MERCY SEAT |
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Theatrical Works Based on the Music of Nick Cave | ||
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Presented By | ||
American Repertory Theater of WNY | ||
Featuring the Creative Talents of | ||
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Ellen Scherer-Falank | |
Samatha Marchant | Suzanne Hibbard | |
Matthew LaChiusa | Matthew Boyle | |
Michael Frannelli | Justin Pope | |
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(In Order of Appearance) | ||
Adam Batt |
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All works are presented through permission of playwrights and designer. Any duplication of this production without expressed permission of both the playwrights, designer, and American Repertory Theater of WNY is strictly prohibited. | ||
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American Repertory Theater of WNY encourages photography & video during the production but requests individuals to be mindful of other patrons, no flash is allowed, and to adequately tag American Repertory Theater of WNY, the Mercy Seat production and actors in each photography. | ||
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Content warning: R -Rated Material - Strong Language, Sexual Situations, Violence, Simulated use of Drugs. Strob-light Effect Used During Performance |
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THE PLAYS
ACT ONE
"What You Done" by j Snodgrass. Featuring Adam Batt & Alyssa Grace Adams. Directed by Michael Breen.
"Where Do Go But Nowhere" by Samatha Marchant. Featuring Lanie Shannon, Ian Michalski & Andrew Zuccari. Directed by Ellen Catherine Falank'
"Go Tell the Men (We're Leaving)" by Ellen Catherine Falank. Featuring Ashleigh Chrisena Recci, Susan King & Danette Pawlowski. Directed by Catherine Burkhart.
"People Are No Good" by Matthew LaChiusa. Featuring Quentin Gray.
"To Be By Your Side" Designed and Choreographed by Suzanne Hibbard. Featuring Ashleigh Chrisena Recci, Cassidy Granchelli & Paige Batt
INTERMISSION
(15 Minutes)
ACT TWO
"Weighing of Truth" by Matthew Boyle. Featuring Trevor Dugan & Paige Batt. Directed by Matthew LaChiusa
"The Church of the Noninterventionism" by Michael Fanelli. Featuring Trevor Dugan, Paige Batt & Cassidy Granchelli. Directed by Justin Pope.
"The Anti Curse" by Justin Pope. Featuring Andrew Zuccari, Trevor Dugan, Paige Batt, Cassidy Granchelli & Ian Michalski. Directed by Mariangela Mecurio.
Song List
SONGS
In Order of Production
"MERCY SEAT" by Nick Cave
"OH CHILDREN" by Nick Cave
"BLACK CROW KING” by Nick Cave
"INTO YOUR ARMS" by Nick Cave (Sung by Ian Michalski)
“TO BE BY YOUR SIDE” by Nick Cave
“THE CARNIVAL IS OVER" by Nick Cave
Cast
Creative Team
Susan King
Matthew LaChiusa
Suzanne Hibbard
Mariangela Mercurio
Catherine Burkhart
Mark E Humphrey
Michael Breen
Samantha Marchant
Justin Karcher
Ellen C. Scherer-Falank
DIRECTORS' NOTE
"To Be By Your Side” - Choreographer's Note
Is a movement written piece about the personal relationship one has with the spiritual in times of need. The beginning indicates uncertainty and feeling separated from faith. As the piece moves on, we see a push and pull between wanting to believe, but still feeling left alone at times. The piece culminates as the connection between the two figures start to enjoy eachother’s presence and dance in unison. - Designer/Choreographer, Suzanne Hibbard
"People Ain't No Good" - Director's Note
Nick Cave's song "People Ain't No Good" paints a cynical response to the world full of disappointment, faithlessness, and lovelessness. How to counter the pain of understanding this all is the embracing of indifference. Sure, the piece features a plastic doll, comedic in presentation, but it's the willingness to forgo Love and Hate with this prop that allows 'Noah' (effectively delivered by Quentin Grey) to embrace that people are no good by accepting indifference is the key to happiness. - Director, Matthew LaChiusa
"The Church of Noninterventionism" - Director's Note
The Church of Noninterventionism is a lot like unconventional spiritual warfare. The Reverend finally catches a break from his stage time only to be swept up in a battle of sin behind the scenes. While the angels, Nancy and Hester, have hunted down and punished false prophets time and time again, this guy becomes much more of a difficult target. What makes this play so exciting is the ever-changing shift in power. It doesn't take too much for the tide to turn, but when it does, it's horrifying. It isn't until the end when you see who really was in power the entire time - and I really mean the entire time. Lion-like movement and stark imagery assist in painting a sinful picture where the paint is slowly melting into a new portrait altogether. The script calls it "sinful ecstasy," and two soldier angels melting over the filth of a "false prophet" couldn't paint that image any better. It's a revelation of character, and a testament as to how far people will go for their goals... no matter how bizarre they may be. The Reverend sees himself as a "Third Coming." Perhaps after seeing all of the work he's put in, you'll see him that way, too. - Director, Justin Pope
"We Go Now But Nowhere" - Director's Note
Cults are in the zeitgeist. Whether it’s Jonestown, the Manson family, Scientology, or NXIVM, people are fascinated by cults. With the advent of the docuseries, we’re learning more about how people from all backgrounds can be seduced by these organizations People get swept up in lofty ideals. They leave security in search of those ideals, abandoning their families to join a group of people just like them.
