate about intersectional feminism, the supernatural, and their loved ones. They are very proud to make their Book-It debut with this beautiful, important production. ¡Viva revolución!

Francesca Betancourt (she/her)

Intimacy Director
Cessa is an actor, intimacy director, facilitator, and producer. She has worked as an artist and facilitator in Ireland, India, the Philippines, New York, Washington, Wisconsin, Maryland, Washington D.C., Florida, and internationally in the virtual world. She holds two BAs from Western Washington University, in Theatre Arts and Sociology, and has trained in Applied Theatre at City University of New York. Recent intimacy credits include In the Next Room or The Vibrator Play (Eastline Theatre, NY) Mrs. Caliban (Book-It), Two Mile Hollow (Intiman), and Hamlet and As You Like It (Seattle Shakespeare Company). She is currently a facilitator for Art With Impact and Intimacy, Directors, & Coordinators. Her work is based in trauma informed social/emotional arts practice, cultural competence, access, agency, and physical storytelling. 

Alyssa Kay (she/her)

Fight Director
Alyssa Kay is delighted to be working with Book-It again after most recently choreographing fights and intimacy for The Bonesetter's Daughter and The Turn of the Screw. A graduate of the UW School of Drama, she has worked as a fight choreographer, intimacy director, and movement coach for many local theaters including Seattle Shakespeare Company, ACT, Off Road Shakespeare, ReAct Theatre, and Pratidhwani. Alyssa currently serves as resident Fight & Intimacy Director for both Harlequin Productions and Seattle University and is an advanced actor combatant and regional representative with the Society of American Fight Directors. www.alyssakay.net

Sofía Raquel Sánchez (they/them/elle)

Choreographer
Please see Sofía's full bio in the CAST section

Gin Hammond (she/her)

Dialect Coach
Gin is a Harvard University/Moscow Art Theatre grad and a certified Associate Teacher of Fitzmaurice Voicework™. Hammond teaches voice in many forms and can be heard on commercials, audiobooks, radio plays, and a variety of video games including BattleTech, DotA 2, State of Decay 1 & 2, and Halo 3 ODST. Around town, Hammond has also been a dialect coach for ACT Theater, 5thAve. Theater, Seattle Rep, Taproot, Seattle Children's Theater, Village Theater, and films, and is the co-founder of the MFA: Meditations for Actors mobile app.

Gloria Alcalá (they/them)

Music Director
Gloria Alcalá holds a BFA in Musical Theatre from Cornish College of the Arts, and is a stage and screen actor, musician, and teaching artist based in Seattle, WA. For Gloria, working with the great artists of In the Time of The Butterflies has been a huge pleasure. Music direction/education: Village Theatre KidStage, Lakeside High School, Washington Ensemble Theatre. Acting credits: Cymbeline, Romeo y Julieta, The Tempest (Seattle Shakespeare Company), Wonder Boy (The 5th Avenue Theatre), Tin Cat Shoes (Washington Ensemble Theatre), Songs for a New World (Village Theatre), The Miraculous Journey of Edward Tulane (Seattle Children’s Theatre), Native Gardens (Intiman Theatre), Bright Star the Musical (Taproot Theatre), Disenchanted (Mamches Presents - 2019 Gregory Award Nominee).

Aaron Norman (they/them)

Music Supervisor

Eduardo Mendonça (he/him)

Music Composer
Eduardo Mendonça has played, composed, and directed various genres of Brazilian popular music in the US, Canada, Nepal, and Brazil. A native of Salvador, Bahia, Brazil, Eduardo has performed for many notable personalities, including the 14th Dalai Lama, Pope John Paul II, and former South Africa President Nelson Mandela, and he was featured in the PBS American Masters documentary, Paul Simon: Born at the Right Time. Eduardo performed as guest artist and composer with the jointly sponsored Seattle Symphony-Carnegie Hall project “Link Up: The Orchestra Moves,” exploring the creative process of this passionate composer through melody and motif. Eduardo Mendonça traces his lineage to a royal African family bearing the hereditary title of Mamabeka ("prophet of the royal court"), as documented by the Instituto Geográfico e Histórico da Bahia. Eduardo is the Music Director for Show Brazil! and for iBuildBridges Foundation.

