|
The Department of Performing Arts and Humanities Milan 1880By James Caverly Directed |
||
|
|
||
| Production Team | ||
| Stage Manager Bethany Slater |
Set & Lighting Designer Technical Director G. Maurice (Moe) Conn |
Costume Designer Jess Rassp |
| Sound Designer MaeAnn Ross |
Projection Designer Jason Randolph |
Director of Asrtistic
|
| Interpreter Coordinator Su Kyong Isakson |
|
Voice/Accent Coach Fight Choreographer Jen Rabbitt Ring |
|
The videotaping or making of electronic or other audio and/or visual recordings of this production and distributing recordings or streams in any medium, including the internet, is strictly prohibited, a violation of the author(s)’s rights and actionable under United States copyright law. |
||
Follow Us:
Milan 1880 is an original commission by
The Community College of Baltimore County.
The play runs 2 hours 30 minutes with an intermission
Director's Note
Milan 1880, a pivotal event in Deaf history, is more than just a play - it reflects our history, our resilience, and the ongoing fight for Deaf educational rights. In 1880, five courageous Americans traveled to Milan, Italy, to advocate for sign language as the most effective way to teach deaf students. Despite their efforts, the Milan Conference resulted in a global ban on sign language in classrooms, favoring oralism—a decision that deeply impacted generations of Deaf people.
Today, American Sign Language (ASL) stands strong as one of the most recognized languages in the world. However, the tension between oralism and sign language persists in Deaf education. It's crucial that we involve Deaf children in the conversation about what's 'best' for them, rather than deciding for them.
I am deeply honored to direct this important piece that reflects our shared history and the impact it continues to have around the world. I'm grateful to James Caverly for writing this play as a call to remember, reflect, and act. Deaf education remains as critical now as it was in the 1880s. Milan 1880 marked a turning point in Deaf education—its significance and impact must not be forgotten.
Furthermore, let us honor our forebears by continuing their legacy—those who fought for our right to learn, grow, and thrive through sign language.
Michelle A. Banks
Director
Cast
Creative Team
James Caverly
Michelle A. Banks
G. Maurice (Moe) Conn
Jess Rassp
Jason Randolph
JAC Cook
Su Kyong Isakson
Bethany Slater
Sam Koch
Aaron Partin
MaeAnn Ross
Zahria Wise
Damon Krometis
Jen Rabbitt Ring
Students of Stagecraft THTR 131
Amanda Sergent, Jacinda Pintuck, Jory Williams
Alex Bosworth, Samuel Koch, Aaron Partin, Jacinda Pintuck
Alex Bosworth, Blade Diallo, Shira Warburg
Maddie Baynard, Ash Stevenson, Brittany Runk, Sarah Joyce
Shealyn Jae
Meet the Company
Stella Marie Antonio
Stella (she/her) was born and raised in Manila, Philippines. She moved to America at the age of 20. She received a BA in Theater Education from Gallaudet University, Washington DC. She worked as a stage actress and an ensemble of Outreach Education Program with Cleveland Signstage Theatre for 6 years. She gave birth to a wonderful son Clayton who is a CODA. He now studies at Rochester Institute of Technology in New York. She played several roles In Children of a Lesser God, Glass Menagerie, Christmas in Wales, The Miracle Worker, and more. She also was a theater teacher for K- Middle School at Maryland School for the Deaf 2000 to 2015. She has taught improvisation acting 3 summer camps with Visionary of Creative Arts, DC. She recently performed in the “ISM” in 2022 and 2023. She wrote her story based on her childhood and performed a one woman show called “In the Eyes of a Deaf Child” at the Kennedy Center in May 2023. She recently taught storytelling and acting at Imagination Stage in Winter 2024 She now works as a Teacher assistant at Maryland School for the Deaf.
