Artistic Director Michael Stevenson & Managing Director Keith Riedell Present NOW CIRCA THEN
by Carly Mensch
Directed by Jeffrey Lo
June 19 - July 21, 2024 PERFORMANCE LENGTH:  90 Minutes, No Intermission
FEATURING:
Nicole Anne Salle      Hunter Hoffman*
Scenic & Properties Designer Christopher Fitzer		Lighting Designer  Isaiah Leeper
Sound Designer Ed Lee		Costume Designer Gail Russell
	Stage Manager Erika L. Placencia*
Assistant Stage Manager Olivia Amore
SEASON WINE SPONSOR:
NOW CIRCA THEN is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com Originally Commissioned and Developed by Ars Nova Jason Eagan, Artistic Director; Jon Steingart & Jenny Wiener Steingart, Executive Producers World Premiere produced by Ars Nova511 West 54th Street, New York, NY www.arsnova.com
*Member Actors' Equity Association

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OUR MISSION

Capital Stage’s mission is to entertain, engage and challenge our audience with bold, thought provoking theatre.

THINGS TO KNOW

HEALTH & SAFETY:

Visit our COVID-19 Safety Protocols & Procedures Page to stay up to date on our Health & Safety requirements and recommendations. 

VIDEO/PHOTOS:

Recording and photography during the performance are prohibited at Capital Stage by copyright law and union regulations.

CELL PHONES:

Patrons are asked to turn any noise making devices off upon entering the theatre.

LATE SEATING & RE-SEATING:

Due to the design of our theatre, we cannot guarantee seating for late arrivals or for patrons who leave the theatre during the performance. As a courtesy to our artists and our audiences, late arrivals will be seated in a suitable location by our staff if possible and at the appropriate intervals.

REFRESHMENTS:

Only concession items purchased in the Wine & Dessert Bar are allowed in the theatre, patio and lobby areas. Yes, you can bring your drinks and snacks into the theatre!

CHILDREN:

Capital Stage is noted for bringing intimate bold productions to our region and we encourage young adults to experience a live performance. Children age sixteen and up are welcome at Capital Stage unless specifically noted in the production’s description.

WHEELCHAIR SEATING:

Seating locations at Capital Stage for patrons using wheelchairs or with limited mobility are located in the first row. Tickets for these seats may be purchased in person or by calling the Box Office at 916-995-5464. Please call ahead to notify the staff if you required these seats.

RESTROOMS:

Restroom facilities are located in the lounge behind the Wine & Dessert Bar.

INFORMATION:

Brochures and information about upcoming Capital Stage productions and events are available in the box office or by visiting capstage.org.

Capital Stage is a member of Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Capital Stage is a member of Theatre Communications Group (TCG), the national organization for the American theatre.

Capital Stage is a member of the National New Play Network, the country’s alliance of leading nonprofit theaters that champion the development, production and continued life of new plays.

Capital Stage is a member of Blue Star Theatres, offering discounts to Military personnel, Military family members, and Veterans.

SDC is the theatrical union that unites, empowers, and protects professional Stage Directors and Choreographers throughout the United States.

Sponsors

Cast

Creative Team

Special Thanks

Joe Bertolucci, Affordable Heating & Air, Inc.

Donna Chipps

Di Arie Vineyard & Winery

Jim Hensley, President Abbey Flooring, Inc.