Michael B. Maine (he/him)

Projections Designer
Michael creates various forms of art in and with community to increase awareness about, and encourage conversation and action, around issues of social justice and equity. He describes himself as a socially-engaged creative who's art practice serves as a meditation to better understand the world in which we live and the systems we've constructed. Most of Michael's projects focus on identity, power and privilege, deviance, and social movements. He often creates and chooses projects based on the ability to work with those who hold respect for the work, collaborators, communities, audiences, and anyone/anything that will ultimately be impacted. The opportunity to work with this group of people who are working so intentionally to honor the Mirabal sisters, history of the Dominican Republic, the various communities represented in this region, and all who are participating in In The Time of the Butterflies is a dream realized for him.

Janelle Kimbrough (she/they)

Costume Designer
Janelle is grateful to be working with Book-It for the first time. Graduating from Western Washington University with their B.A in Theatre Arts, with a concentration in Costume Design. After moving back home to Seattle, Janelle has been designing their way through the Seattle Theatre Scene. Working with companies like Seattle Shakespeare, ArtsWest, and Village Theatre. They are working towards creating a more inclusive community, and are excited to see what the future holds.

Jerik Fernandez (he/him)

Sound Designer
Jerik is very excited to make his design debut with Book-It! Previous designs include Dears In Headlights (Dacha Theatre); Much Ado About Nothing (Dacha Theatre) He is part of the Young Hot Thespian (YHT) theatre collective.

Darren McCroom (he/him)

Lighting Designer
MFA Lighting Designer/Associate Professor Mr. McCroom has been a lighting designer for more than thirty years. Some of his regional design credits include: Apollo Theater. The Oregon Shakespeare Festival, Alliance Theatre, Indiana Repertory Theatre, Syracuse Stage, Lincoln Center, Brooklyn Academy of Music (BAM) and Ford’s Theatre. International credits include works in: Rome, France, Teatro Unam, Mexico City, Mexico and South Korea. He is the recipient of the following awards and nominations: Falstaff Award for Throne of Blood by Ping Chong, Theatre Design and Technology (TD&T) award, 14th Annual Beverly Hills/Hollywood NAACP Theatre Award Nominee Mr. McCroom is an alumnus of The University of Illinois Urbana-Champaign and teaches Lighting Design and Stage Management at Western Washington University in Bellingham, WA

Bella Rivera (they/she)

Scenic Designer
Bella is so excited to design for Book-It for the first time! Bella is a Mexican-American scenic artist and designer originally from San Diego, CA. They hold a Bachelor of Arts in Theatre from Seattle University. Past projects include work with Seattle Public Theater, Seattle Shakespeare Company, ArtsWest, Village Theatre, the Gilbert and Sullivan Society, and the Seattle Rep. Bella's most recent scenic design work was featured in The Shattered Glass Project’s Want, and she is looking forward to designing props for Village Theatre’s The Lightning Thief in the fall. Bella would like to thank her partner, Jenna, for her continued support. bellariveradesign.com

Maria-Tania Bandes B. Weingarden (she/her)

Dramaturg
Maria-Tania Bandes B. Weingarden holds a Ph.D. from Wayne State University in Theatre History with a focus on Directing. She is an artist/scholar who teaches Theatre in the department of Arts Media and Culture at University of Washington Tacoma. Some of her favorite productions as director include In the Next Room or The Vibrator Play, Mojada :A Mexican Medea and an all-female production of 1776. While her area of scholarly specialization is in Theatre History, more specifically Latine theatre, her research focuses on revolutionary theatre. Her book, Echoes of Revolution: Nicaragua, aims to expand the knowledge of the canon of works of Central American playwrights as well as explores both the successes and limitations of theatre that has undergone political turmoil. Her upcoming projects include The Last Days of Judas Iscariot (dramaturg) at Tacoma Arts Live and Rock of Ages (Director) at Tacoma Little Theatre. This is Maria Tania’s first production with Book-It.