Chris Corrigan
Chris (he/him) is a native of Frederick, Maryland, known for his captivating work in ASL poetry, storytelling, and performances. His artistic contributions include notable productions such as Deaf West’s Big River, ASL FILMS’ Black Sand, DawnSignPress Inc.’s The Boy Who Cried Wolf, Rustic Lantern Films’ Lake Windfall, and Independence Day celebrations at The White House with Presidents Bush and President Obama. Recently, he gained recognition for his role as Thaddeus in Deaf Missions’ JESUS film. For Chris, ASL is as essential as pollen is to flowers and oxygen to the air; without it, a thriving life cannot exist.
Shanna Sorrells
Shanna (she/they) is excited to be acting at CCBC, and looks forward to future collaborations. Acting credits include: City of Fairfax Theatre: Clybourne Park; Gallaudet University Theatre: One Flew Over the Cuckoo’s Nest; Deaf West Theatre: Flowers For Algernon. DASL credits include: Hippodrome Theatre: ’Twas the Night Before presented by Cirque du Soleil; Signature Theatre: A Chorus Line. Shanna has also just finished co-directing Imagination Stage’s Pegasus ensemble. She is the Senior Manager of Access & Inclusion and a teaching artist at Imagination Stage. Education: University of Northern Colorado; MA in Theatre Education. Upcoming: DASL for Chicago at Hippodrome.
Rebecca Blumenfeld
Rebecca (she/her) is currently a Deaf student in the Deaf Interpreter Training Program here at CCBC. She has a BS in Biology from Gallaudet University in 2014, an AAS in Medical Technology from AACC, and a Certificate in Histology Technology in 2015. This is her very first play, and she is very excited to be acting in Milan 1880.
Daniel Short
Daniel (he/him) returns to theatre after 24 years away, with previous experience being in a 2001 production of See How They Run at National Technical Institute of Technology. Currently, a father to two wonderful boys and two rambunctious cats, and a supportive wife. Daniel is grateful for the opportunity to tell a story about Deaf History.
Alessandro Rossal
Alessandro (he/him) attended drama school in Guatemala before moving to the USA. He has appeared in around 15 plays in Spanish and attended classes in New York at Teatro Thalia. Then he helped establish the first Spanish speaking theatre company in Sarasota, FL, where he acted in, directed, and produced several plays. He is currently a Theatre major at CCBC Essex, and this is his second play in English, after being in CCBC’s production of Anon(ymous).
Elliott Chenoweth
Elliott (he/they) is a second-year biology major at CCBC Catonsville. Last semester they played Nasreen and Belen in CCBC’s production of Anon(ymous). Previously, they appeared in Peter Pan Jr. at Catonsville Middle School and Puffs at Catonsville High School. Outside of theatre, they can be found supervising the campus cafe.
Aaron Duenas
Aaron (he/him) returns to the stage at CCBC Catonsville to perform in Milan 1880. Aaron is a graduate of CCBC with an Associates of Fine Arts in Theatre. He appeared in the CCBC Fall Fest, the Annual Gala at Martin’s West, The One-Act Play That Goes Wrong, and The Curious Incident of the Dog in the Night-Time as the lead, Christopher Boone.
Rebekah Mitchell
Rebekah (she/her) started at CCBC in 2022 as an ASL + Deaf Culture major. She graduated with her A.A. in the winter and is now finishing her first semester in the Interpreter Prep program. While this is her debut at CCBC, she has performed on many stages with Crashbox Theatre Troupe and To the Pointe Dance Studio. Rebekah looks forward to a continued future involvement with the Deaf theatre community.
Myles Rigsby
Myles (he/him) returns to CCBC Catonsville. Previously, he acted in The One-Act Play That Goes Wrong. He also acted in 11 Variations of Friar John’s Failure in high school. After completing college, he plans to work his way into the voice acting industry.
Vanessa Williams
Vanessa (she/her) is a sophomore at CCBC. This is her second production here after playing Ritu and Serza in Anon(ymous). She is a Performing Arts major studying vocal music. She has been in many productions before including Little Red Riding Hood, The Lion King, The Nutcracker, Bugsy Malone, Cinderella and Beauty and the Beast. She sang in the children’s choir through middle school and toured with the Singing Sensations. She plans to transfer to Howard University.
