

Cockpit in Court Summer Theatre
Production of Disney's
NEWSIES
Based on the Disney Film written by Bob Tzudiker and Noni White
Originally produced on Broadway by
Disney Theatrical Productions Orchestrations by Danny Troob
Incidental Music & Vocal Arrangements by Michael Kosarin Dance Arrangements by Mark Hummel
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CCBC Essex, Administration Building, Lecture Hall |
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Liz Boyer Hunnicutt |
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Musical Director Patty DeLisle |
Choreographer Rachel Miller |
Sammy Jungwirth |
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Sound Designer |
Costume Designer |
Scenic Artist Laura Miller |
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Properties Manager Josh Silber |
Stage Manager Donna Flaharty |
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Newsies Is presented through special arrangement with
Music Theatre International (MTI).
All authorized performance materials are also supplied by MTI.
www.mtishows.com
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Scene Breakdown/Musical Numbers
Setting and Time: New York City, July 1899
Act I
Prologue Rooftop, Dawn
Santa Fe | Jack and Crutchie
Scene 1: Newsboys: Lodging House & Newsies Square
Carrying the Banner | Jack, Newsies, Nuns
Scene 2: Pulitzer’s Office Afternoon
The Bottom Line | Pulitzer, Seitz, Bunsen, Hannah
Carrying the Banner (Reprise) | Newsies
Scene 3: A Street Corner
Chase
Scene 4: Medda’s Theater
That’s Rich | Medda
I Never Planned on You/Don’t Come a-Knocking | Jack, Bowery Beauties
Scene 5: Newsie Square, Next Morning
The World Will Know | Jack, Davey, Les, Crutchie, Newsies
Scene 6: Jacobi’s Deli & Street, Afternoon
The World Will Know (Reprise) | Jack, Davey, Les, Newsies
Watch What Happens | Katherine
Scene 7: Katherine’s Office
Watch What Happens (cont’d) | Katherine
Scene 8: Newsie Square, Next Morning
Seize the Day | Davey, Jack, Les, Newsies
Scene 9: Rooftop
Santa Fe | Jack
Act II
Scene 1: Jacobi’s Deli Next Morning
Entr’acte
King of New York | Davey, Katherine, Les, Newsies
Scene 2: The Refuge
Letter from the Refuge | Crutchie
Scene 3: Medda’s Theater
Watch What Happens (Reprise) | Davey, Jack, Katherine, Les
Scene 4: Pulitzer’s Office & Cellar, Afternoon
The Bottom Line (Reprise) | Pulitzer, Seitz, Bunsen
Brooklyn’s Here | Spot, Newsies
Scene 5: Brooklyn Bridge & Medda’s Theater
Brooklyn’s Here (cont’d) | Spot, Newsies
Scene 6: Rooftop, Night
Something to Believe In | Katherine, Jack
Scene 7: Pulitzer’s Cellar
Seize the Day (Reprise) | Newsies
Once and for All | Jack, Davey, Katherine, Newsies
Scene 8: Pulitzer’s Office, Next Morning
Seize the Day (Reprise) | Newsies
Scene 9: Newsie Square
Once and For All | Company
Finale | Newsies
There will be one fifteen-minute intermission.
Cast
Creative Team
Liz Boyer Hunnicutt
Patty DeLisle
Rachel Miller
Sammy Jungwirth
James Hunnicutt
Donna Flaharty
Robyn Alvarez
Theresa Foggo, Tricia Anderson, Addie Howard, Mary Leitch, Olga Mason
Sammy Jungwirth, Francesco Leandro, Broadus Nesbitt, Robert Noakes, Kim O’Donnell, Alexis Tucker
Laura Miller
Josh Silber
Lily Anderson, Molly Foggo
Loren Johnson, Arianna Lapp
Meet the Company
Ethan Howard