Selina Senn (she/her)

Production Assistant/Covid Compliance Officer
This is Selina's first show at Book-It, and she is super stoked to be working on such a beautiful story! She is grateful every day for waking up, and being able to work in a career she loves, and be surrounded by people she cares about. Previous credits include, Taproot, The 5th Ave, ArtsWest, Village Theatre, Centerstage, and many more!

Tierney Breana Valentine (she/her)

Assistant Stage Manager
From Anaheim California, recently worked on her first shows in Bellingham Washington such as Working: The Musical directed by Jim Lortz and Sonata Escondida directed by Ana Maria Campoy. After Graduating with Bachelors in Theatre from Western Washington University Making a Seattle debut!

José Amador (El)

Associate Director
José Amador couldn’t be more thrilled to be working on his first Book-it project; for it to be this particular work makes the experience an embarrassment of riches. Having just celebrated his 30th anniversary of moving to Seattle, you may have seen his work as an actor in Cafe Nordo’s ONĒRUS; as a playwright with either of his solo shows, EL HIJO PRODIGO or AGUE: A BODY HORROR; or as a director with Theater Anonymous’ IT’S A WONDERFUL LIVESTREAM 2020, Theater Schmeater’s TWO SISTERS AND A PIANO, or amador/stokes’ world premiere of DUELS. He can frequently be found making semi-regular contributions at The Seattle Star, as well as curating their weekly Sunday Comics.

Emily K Kight (she/her)

Costume Designer

 

 

 

Resources

Hola amigos,

Book-It is trying something new with this production. We know that watching a play like this, or any performance where violence or trauma occurs, can elicit intense emotions for both the artists on stage and the audience members. In case you would like to decompress after the show as you process and consider the themes of this story and the real lives of the Mirabal family, we wanted to provide some space and tools to do so. These offerings are courtesy of the In The Time of Butterflies team. Thank you for being here and for feeling with us.
 

MEDITATION

Take a few deep breaths, and close your eyes if helpful.

Focus on the temperature of the air you are breathing. 

Note the coolness of the air coming in and the warmth of the air coming out and take a second to honor that your body is shifting that air’s composition and temperature. 

Now, as you inhale, choose something from the show today that you’d like to take in with your breath and keep with you. It can be an image, a line, a theme, an actor’s performance, the new knowledge of something that happened, or an emotion or thought it is provoking for you. Hold that close as you breathe it in.

Now, as you exhale, choose something from the show you’d like to leave behind or in the theatre. This can be something tangible from the show, or an emotion or thought it is provoking for you. Fully release it as you breathe out.

Repeat if desired.

 

JOURNAL

If you like to process on your own through writing, try doing a 5 minute free write or draw around the following questions:

  1. What does freedom mean to you?
  2. What part of the story of IN THE TIME OF BUTTERFLIES resonates most with you?
  3. How might you contribute to your own liberation, or the liberation and wellbeing of others in the next month?

STILL WANT MORE SUPPORT? CHECK OUT THESE RESOURCES IN SEATTLE:

24 Hour Crisis and Suicide Hotline for King County

866-427-4747

Report Sexual Assault in Seattle

 

Counseling:

  • Personal Counselor Recommendation:

Alyssa K. Griskiewicz, MA, ATR, LMHCA, RYT

Alyssa is a creative arts therapist and counselor who engages the healing power of the arts, mindfulness practices, meditation, yoga and social-justice informed psychotherapy to support wholeness and healing for people of all ages and identities. Sliding scale available. 