With this in mind, I was excited to dive back into Samantha Marchant’s work. She’s is an expert in poetic playwriting in that there is always a wild and dense world behind her sparse text. I wanted to use her unique style to put a twist on the standard cult. I’ve seen the vaguely religious cults... I’ve seen the ones that end up funding the crimes of a quirky megalomaniac.
"We Go Now But Nowhere", I wanted to know what happens when the leader is a true believer. The trio of Younger, Older, and Even Older is a group of unlikely characters that have created a strong bond somewhere between a traditional nuclear family and a polyamorous relationship, complete with a pet cat. They’re a spiritual, nomadic group. They're from everywhere. They've lived nowhere. And with their lack of individual names, they could be any of us. - Ellen Catherine Falank - Director.
PRODUCTION NOTE
In understanding MERCY SEAT as a production, one has to look at the musician who these works were based upon. In describing his extensive career (and music portfolio) as the front-man for Nick Cave and the Bad Seeds, the band ,with Cave as their leader and frontman, has released seventeen studio albums. Pitchfork Media deemed the group one of rock's "most enduring, redoubtable" bands, with an "accomplished discography". Though their sound tends to change considerably from one album to another, the one constant of the band is an unpolished blending of disparate genres, and song structures which provide a vehicle for Cave's virtuosic, frequently histrionic theatrics. Music critics Stephen Thomas Erlewine and Steve Huey wrote: "With the Bad Seeds, Cave continued to explore his obsessions with religion, death, love, America, and violence with a bizarre, sometimes self-consciously eclectic hybrid of blues, gospel, rock, and arty post-punk."
Through MERCY SEAT, the journey our playwrights weave is one of individuals seeking redemption and finding it in a tent revival with a charismatic leader. There is some humor, there is...well, bizarro, but that's what Nick Cave is about. He sees the the polar opposites of all sides of humanity. Through his music and profound lyrics, we are treated to the balance every creative soul seek. An understanding that the world is full of extremes, that in order to understand one human emotion, an individual needs to understand the opposite of it: Gain/ Loss; Hate/Love; Life/Death.
American Repertory Theater of WNY trusts you will like our showcase and the celebration of Nick Cave along with a continuing support & development of 716 Playwrights.
Enjoy.
ART/WNY Special Thanks To:
John F Kennedy, Justin Karcher, Michael Breen, Matthew Mogenson, Paul McQuillen, Catherine Burkhart, Michael Dugan, Hugh Davis, Michael Hibbard, Mark Humphrey, And all those who have generously their resources, time and energy to keeping ART/WNY moving forward.
2022-23 ART/WNY Board of DIrectors
Suzanne Hibbard (Board President), Beth Geyer (Secretary), Mark Humphrey, Michael Breen, Robert Insana, Matthew LaChiusa (Treasurer), Susan King, Keith Wharton (Board Advisor), Justin Karcher (Board Advisor), Gina Schuster
Meet the Company
Trevor Dugan
Alyssa Grace Adams
Adam Batt
Ian Michalski
Lanie Shannon
Justin Pope
Danette Pawlowski
Ashleigh Chrisena Ricci
Paige Batt
Chrissy Granchelli
Andrew Zuccari
Susan King
Matthew LaChiusa
Suzanne Hibbard
Mariangela Mercurio
Catherine Burkhart
Mark E Humphrey
Michael Breen
Samantha Marchant
Justin Karcher
Ellen C. Scherer-Falank
Donors
Matt Mogensen Beth Geyer Nick Lama William C. Moore Isabel Deschamps Monish Bhattacharyya Carol Beckley Jeremy Schnurr Michael J Starzynski Nancy Grandits Sabatini Pam Mogensen Kevin Cox Christopher Standart David Wysocki Eric Evinczik James A Marzo Peter A Hall & M.E. O'Leary Tim Joyce Lorri Gifford Ian Michalski Brendan Cunningham |
Suzie Hibbard Victor Morales John Cimasi Sarah Emmerling Daniel Henning Trevor Dugan John Jacoby Kelli G. Natale Bill Baldwin Sue Knott Brooke Lynne Emily Kimmel Plotkin Dre Andolina Call Katherine Parker Michael Fanelli Michael Breen Gina Schuster Adam Rydzynsk Howard Ross Mast O Donna |