Robbie Heer

Cormac O'Malley

Luke DiBello

Reese Bruning

Victor Scigala

Emma Kessler

Owen Ryscavage

Jashad Washington

Colton Roberts

Molly Foggo

Lily Anderson

Noah Anderson

Jayde Wild

Daniela Alvarez

Callie Fey

Emily (Oot) Foggo

Eli Ginder

Nate Kaelber

Mckenzie Nace

Gracie Roberts

Noah Testerman

Ryder Bordes

Kayla Marie Camarao

Amelia Trageser Campbell

Pablo Castro-Méndez

Meghan Chrzanowski

Colette Halcott

Natalie Heer

Lillyan Kilduff

Selena Mason

Kara Neat

Benjamin Virgilio

Liz Boyer Hunnicutt

Patty DeLisle
Rachel Miller

Sammy Jungwirth

James Hunnicutt
Donna Flaharty
Robyn Alvarez
Theresa Foggo, Tricia Anderson, Addie Howard, Mary Leitch, Olga Mason
Sammy Jungwirth, Francesco Leandro, Broadus Nesbitt, Robert Noakes, Kim O’Donnell, Alexis Tucker
Laura Miller
Josh Silber
Lily Anderson, Molly Foggo
Loren Johnson, Arianna Lapp
BWW Q&A: James Hunnicutt on Cockpit In Court Summer Theatre
James is a graduate from Towson University with a degree in Theatre. He has performed at TU, MD Arts Festival, Cockpit in Court, Fell’s Point Corner Theatre, Vagabonds, Phoenix Festival, and F. Scott Black's Dinner Theatres, to mention a few. He has also choreographed and directed shows all over Baltimore. By day he works at Towson University as the Operations Manager, at the TU building in Harford County, referred to as TUNE (but sadly doesn’t offer any arts programs).
What inspired your passion for theatre and how did you start your journey in the industry?
I went to my high school production of Hello Dolly because a friend of mine was playing Dolly. I was so in awe and said I want to do that. It was one of the first shows I had ever seen. I then went to college and the first friend I made was a Theatre Major, and started hanging around and trying to get involved in anyway I could.
Can you tell us about some of your favorite shows that you've directed or choreographed in Baltimore?
Shows that stand out in my mind as a director/choreographer are all based on the total experience of the cast melding and becoming like an extended family. This happened with The Full Monty, The Best Little Whorehouse in Texas, Joseph and the Amazing Technicolor Dreamcoat and Seven Brides for Seven Brothers. Many of the cast members from these show are still close friend today.
How does your role as Operations Manager at Towson University intersect with your career in theatre?
Oddly in my position at Towson University, it has nothing to due with the artistic aspect of theatre. But it does deal a lot with manage events and coordinating the behind the scenes work. This is helpful because sometimes I make new contacts or see different ways to make events successful.
Can you provide some insights into the upcoming shows, Newsies & Jerry's Girls, and what audiences can expect from them?
We are excited to present Jerry's Girls because it features six women singing a wide range of Jerry Herman's hits. It is harder to pull off some of the classics today when trying to build a younger audience, but this show gives everyone a taste of the shows with some of Broadway's biggest songs. Newsies, also is a exciting choice for our actors. We chose this because many of the young performers we have worked with, think this show is especially fun to be involved in and represents the age group that are in. Also a lot of fun music and dancing.
What is the selection process like for the actors in Newsies, given it is performed by actors aged 18 and under?
We have open auditions for ages 4-18. We treat them like the adult auditions. They need to come in prepared with music, dressed to dance and give them readings (or make them tell a story if they are too young to read). We can normally cast up to 30 due to the size of the theatre. We make sure they can commit to the rehearsal schedule and have to take conflicts into consideration since it is the summer - some people don't realize the commitment by the performer is also a commitment by the parents.
Could you share some details about the Jerry Herman review? What can audiences look forward to in terms of songs and performances?
The musical review should fit well in our Cabaret setting. Our space is set up in the round and with the piano on the stage. Our six "leading ladies" will sing stand-out songs from Hello Dolly, Mack and Mabel, Mame, Parade, La Cage and a few other shows. It is more of a celebration of Herman's music with song after song.
With your extensive background in theatre, what advice would you give to budding theatre professionals?
See as much as you can to try and understand the complexity and simplicity of acting. Also, try to experience all aspects of theatre, from sound, to lighting, to set and crew, front of house... Anything to get the full picture of what it takes to make a theatre successful and to better round you out as a performer. Also, don't be afraid to take chances. We always tell the kids in our rehearsals "you can't say you can't, you say I will try", because theatre is live and we create better by making choices that work the best.
Theatre Patrons Association
Be an Angel! – Your gift to Cockpit in Court helps us keep quality theatre alive in our community. Ticket Sales cover only a portion of the cost of the season, so even a small gift can make a big difference. Become a TPA member, and help keep the magic alive!
Kings and Queens | $200 and above
Danielle Alderson
Tim and Carol Evans
Dave Guy
Dennis Nonemaker
Ronald Stokes
Linda Yienger
Royal Family | $100 – $199
Tom & Sophia Montgomery
Regents | $50 – $99
Arlene Falke
Jamie Halcott
Sandra Merritt
R. Christopher Rose
Link Warfield
Friends of the Court | $10 – $49
Karen Bayne | Gary Brown | Jean Carr
David Coarts | Linda Klingmeyer
Colleen Kuhn | Winnie Levinson
L. Katherine Moore | Bruce Stevens
Maxine Tolly | Alma Wills
COCKPIT IN COURT 2024 PRODUCTION STAFF
Artistic Managing Director | James Hunnicutt
Administrative Manager | Lisa L. Boeren
Producer | Dr. R. Michael Walsh
Technical Director | Jason Randolph
Box Office Manager | Lisa L. Boeren
Box Office Assistant | Thom Purdy
Business Manager | Johanna Lawrence
Communications Assistant | Cathy Kratovil
Production Photographer | Trent Haines-Hopper
THsquared Photography
Production Liaisons to the Board | Ray Lawson, Chris Rose
COCKPIT IN COURT 2024 BOARD OF DIRECTORS
James Hunnicutt | Artistic Managing Director
Lisa L. Boeren | Administrative Manager
John Chrzanowski | President
Thomas Hessenauer | Vice-President
Cathy Kratovil | Secretary
Robyn Alvarez | Patricia DeLisle | Xander Conte
Theresa Foggo | Eva Grove | Dave Guy
Sammy Jungwirth | H. Ray Lawson | Andrea Marsh
Sophia Montgomery | Marge Ricci | R. Christopher Rose
SPECIAL THANKS
Dr. Sandra L. Kurtinitis, President, CCBC
Dr. Joaquin Martinez, Provost & Vice President of Instruction
Melissa Hopp, Vice President, Administrative Services
Dr. R. Michael Walsh, Dean of Arts & Communication
Damon Krometis, Interim Director of the Arts
Nicholas Van Horn, Chair, Performing Arts and Humanities
Michael Elspas, Asst. Director, Creative Services
Marc Smith, Technical Director, CCBC Dundalk
Moe Conn, Technical Director, CCBC Catonsville
Marc Ershler, Campus Director, Essex
CCBC Essex Foundation
The Children's Playhouse of MD
Brian Comotto
Ed Lake
Brad Ranno
Arianna Lapp