(w) www.ebbandflowadventures.org

(e) alyssa@ebbandflowadventures.org

(p) 508.523.9691

  • Antioch Community Counseling Clinic

The AUS Clinica provided sliding scale counseling resources, including art and drama therapy in Belltown.

(e) clinic.aus@antioch.edu

(p) 206.268.4840

The UW Clinic provides sliding scale psychotherapy and psychological assessment to residents of the Seattle metropolitan area

 

Other Resources:

 

 

  • Books
    • The Body is Not An Apology by Sonya Renee Taylor 
    • It Didn’t Start with You: How Inherited Family Trauma Shapes Who We Are and How to End the Cycle by Mark Wolynn
    • The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma by Bessel van der Kolk 
    • Pleasure Activism by Adrienne Maree Brown

    Special Thanks

    The Mirabal Family

    Caridad Svich

    Emily Kight

    Miranda Suggitt

    Sabrina Chacon-Barajas

    Milvia Berenice Pacheco Salvatierra

    Roxana Pardo Garcia

    Arlene Martínez-Vázquez

    Danielle Nieves

    Anna Bowen

    Victoria Kight

    Roz Cornejo

    Kerry Jacinto

    Zenaida Smith

    Martha P. Johnson

    Sylvia Rivera

    Susana Chávez

    Will Wilhelm

    Darian Clogston

    Shermona Mitchell

    Birdie Montgomery

    Maria-Tania Bandes B. Weingarden

    Williams Argenal

    Jéhan Òsanyìn

    Salvadorean Bakery & Restaurant 

    La Brisa's Boutique

    18th & Union

    Enumclaw's Stationers 

    Tacoma Musical Playhouse

    Seattle Repertory Theatre's Props & Costume Shops

    Seattle Children's Theatre's Costume Shop

    Sound Theatre

    Maria Manness

    Teresa Thuman

    Grecia Leal Pardo

    Roy Arauz

    Jesse Glick

    Shameem Rakha

    Cessa Betancourt 

    Rosemary Jones

     

    Donors

    IN THE TIME OF THE BUTTERFLIES 
    DONOR LIST 

     

    This list reflects gifts made between March 1, 2021 and August 31, 2022. 

     

    Nobel Prize Sponsors ($25,000+) 

    Arakawa Foundation 

    Bill & Melinda Gates Foundation 

    Grousemont Foundation 

    Lucy Helm 

    Margaret Kineke & Dennis West 

    Sage Foundation 

    Shirley & Dave Urdal 

    Kris & Mike Villiott 

     

    Pulitzer Prize Sponsors ($10,000+) 

    Anonymous 

    ArtsFund 

    Laura & Greg Colman 

    Jess Dishman 

    Polly & Eric Feigl 

    Stuart Frank & Marty Hoiness 

    Harvest Foundation 

    HerRay! Foundation 

    King County Creative 

    Office of Councilmember Jeanne Kohls-Welles 

    Nancy Lomneth & Mark Boyd 

    Lucky Seven Foundation 

    Holly & Bill Marklyn 

    Morgan Fund 

    National Endowment for the Arts 

    Mary Pigott 

    Barb & Dan Radin 

    Nancy & Warren Smith 

    True-Brown Foundation 

     

    Hugo Award Sponsors ($5,000+) 

    4Culture 

    Blaise Aguera y Arcas 

    ArtsWA 

    Patricia Britton & Stellman Keehnel 

    Catherine Clemens 

    Emily Davis 

    Anne Fisher Ravens 

    Clay Gustaves 

    Ellen Maxson 

    N. Elizabeth McCaw & Yahn W. Bernier 

    Mary Metastasio 

    Rebecca Monk 

    Sherry Perrault & Michael Harding 

    Seattle Office of Arts & Culture 

    Christine & Josh Stepherson 

     

    Booker Award Circle ($2,500+) 

    Anonymous (2) 