Oak Park Brewing Company

Shirlee Tully

Production Staff

Artistic Director - MICHAEL STEVENSON

Production & Company Manager - TONY GABRIELSON

Technical Director/Scenic Designer - CALEB JONES

Lead Carpenter - CONOR WOODS

Technician & Marketing Assistant - ANDREW FRIDAE

Carpenter, Painter - SUNNY MACKEY

Lead Electrician - SHAE MERCER

Dialect Coach - JANEL MILEY

Scenic Charge Artist - SAMANTHA McLEAN HAAS

Sound Designer & Engineer - ED LEE

Assistant Sound Designer - MADDIE JUDD^

Lighting Designer/Supervisor - ISAIAH LEEPER

Electricians - ISAIAH LEEPER, SHAE MERCER, EVA HERNANDEZ

Stage Manager - ERIKA L. PLACENCIA*

Assistant Stage Manager - OLIVIA AMORE

Assistant Director - MATTHEW HANJOONG

Scenic & Properties Designer - CHRISTOPHER FITZER

Costume Designer - GAIL RUSSELL

Build Crew - SUNNY MACKEY, CONOR WOODS 

Painters - SAMANTHA McLEAN HAAS, CALEB JONES, SUNNY MACKEY, CONOR WOODS, ANDREW FRIDAE

Wardrobe/Run Crew - MADDIE JUDD^, OSCAR QUEZADA^

Sub Wardrobe/Run Crew - FATEMEH MEHRABAN^, SHELBY SAUMIER^

BIAPOC Liaison - KRISTON WOODREAUX

Resident Dramaturg - K. KEVYNE BAAR 

Intimacy Coordinator - NICOLE C. LIMÓN

Infection Control Manager - ELIJAH PETERS

Graphic Designer, Webmaster - MISTY MCDOWELL

Photographer - CHARR CRAIL

^ Capital Stage Apprentice  |  * Member Actors' Equity Association

About The Play

by K. Kevyne Baar, PhD

“Modern times are boring. Besides, the way I see it, our generation is doomed. Because we’re all culturally bankrupt. We have no tangible things to pass down to our children. No artifacts. No family heirlooms. All we have is fleeting virtual moments.” – Gideon 

Gideon is a young man of 27. To say he is a hardcore history buff is an understatement. His list of reenactment assignments is long and diverse: he’s done Gettysburg, Salem, Shaker Village, Daniel Webster, a few Renaissance Fairs when he was in college, five birthplaces of Republican Politicians, and he just got back from doing the Living History Farm in Urbandale, Iowa. He describes it as “an addiction.” For him, his “brain is like a twenty-four-hour History Channel.” It will be Gideon who, as Julian Glockner, will be the first to welcome you into New York City’s Lower East Side Tenement Museum: a home of living history, in this case, circa 1890. Our tour will last about one hour and forty minutes and has the potential to be a bumpy ride.

At his side is Margie, a 26-year-old Filipina who has herself just “immigrated” to New York from a small town in Michigan looking for more of what life has to offer. With a degree in English and no experience whatsoever as an actor or a reenactor or even as an educator, and no love for this period of history either, she has landed a job at the Museum playing Josephine Glockner; that is, if she can hold it together. Gideon does not hide his shock and disappointment that the museum would hire this non-white young woman who actually thinks that “history is bullshit.”

Over the course of this evening you, the audience in our theatre and by extension at the museum, will get to know the Glockners, Jewish immigrants from Eastern Europe. From their marriage, arranged and performed by the rabbi in their village just in time for them to catch the boat, speaking of bumpy rides, they long for a better future that they hope they will find in New York. 

Our playwright, Carly Mensch, tells us that, she “came up with the idea of historical reenactments, turning the theater into a sort of museum. I’m deeply amused and intrigued by this idea that if you put on a costume and talk in a hokey accent that history becomes present tense.”

Thrust together as both young American adults and young Jewish immigrants Gideon/Julian and Margie/Josephine will form relationships that will grow and change. The past and the future come closer and closer together until both couples get thrown asunder, as a type of confusion leads them all to very different and often unexpected conclusions as our tour comes to an end. 

Gideon, quoting Antonio in William Shakespeare’s The Tempest reminds us that, “The past is prologue,” as we come closer to understanding that our “now” could not, would not exist without our “then.” How will we look back on our time? What will we want to make sure to remember?

About The Playwright

by K. Kevyne Baar, PhD

“Think about the audience. Entertain them, respect them, challenge them. Don’t write a play you know has already been written. Read a million books. Go on crazy adventures. Fall in love with theater and then write a play that redefines what theater is.” – Carly Mensch

For those of you who think the name Carly Mensch is familiar, you have probably heard of her numerous and impressive television credits. Not long after our current show originally opened, she became a story editor on the Showtime series Weeds. Mensch went on to write and produce for Nurse Jackie, and Orange is the New Black. Along with Liz Flahive she co-created the Netflix series GLOW, for which she was nominated for a Primetime Emmy Award for Outstanding Comedy Series in 2018 as well as Writers Guild and Producers Guild nominations. This is not an uncommon story for many of the playwrights whose work has been presented at Capital Stage. But like the others, the seeds were planted and nurtured in theatre.

Mensch, who now lives in the Eagle Rock neighborhood of Los Angeles, California, was born and raised in Harrison, New York. She graduated from Dartmouth College in 2005 and attended Julliard’s MFA program. 