Krystal Knoll
Krystal (she/they) returns to CCBC Catonsville after in appearing in the last blended Deaf/hearing production, Goya: en la quinta del sordo (in the house of the Deaf man). An alumnus of CCBC, Krystal graduated from the Interpreting program in 2022. While she acted in several CCBC productions, she is more typically found offstage interpreting plays at CCBC Catonsville and Essex.
Heather Beck
Heather (she/her) is ecstatic to be performing here once again after a 27 year hiatus. She began her theater career on this very stage as Val in A Chorus Line and then Chrissy in Hair. More recent musical theater roles include: “A Music Man”, “Joseph and the Technicolor Dreamcoat” (Olney Theatre Center), “Mamma Mia”, “Sound of Music”, “CATS”, “Spamalot”, “Kinky Boots” (Toby’s Dinner Theater). Recently, she worked on a production of Sesame Street with her son, Mathis Beck Kettering, which received an Emmy for best direction. After graduating from CCBC’s Interpreter program, she worked as an Educational Interpreter and is currently working for the public school system. Many thanks to her family for their support, the cast and crew for making this production a reality and James Caverly for bringing this important piece of history to the stage.
James Caverly
Michelle A. Banks
G. Maurice (Moe) Conn
Jess Rassp
Jason Randolph
JAC Cook
Su Kyong Isakson
Bethany Slater
Sam Koch
Aaron Partin
MaeAnn Ross
Zahria Wise
Damon Krometis
Jen Rabbitt Ring
Students of Stagecraft THTR 131
Amanda Sergent, Jacinda Pintuck, Jory Williams
Alex Bosworth, Samuel Koch, Aaron Partin, Jacinda Pintuck
Alex Bosworth, Blade Diallo, Shira Warburg
Maddie Baynard, Ash Stevenson, Brittany Runk, Sarah Joyce
Shealyn Jae
Special Thanks
Dr. Sandra Kurtinitis
CCBC President
Dr. Joaquin Martinez
Provost & Vice President of Instruction
Dr. R. Michael Walsh
Dean, School of Arts & Communication
Brad Norris
Interim Performing Arts Manager
Professor Nick VanHorn
Chair, Performing Arts and Humanities
Tommy Parlon
Arts Pathways Coordinator
Moe Conn
Technical Director, CCBC Catonsville
Marc W. Smith
Technical Director, CCBC Dundalk
Designer/Scenic Artist of City Drop
Jason Randolph
Technical Director, CCBC Essex
David Martin
Assistant Technical Director, CCBC Essex
Cathy Kratovil
Communications Assistant, School of Arts & Communication
Michael Elspas
Designer, CCBC Creative Services
Johari Barnes
Campus Director, CCBC Catonsville
Dundalk Community Theatre
Rebecca Minor
Ben Hardy, CCBC IT Dept
CCBC School of Arts and Communication
Dr. R. Michael Walsh, Dean Professor
Professor Will Niebauer, Chair, Arts and Design
Professor Nick VanHorn, Chair, Performing Arts and Humanities
Professor Rebecca Minor, Chair, Communications
Brad Norris, Interim Director of the Arts
The Arts at CCBC
Brad Norris, Interim Director of the Arts
G. Maurice “Moe” Conn III, Technical Director
Jason Randolph, Technical Director
Marc Smith, Technical Director
Jess Rassp, Resident Costumer
Lisa Boeren, Box Office Manager
Thom Purdy, Box Office Assistant
Cathy Kratovil, Communications Assistant
Lance Bankerd, Production Manager
Theatre at CCBC
Julie Lewis, Coordinator, Faculty Director
Damon Krometis, Coordinator, Faculty Director
Terri Raulie, Faculty Designer
Precious B. Stone, Faculty Director
Jennifer Ring, Faculty Director
Upcoming Events