    John Aldaya & Tom DeFelice 

    Diana Carey 

    Loveday Conquest 

    Beth Cooper & Dan Schuy 

    Tina Ferguson 

    Tina D. Ganguly & Tim Whitwell 

    Delney & Gil Hilen 

    Lisa & William Holderman 

    Francesca Mercurio 

    Monica Ramsey 

    Lynne & Nick Reynolds 

    Shirley Roberson 

    Charyl Kay & Earl Sedlik 

    Ruth & Jerry Verhoff 

    Williams Companies 

    Lordia & Jeremy Williams 

    Crystal Wilson 

    Christina Wright & Luther Black 

     

    Newbery Award Circle ($1,000+) 

    Anonymous (9) 

    Monica Alquist & Gary Miller 

    Virginia L. Anderson 

    Joe Barrett 

    Salli & Stephen Bauer 

    Jenny & Larry Beeman 

    Block Leavitt Foundation 

    Marylou Brannan Charitable Fund 

    Brett Burns 

    Sylvia & Craig Chambers 

    Jeannine Clarke & Tony Beeman 

    Donna Cochener 

    Colleen Strangeland 

    Rose Cooper-Finger 

    Diane Dewitt & Curtis Thompson 

    Caroline L. Feiss & Gordon B. Davidson 

    Suzanne Fry & Richard Moore 

    Helen Goh & Jeff Kadet 

    Lenore Hanauer Foundation 

    Kate Hokanson 

    Robert Hovden & Ron DeChene 

    Lynn Hubbard & David Zapolsky 

    Judith Jesiolowski & David Thompson 

    Dave Johnson 

    Marta Johnson & Johann Rocholl 

    Mr. & Mrs. Gareld John Kneepkens 

    Tami & Rob Kowal 

    Leslie Fund, Inc. 

    Tracy Middlebrook 

    Richard Monroe 

    Christopher Mumaw 

    Whitney & Jerry Neufeld-Kaiser 

    Cheryl Papadakis 

    Cecilia Paul & Harry Reinert 

    Raymond Family 

    Paula Riggert 

    Evelyne Rozner & Matt Griffin 

    Dana Rudy 

    Jain Rutherford 

    Steve Schwartzman & Daniel Karches 

    Seattle Center Foundation 

    Seattle Office of Economic Development 

    Marilyn Sherron 

    Martha Sidlo 

    Sarajane Siegfriedt 

    Angela Smith 

    Gail Tanaka 

    Leigh Toner 

    Nancy Ward & Toby Bright 

    Hope Wiljanen 

    Carol & Bryan Willison 

     

    Caldecott Medal Partners ($500+) 

    Anonymous (8) 