Mensch's plays include the production you are seeing today as well as Oblivion (Steppenwolf’s First Look Festival, Westport Playhouse), All Hail Hurricane Gordo (Humana Festival, Cleveland Play House), and Len, Asleep in Vinyl (2nd Stage/Uptown Series). Her work has also been read, workshopped, and developed at Playwrights Horizons, Manhattan Theatre Club, Center Theatre Group, The Kennedy Center, Marin Theatre Company, New York Stage & Film, and Ars Nova the theatre where this production began and where she was the 2008 Playwright-in-Residence and a founding member of Play Group. She volunteers with the 52nd Street Project, an organization that creates theater with inner city kids.

Prior to the first production of Now Circa Then, she was being interviewed about her plays and was asked, “what was coming up next?” Mensch volunteered that the play that we are sharing with our audience today had a most unique beginning.

“I wrote [this play] with a specific space in mind - Ars Nova. For those who don't know Ars Nova, it's a sort of old-school vaudeville cabaret theater. Red velvet curtains, bar in the back, very intimate. I wanted to write a two-person play that used the performative aspect of the space and I came up with the idea of historical reenactments, turning the theater into a sort of museum. I'm deeply amused and intrigued by historical reenactments - this idea that if you put on a costume and talk in a hokey accent that history becomes present-tense. I based the museum on one of my favorite museums in New York - the Lower East Side Tenement Museum - so I could explore issues of immigration and personal reinvention. There's also a love story and a bunch of philosophical smack-downs about why we study history and how our generation is culturally bankrupt. I won't say any more.”

Time for us to let the play speak for itself here at Capital Stage.

Meet the Company

Nicole Anne Salle

Margie/Josephine

Nicole Anne (she/her) is so excited to return to Capital Stage after recently appearing in GEORGIANA & KITTY: CHRISTMAS AT PEMBERLEY. Past Capital Stage credits include: THE GREAT LEAP, MISS BENNET, and the virtual production of RIPE FRENZY. Other Sacramento credits: LUNGS (The Ooley Theater), GLORIA: A LIFE (Sacramento Theatre Company), and SUPERMA’AM (Big Idea Theatre). Nicole Anne earned her BA in Theater from Sacramento State University and is a proud Capital Stage apprentice alum. Follow along @nicoleannesalle on Instagram and www.nasalle.com

Hunter Hoffman*

Gideon/Julian

Capital Stage debut! Hunter is a member of the B Street Theatre Acting Company where he has appeared in WIPEOUT, JUMP, INSERTION, THE LAST WIDE OPEN, ON AN OPEN FIRE, and THE LAST MATCH. Broadway: SWEAT. National Tour: OKLAHOMA! (Broadway National Tour), SWEAT (Public Theater Mobile Unit). Select Regional Credits: TROILUS & CRESSIDA (NYSF), LOVE, LOVE, LOVE (Studio Theatre), CLARKSTON (Boise Contemporary Theatre), SHAKESPEARE IN LOVE (New Stage Theatre). B.A. in Theatre from Principia College. Graduate of The Neighborhood Playhouse. Hunter is also a singer/songwriter who performs under the recording alias, The Lost Wayne. His latest EP “Tangerine” can be streamed wherever you listen to music. For Mom, Dad, Paige, and Squeak. IG: @thelostwayne

Carly Mensch

Playwright

Carly Mensch's plays include OBLIVION (Steppenwolf’s First Look Festival, Westport Playhouse), NOW CIRCA THEN (Ars Nova, TheatreWorks), ALL HAIL HURRICANE GORDO (Humana Festival, Cleveland Play House), and LEN, ASLEEP IN VINYL (2nd Stage/Uptown Series). Her work has also been read/workshopped at Playwrights Horizons, Manhattan Theatre Club, Center Theatre Group, The Kennedy Center, Marin Theatre Company, New York Stage & Film, and Ars Nova, where she was the 2008 Playwright-in-Residence and a founding member of Play Group. She volunteers with the 52nd Street Project, an organization that creates theater with inner city kids. MFA-ish: Juilliard. Moving into television, Mensch is credited for writing and producing for Weeds, Nurse Jackie, and Orange is the New Black. However, she's best known for co-creating the Netflix comedy series GLOW, alongside Liz Flahive, for which she was nominated for a Primetime Emmy Award for Outstanding Comedy Series in 2018.

