The CSDTheaters'
Production of Disney's
NEWSIES
Based on the Disney Film written by Bob Tzudiker and Noni White
Originally produced on Broadway by
Disney Theatrical Productions Orchestrations by Danny Troob
Incidental Music & Vocal Arrangements by Michael Kosarin Dance Arrangements by Mark Hummel
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Musical Direction by Jim Martinez | |||||
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Newsies Is presented through special arrangement with Music Theatre International (MTI).
All authorized performance materials are also supplied by MTI.
www.mtishows.com
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Song List
Act One
Overture
Santa Fe - Prologue
Carrying the Banner
The Bottom Line
That's Rich
I Never Planned On You / Don't Come a-Knocking
The World Will Know
Watch What Happens
Seize the Day
Santa Fe - Reprise
Act Two
King of New York
Letter from the Refuge
Watch What Happens - Reprise
The Bottom Line - Reprise
Brooklyn's Here
Something to Believe In
Once and for All
Finale
Cast
Orchestra
Conductor: Jim Martinez
Student Conductor: Aria Kimdon
Keyboards: Joy Ueng, Zoe Ames, Evan Smouse
Flute and Piccolo: Melanie Sorenson
Clarinet, Soprano Sax, Alto Sax: Alex Antrim, Emily Looney, Cheryl Martinez
Violin: Shane Ong, Lillie Epps, Annika Merkel
Cello: Aria Kimdon, Joey Kimdon
Guitars / Banjo: Kim Drapek, Gale Farley
Trombone: Kai Ruebel-Schrier
Trumpet: Trevor Wilson
Bass: Kevin Kemper
Drums: Andy Weiss
Percussion: Mint Carroll
Creative Team
Laura Braning, MFA
Elizabeth Wyatt
Jim Martinez
Cheryl Martinez
Penelope Seldera-Bahnson
Mike Brantley
Josh Hiser
Mae Hitchcock
Kelly Volkmann
Joe Craft
Rachel Wahl
Richard McCord
Kristi Ervin
Mishele Mennett
Maggie Delos-Reyes
Baker Celis
Nick Grieve
Sloan Wisor
Guthrie Gallagher
Kestrel Carpenter
Jasmine Lee
Grace Kaufman
Orchestra
Lillie Epps
Melanie Sorenson
Trevor Wilson
Emily Looney
Shane Ong
Ella Miller
Alex Antrim
Josie Hill
Josie Hill
Director's Note
Director’s Note
We’re thrilled to present “Newsies,” a production embodying the themes of resilience, unity, and justice. It’s a performance and a reflection of contemporary struggles and victories. Our characters’ fight for their rights parallels real-world battles like recent national strikes with auto workers, actors, and writers.
Newsies is based on events in July of 1899 in New York City when newspaper sales stopped because of the Newsie strike. This strike was so profound because it was led by and for children. As a result of the strike, Newsies could incur no loss to themselves when they found they had unsold newspapers. Joseph Pulitzer agreed to buy back those unsold papers. This helped the Newsies gain a more solid economic footing. This “Children’s Crusade” was one of many strikes that led to the child labor laws we know today. Newsies is a story about heroes, young people who could have been as young as six, who organized to make their voices heard and paved the way to protect our most precious and valuable citizens, our children.
This production is a testament to our dedicated cast, crew, musicians, and volunteers who worked hard to share this story. I couldn’t do what I do without our fantastic team, and none of us could do what we do without you, our fantastic community. Thank you for being part of this incredible journey and supporting the arts. Together, we can achieve anything.
-Miz B
Dramaturgy Note:
Dramaturgy Note
The Spanish-American war is often referred to as the first media war as it was the first in which the press played a significant role in shaping public opinion. Through sensationalized reporting and provocative (if misleading) headlines, newspapers such as the New York World and the New York Journal provided the public with detailed information from the frontlines. These attention-grabbing headlines and overdramatic retellings played a massive role in pushing public support for the United States to enter war with Spain. The owners of the World and the Journal, Joseph Pulitzer and William Randolph Hearst, inspired by increased sales due to wartime coverage, found a way to increase their profits further by undercutting those at the very bottom of the tall tower they occupied.
In the late 1800s, New York streets were filled with the cries of newsies. Newsboys and girls could buy 100 papers for 50 cents, selling each paper for .10 making a $4 return on their 50-cent investment. Hearst and Pulitzer decided the way to make more money was to raise the distribution price to 60 cents for 100 papers.
Newsies were young, poor, often orphaned children. They lived in dilapidated tenements, often bringing home their earnings to help feed their brother and sisters. They could be found in poorly funded lodging houses; many lived on the streets. Selling newspapers allowed them to earn real money, often much more than they would earn in a factory or other work considered suitable at the time for children. They relied on headlines to sell papers, and newspaper sales began to wane when the wartime headlines began to wane. The price increase remained, however, and the newsies began to struggle.
Inspired by the increase in labor unions across the country, the newsies joined together to start a union of their own, held rallies, and organized across all five boroughs, including New Jersey, and beyond. They were supported by members of the Vaudeville community, the adults who ran the standing newsstands, and even press members. Their strike lasted two weeks and ended with equitable change for the newsboys and inspired lasting improvements in the form of increased worker unions, labor laws, and child labor restrictions.
Their story is incredible, not just because they were children but because the divide in wealth and power between the two opposing sides was so deep. The “Once And For All” lyrics perfectly illustrate this: “This is for the kids shining shoes in the street with no shoes on their feet every day.” The newsboys strike of 1899 was a true David & Goliath tale: no one believed a group of dirty, ragtag, street kids could take on Pulitzer and Hearst and win-but they did. They showed the world (and the World) that when humans band together–we are unstoppable.
Tech Director's Note
Wow! What a great show to return to CSDTheaters with! In my absence during Cinderella, there has been so much growth in all of our staff as they stepped up and took over all the little pieces of my position while I was out last year. I am happy to say I am healthy and recovered and so glad to be back here with these amazing students, this staff, and this incredible community that supports them!
From a Technical Director standpoint, the show has some exquisite sights to see! From the projections that Josh Hiser and Laura Braning put together to Josh's amazing lighting design, to our fantastic costumer Rachel Wahl, to the scenic artistry provided by Mae Hitchcock, and finally to our tech club students who participated in every part of the creative process - we are so lucky to live here!
With a cast and crew of nearly 100, our orchestra and production team have their hands full mentoring this new generation of youth!
We are trying out Reserved Seating for the first time and are definitely experiencing some quirkiness with the process on occasion. Thank you in advance for your patience. Please call the box office if you have any trouble at all. 541-750-7990
NEWSIES is a favorite show of ours and we hope you will spread the word to bring others along on this musical journey!
Best - Mz Wyatt