    The Alexis Royal Sonesta Hotel 

    Tony Angell 

    Jim & Marilyn Barnett 

    Kayti & Chris Barnett-O'Brien 

    Joan Barokas 

    Susan Bean & Ray Walton 

    Rebecca & Hugh Bergeson 

    Beth Blosten & Tom Linder 

    Catherine Bombico 

    Kevin Brady 

    Sally Snyder Brunette 

    Sally & Curt Clausen 

    Pam & Ollie Cobb 

    Carol & Bill Collins 

    Pamela Cowan & Steve Miller 

    Carolyn & George Cox 

    Sandy & Paul Dehmer 

    Krijn DeJong 

    Carol & Kelly Dole 

    Nancy Donier 

    Cornelia Duryee 

    David Fandel 

    Linda & Terry Finn 

    Liz Fitzhugh & Jim Feldman 

    Corinne Fligner & Mark Wener 

    Caroline Fox 

    Kai Fujita 

    R. Brooks Gekler 

    Lori Gicklhorn 

    Diane Grover 

    Michelle & Mark Hamburg 

    Lisa Hanna 

    Laura & Erik Hanson 

    Sarah Horrigan 

    Portia D. Jones & Jonathan Hibbs 

    Sara & Robert Jordan 

    Julia H Kalmus 

    Monique Kleinhans & Bob Blazek 

    Linda Korbus & Gregory Flood 

    Akshay Kulkarni 

    Leah LaCivita 

    Donna & Ian LeGrow 

    Amy & Eric Leonard 

    Amy Levenson 

    Jan Levine & David Kasik 

    Julie Beckman & Paul Lippert 

    Melissa & Don Manning 

    Elizabeth Mathewson 

    Ann McCurdy & Frank Lawler 

    Mary Jean & Mel McDonald 

    David Nelson 

    Marco Ng 

    Lori Oliver 

    Brandon Paddock 

    Deborah & Jeff Parsons 

    Susan Pazina 

    Anna & Edwin Peterson 

    John Purdon 

    Neave Rake 

    Roberta Reaber & Leo Butzel 

    Jo Ann & Jim Roberts 

    Karen Robins 

    Carl Robinson 

    Darrell Sanders 

    Lee Scheingold 

    Selboe-Ojemann Fund 

    Joana & Michael Shapiro 

    Marcia & Peter Sill 

    Goldie Silverman 

    Ericka Stork 

    Paul Stucki & Christina Chang 

    Liann & Stephen Sundquist 

    Michelle Valentine 

    Jennifer Weis 

    Paula & Bill Whitham 

    Melinda Williams 

     

    National Book Award Partners ($250+) 

    Anonymous (6) 

    Josh Aaseng 

    Judith Alexander 

    Cali and Susan Ashmun 

    Cinnimin Avena 

    Patti Baker 

    Paula Becker and Barry Brown 

    Jane Bender 

    Tessa & Chris Bennion 

    Leslie Bernstein 

    Lindsay & Tony Blackner 

    Judy Brandon & H. Randall Webb 

    Philip Brazil 

    Kim Brotherton 

    Alice & Stan Burgess 

    Janet Buttenwieser 

    Nadia Caldwell 

    P. Caswell 

    Lucinda Clark 

    Julie Conklin 

    Jeanne Crisp 

    Peg Curtin & Jim Wilder 

    Robin Dearling & Gary Ackerman 

    Marcia Donovan 

    Anne & Don Downing 

    Beth L. Dubey 

    Julie Edsforth & Jabe Blumenthal 

    Jonathan Eisler 

    Jeremy Eknoian 

    Sara Elward 

    K. Denice and James Fortier 

    Jean Gorecki & Dick Dobyns 

    Carla Granat & Stephen Smith 

    Pat Graves & David Nash 

    Alle Hall & Cliff Meyer 

    Robert Hankins 

    Corina Hardin 

    Barbara Hieronymus 

    Jean Hilde & Hunter Fulghum 

    Lauren Hill 

    Linda Hoines 

    Trish & Doug Honig 

    Vicki Huggins 

    Wendy Jackson 

    Sharon Jensen 

    Jane Jones & Kevin McKeon 

    Kris Jorgensen & Margey Rubado 

    Eileen Kirkpatrick & Noel Howes 

    Nora Leahy & Gus Menary 

    Koren Leggett 

    The Lennon-Keegan Family 

    Talitha Leonard 

    Arlene Levy 

    Kit Logue 

    Valerie Lynch & Putnam Barber 

    Lodi & Regan McClellan 

    Anne McDuffie & Tim Wood 

    Anna & Paul McKee 

    Michael & Neal McMahan 

    Sarah Meardon 

    Jeanne Menary & Richard Winefield 

    Tami & Joe Micheletti 

    Gena Morgan 

    Helen & Craig Mumaw 

    Alex & Liam Mundy 

    Mark Murray 

    Karen O'Connor 

    Karen Perry 

    Shannon Phillips & Tarik Burney 

    Myra Platt & Dave Ellis 

    Kim Port & Norman Garner 

    Ann Ramsay-Jenkins 

    Meredith & David Regal 

    Nancy Reichley & Tim Higgins 

    Melitta Riley 

    Eileen D. Simmons & Roger A. Berger 

    Marilyn Sloan 

    Cydly Smith 

    Candace Smith & Steven Bolliger 

    Vicki & Craig Sosey 

    Aleisa Spain 

    Jenness & John Starks 

    Richard Stein 

    Kathryn Yates Stevenson 

    Deborah Swets 

    Anne Terry 

    Catherine Thompson 

    Cynthia Todd 

    Jo Usher 

    Karen & Ron Van Genderen 

    Lisa Verner 

    Susan Ward 

    Gregory Wetzel 

    Bo Willsey 

     