Jeffrey Lo

Director

Jeffrey Lo (He/Him/His) is a Filipino-American playwright and director based in the Bay Area. He is thrilled to return to Capital Stage where he directed VIETGONE, HOLD THESE TRUTHS and THE GREAT LEAP. He is the recipient of the Leigh Weimers Emerging Artist Award, the Emerging Artist Laureate by Arts Council Silicon Valley and Theatre Bay Area Director's TITAN Award. Selected directing credits include THE LANGUAGE ARCHIVE, LITTLE SHOP OF HORRORS, TIGER STYLE! and THE SANTALAND DIARIES at TheatreWorks Silicon Valley, THE GLASS MENAGERIE, CHINGLISH and THE PAPER DREAMS OF HARRY CHIN, A DOLL’S HOUSE, PART 2 and EURYDICE at Palo Alto Players (TBA Awards finalist for Best Direction) and THE GRAPES OF WRATH, THE CRUCIBLE and YELLOW FACE at Los Altos Stage Company. As a playwright, his plays have been produced and workshopped at Berkeley Repertory Theatre, TheatreWorks Silicon Valley, BindleStiff Studio, City Lights Theatre Company and Stanford University. His play WRITING FRAGMENTS HOME was a finalist for the Bay Area Playwright's Conference and a semi-finalist for the O'Neill Playwright's Conference. Jeffrey has also worked with the Oregon Shakespeare Festival, The Asian American International Film Festival, San Jose Repertory and is a company member of Ferocious Lotus Theatre Company and SF Playground. His short play BRENDAN’S DAMN GOOD DAY was adapted to a short film which was selected for the Manchester Lift-Off Film Festival and the Black Cat International Film Festival in Bolivia. Jeffrey also works as an educator and advocate for issues of Equity, Diversity and Inclusion and has served as a grant panelist for the Zellerbach Family Foundation, Silicon Valley Creates and Theatre Bay Area. He is the Associate Producer of Casting and Literary Manager at the Tony Award Winning TheatreWorks Silicon Valley, a graduate of the Multicultural Arts Leadership Institute and a proud alumnus of the UC Irvine Drama Department. For more: www.JeffreyWritesAPlay.Com

Michael Stevenson

Artistic Director

For Capital Stage, Michael has directed ARCHDUKE, HEROES OF THE FOURTH TURNING, GLORIA, THE LIFESPAN OF A FACT, ADMISSIONS, THE HUMANS, THE OTHER PLACE, SWEAT, THE THANKSGIVING PLAY, LUNA GALE, STUPID F##KING BIRD, HOW TO USE A KNIFE, DISGRACED, MR. BURNS, IDEATION, CLYBOURNE PARK, MAURITIUS, ERRATICA (World Premiere), and LES LIAISONS DANGEREUSES. He has directed at regional theaters including: B Street Theater, Lake Tahoe Shakespeare Festival, Orlando Shakespeare Company, Perseverance Theater Company, and Sacramento Theater Company. As an actor he has appeared at many regional theaters including: 42nd Street Moon, American Conservatory Theater, The Aurora Theater, Bailiwick Repertory Theater, Capital Stage, B Street Theater, the Utah Shakespeare Festival, and Marriott’s Lincolnshire Theater. He holds an M.F.A. from the American Conservatory Theater.

Keith Riedell

Managing Director

Keith Riedell is celebrating his 17th year at Capital Stage and brings to the company his varied experiences in the theatre, management, team building, counseling, training and corporate improvement. While at Capital Stage he has grown box office operations and installed online ticketing and donor systems, developed sound accounting and financial policies and systems, led efforts to provide living wages and benefits to the staff and artists, and has been an outspoken voice for diversity, equity, inclusion and belonging efforts. Working with the board of directors Mr. Riedell is leading a five-year strategic planning process with Michael Kaiser and the DeVos Institute of Arts Management. The plan, completed in the Summer of 2023 is now in the implementation phase. Along with Artistic Director Michael Stevenson, Keith has worked on capacity building projects with Third Plateau and the University of the Pacific.

Tony Gabrielson

Production & Company Manager

Tony has worked with many theaters and dance companies locally and around the country over the last 15 years as a stage manager, carpenter, painter, and technician. Favorite productions include: DISNEY'S BEAUTY AND THE BEAST with Barter Theater in Abingdon, VA, ON BORROWED TIME at Two River Theater in Red Bank, NJ, and developmental workshops of BOTTLESHOCK! THE MUSICAL. He is blessed and beyond grateful to continue working as an artist in our community. Love and thanks to Jessa and Piper - his favorite people.