    Pen Faulkner Award Partners ($100+) 

    Anonymous (28) 

    Doug Adams & Scott Fitzgerald 

    Gail Anderson 

    Jessica Andrewartha 

    Dana Armstrong 

    Amy Arvidson 

    Shawn Auld 

    Anne & Roger Baker 

    Jo Ann & Tom Bardeen 

    William Barnard 

    Kay Beisse & Susan Lerner 

    Donna & Jack Bennett 

    Julia Bent 

    Koren Berggren 

    John Bianchi & Scott Warrender 

    Shari Bitcon 

    Bonnie & Webb Bowie 

    John Bradshaw 

    Karen Brandvick-Baker & Ross Baker 

    Reid Branson 

    Rachel Brooks 

    Becky Brooks & Jeff Youngstrom 

    Adelaide Brooks & Robert Pennell 

    Mary Buck & Kenneth Goldstein 

    Zimmie Caner & Tom Edwards 

    Michela Carpino 

    Sheila Carter 

    Paula Cipolla & Steven Albright 

    Ann Colowick 

    Mary & Robert Cooper 

    Marianna de Fazio & Agastya Kohli 

    Melinda Deane & Danny Wheetman 

    Beth DiDomenico 

    Susan M. Dyer 

    Joan East 

    Laura Ellis 

    Marilyn Endriss 

    Marlys Erickson 

    Constance Euerle 

    Xirui Feng 

    Judi & Steve Finney 

    Mary Ellen Flanagan 

    Folio: The Seattle Athenaeum  

    Richard Frith 

    Michael Froy 

    Moira Fulton & Lee Daneker 

    Thea & Phil Galante 

    Clarence R. Gillett 

    Faye & Dick Gillett 

    Sylvia Gillett 

    Siobhan Ginnane & Dan Whalen 

    Dana Greenberg 

    Mike Grimm 

    Scott Guettinger 

    Linda Haas 

    Christie Hammond 

    Marcia Harper 

    Stacy Harris 

    Carol Harris 

    Cheryl Hartup 

    Shuko Hashimoto 

    Leanne Hawkins 

    Carolyn Hayek 

    Paul Heppner 

    Lloyd Herman & Richard Wilson 

    Stephanie M. Hilbert 

    Sandy Hill 

    Kenna Hoyer 

    Cynthia Huffman & Ray Heacox 

    Kimberly Hughes 

    Gail Irving 

    Kent Johnson 

    Susan Jones 

    Joan Kalhorn 

    Paul Kassen 

    Rosemary Kelly & Douglas Zatzick 

    Nancy Kennedy & Scott Newcombe 

    Michael Kern 

    Robyn Klarman 

    Deborah & Robert Knetzger 

    Ted Kohler 

    Kikue I. Kubota 

    Susan M Lacy 

    Cynthia Lair 

    Jason Lamb 

    Susan Landon 

    Sonya Lawson-Salmasi 

    Jeanne Leader & Stephen Ooton 

    Diane Lefkow 

    Sylvia & Wayne Levy 

    Larry Lewin 

    Heidi Lewis & Tom Wahl 

    Bonnie Lewman 

    Martha Lloyd & Jim Evans 

    Kathryn Logue 

    Mary Frances Lyons 

    Nicole MacInnes 

    Judy Mahoney 

    Elaine Mathies 

    Susan McCloskey 

    Torrie McDonald 

    Sara & Keith McMahon 

    Gaye McNutt 

    Ron Meckler 

    Alida Mendes 

    Andrea Menin 

    Ryan Metler 

    Margaret J. Meyer 

    Marion & George Mohler 

    Vivian Montoya & Jay Livey 

    Beth Morrison & Geoff Crooks 

    Nancy Morse 

    Dorothy & Dick Moseley 

    Susan Mozer 

    Gretchen Novasio 

    Pam & Tim O'Sullivan 

    Lauren Offenbecher 

    Patricia Pawelak-Kort 

    Pamela Perrott 

    Amy Pieper 

    Wilson Platt 

    Joanna Power 

    Jill Purcell 

    Jennifer Raymond 

    Katharine Revello 

    Karen & Eric Richter 

    Carla Rickerson 

    Therese Roberson 

    Linda J. Robinson 

    Beth Rollinger 

    Ellen Roth 

    Renee Roub & Michael Slass 

    Emily Sands 

    Lisa Sanman & Ebbe Roe Smith 

    Julie Sarkissian 

    Julie & Jeff Schoenfeld 

    Lavonne & Josh Searle 

    Patti & Mark Seklemian 

    Mark Shafer 

    Linda Shaw & Carl Christofferson 

    Sally Sheck 

    Laura Skelton & Thomas Buford 

    Martine Smets 

    Carol Smith 

    Carolyn Smith 

    Barbara Spear 

    Patty Starkovich & Greg Allen 

    Jane Stevens & Jerry Zimmerman 

    Julie Stohlman 

    Alex Stone 

    Constance Swank 

    Lori Taylor 

    Jillian Taylor 

    Melissa Terry 

    Meranda Tuttle 

    Jennifer Uhlar 

    Nola Van Vugt 

    George Von Fuchs 

    Jorie Wackerman 

    Sarah Wallace 

    Angela Walls 

    Elizabeth Warman 

    Joella Werlin 

    Laura Widdice 

    Rob Williamson 

    Tricia Willison 

    Sarah Wilmot 

    Michael M. Winters 

    Jodie Wohl & Richard Hert 

    Jill O. Wolcott & Mitchell J. Olejko 

    Cynthia Wythe & Neal Erickson 

     

    Gifts in Honor & Memory 

     

    In honor of Jeannine Clarke 

    Bobbi Kotula 

     

    On behalf of Samantha Cooper 

    Mary & Robert Cooper 

     

    In memory of Caroline L. Feiss 

    Gordon B. Davidson 

     

    In honor of Stuart Frank 

    Linda Hoiness 

     

    In honor of Marty Hoiness 

    Linda Hoiness 

     

    In honor of Jane Jones 

    Colleen Strangeland 

     

    In honor of Jane Jones & Myra Platt 

    Joan Kalhorn 

     

    In honor of Margaret Kineke 

    Anonymous 

     

    In honor of Marilyn Murphy Meardon 

    Sarah Meardon 

     

    In memory of Mom & Dad 

    Anonymous 

     

    In honor of Becky Monk 

    Marylou Brannan 

    Alesia Spain 

     

    In honor of Myra Platt 

    Anonymous 

     

    In honor of Earl & Charyl Kay Sedlik 

    Kay Beisse & Susan Lerner 

     

    In honor of Christine & Josh Stepherson 

    Karen Brandvick-Baker & Ross Baker 

     

    In memory of Bob Sundstrom 

    Anonymous 

     

    In memory of Cassandra Tate 

    Anonymous 

    Paula Becker & Barry Brown 

    Keith Shipman 

     

    In honor of Sound Designer Kyle Thompson 

    Catherine Thompson 

     

    In memory of Nancy MacKay Todd 

    Cynthia Todd 

     

    Book-It strives to be accurate with our acknowledgments. Please contact Development Associate Sara McMahon at saram@book-it.org with any changes or corrections. 

    Learn More About Stage Mag