Caleb Jones

Technical Director

Caleb is proud to be joining Capital Stage as Technical Director for the 23/24 season. He is new to Sacramento but has worked at the San Diego REPertory theater and with several theaters within Fresno County. This year serves as his 10th year in the field, and he hopes you enjoy our shows. Lots of love to Clarissa and all of his loved ones.

Erika L. Placencia*

Stage Manager

Erika Placencia is proud to be the Production stage manager for this show. She made her professional debut at Capital Stage as the production stage manager for CRY IT OUT. She has been an assistant stage manager at Capital Stage for AMERICAN FAST, HOMBRES and HEROES OF THE FOURTH TURNING. She was also a stage management intern at Broadway at Music Circus. She was also assistant stage manager for B Street Theatre’s ‘TIS THE SEASON. She earned her first degree in Media and Communication studies from University of Maryland University College and received her second degree from William Jessup University with Bachelor of Arts in Theatre Arts. She is a proud Air Force Veteran and is happy being able to live her dreams through the support of her family.

Olivia Amore

Assistant Stage Manager

Olivia Amore is a recent graduate from Jessup University with her BA in Technical Theatre. She has worked as a Production Stage Manager, Assistant Stage Manager, and Cast Member. She was in charge of many different technical aspects from Jessup's grand productions of THE WIZARD OF OZ and PETER PAN. She has also enjoyed being an ensemble member in musicals including THE MUSIC MAN. Since working with different theatre companies from Rocklin, California to Plymouth, Massachusetts, Olivia is very excited to officially work with Capital Stage and hopes to be a part of future productions!

Matthew Hanjoong

Assistant Director

Matthew is a graduate from California State University, Sacramento. He has also studied at UCLA and trained with Tim Robbins and The Actors’ Gang. Matthew is thankful to be back at CapStage as Assistant Director and to be working with Jeffrey Lo again. Local credits include THE WICKHAMS: CHRISTMAS AT PEMBERLEY (Capital Stage), A GREAT MIGRATION (B Street Theatre), THE GREAT LEAP (Capital Stage) and NUTCRACKER SWEETS (Playground SF). Movie credits include Phobias (Vertical Entertainment) and Sacramento (Beehive Production). Follow the journey on all socials @matthewhanjoong.

Christopher Fitzer

Scenic & Properties Designer

Christopher Fitzer (he/him) is an award-winning freelance scenic designer in the Bay Area and the properties director for TheatreWorks Silicon Valley. His previous design credits for Capital Stage include sets and costumes for Hold These Truths and projections for The Great Leap. His other design credits include productions at Sacramento Music Circus, TheatreWorks Silicon Valley, American Conservatory Theater, San Francisco Playhouse, Aspen Opera Theater Center, World Literature Today’s Puterbaugh Festival, San Jose Stage Co., Hillbarn Theatre, Woodminster Summer Musicals, Oklahoma City Theatre Co., Flat Rock Playhouse, Oakland Theatre Project, Los Altos Stage Co., Douglas Morrisson Theatre, Palo Alto Players, and Foothill Music Theatre. He holds a BFA in theatrical design from the University of Oklahoma. www.christopherfitzer.com

Isaiah Leeper

Lighting Designer

Isaiah Leeper is very excited to be lighting up Capital Stage for the 5th time after working on PASS OVER and SMART PEOPLE, THE ROYALE and HEROES OF THE FOURTH TURNING. Recently he was able to bring light to the world of CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME at Sacramento Theatre Company as well as ANTIGONE at Folsom Lake College. He would like to take the time to thank the cast, crew, and entire company for their support and wonderful energy.

Gail Russell

Costume Designer

Collaborating with Capital Stage for over a decade, favorite shows include: “Everything Pemberley!”, MARJORIE PRIME, AN OCTOROON, BETRAYAL, THE HOMECOMING, A DOLL’S HOUSE, IN THE NEXT ROOM, OR, DANGEROUS LIASONS. Other local credits: Sacramento Theatre Co. CLUE, CURIOUS INCIDENT, DORETHEA PUENTE, KATE, THE WHIPPING MAN, GEM OF THE OCEAN; Fair Oaks Theatre Festival’s SUESSICAL, WILLY WONKA, SHE STOOPS TO CONQUER; HAIRSPRAY, THE SEAGULL, JEKYLL AND HYDE, BEAUX STRATAGEM, STOP KISS, JULIUS CAESAR, SPRING AWAKENING at American River College where she also teaches in the Theatre Arts and Fashion departments.

Ed Lee

Sound Designer

Ed is delighted to be part of another season at Capital Stage. He has been involved in almost every production since the company’s aquatic days at the Delta King, from artwork for SPEECH AND DEBATE to appearing in FIRST PERSON SHOOTER. Favorite sound design credits include: MASTER CLASS; SOMEONE TO WATCH OVER ME; 4000 MILES; MISTAKES WERE MADE; RAPTURE, BLISTER, BURN; and UNCANNY VALLEY.

Samantha McLean Haas

Scenic Charge Artist

Samantha has been painting sets for over a decade in the greater Sacramento area. She's worked at Sacramento City College, University of California Davis, Sacramento Theatre Company, B Street, and Broadway at Music Circus. This is her third season with Capital Stage.

Nicole C. Limón

Intimacy Coordinator

Nicole is a multidisciplinary theatre artist: an actor/director/dramaturg, and theatre faculty at California State University, Sacramento. She most recently directed: BY THE WAY, MEET VERA STARK (Celebration Arts,) JUST A PINCH: A UTERUS PLAY (Matriarchy,) EVERYBODY; and DANCE NATION (CSUS,) and WATER BY THE SPOONFUL (Teatro Espejo.) She is also a Theatrical Intimacy Director committed to creating consent-forward spaces for artists and is honored to be working with Capital Stage in this capacity. Locally, she has consulted with and staged intimacy for Capital Stage, B Street Theatre, CSUS, Teatro Espejo, Celebration Arts and Sacramento Theatre Company. She is founder of Matriarchy Theatre and local collective Sacramento Theatres of Color, an associate member of Stage Directors and Choreographers Society, and holds an MFA in Acting from UC Davis. Follow her work @matriarchytheatre

K. Kevyne Baar

Dramaturg

Kevyne is thrilled to be a member of the Capital Stage family as the Resident Dramaturg. Productions include GLORIA, HEROES OF THE FOURTH TURNING, PREDICTOR, ARCHDUKE, and NOW CIRCA THEN. A member of Viola Spolin’s Young Actors’ Company who became an Equity Stage Manager, and then the Field Representative for Actors’ Equity’s Western Regional Office, she returned to school in 2001 to work on a PhD. This led to her being Equity’s archivist at the Tamiment Library/Robert F. Wagner Labor Archives at New York University. Kevyne moved from Brooklyn, NY to Davis, CA in 2015, and in 2019 her book, Broadway and the Blacklist was published.

ACTORS’ EQUITY ASSOCIATION (AEA)

Founded in 1913, this union represents more than 45,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence.

Capital Stage Staff

MICHAEL STEVENSON - Artistic Director

KEITH RIEDELL - Managing Director

KIRK BLACKINTON - Development Manager

TONY GABRIELSON - Production & Company Manager

MISTY MCDOWELL - Marketing Manager

LOGAN JACOB GERMANO-HELLER – Education & Box Office Manager

AVERY HERSEK - Box Office Associate

THEODORE ALEXANDER - House Manager

CALEB JONES - Technical Director/Scenic Designer

CONOR WOODS - Lead Carpenter

SUNNY MACKEY - Carpenter, Painter

ED LEE - Resident Sound Designer & Engineer

ISAIAH LEEPER - Lighting Supervisor

SHAE MERCER - Lead Electrician/Lighting Designer

ANDREW FRIDAE - Technician & Marketing Assistant

CECILIA CASTILLO JUAREZ - Concessions & Box Office Associate 

YASMINE SALMERON - Production Associate

K. KEVYNE BAAR - Resident Dramaturg

JAMIE JONES, PETER MOHRMANN, GAIL RUSSELL, JANIS STEVENS – Associate Artists

ELIJAH PETERS - Infection Control Manager, Payroll & Administrative Assistant

2023/24 SEASON APPRENTICE COMPANY - Maddie Judd, Fatemeh Mehraban, Oscar Quezada, Shelby Saumier

Capital Stage Board Members

Chastity E. Benson
California State Association of Counties

Dan Brunner, Treasurer
Arts Patron

Melissa Conner
Seed Communications Design

Kathryn E. Doi, Board President
Feldesman Leifer LLP

Sherry Hartel Haus
Downey Brand

Leili Khalessi
California Dept. of Human Resources

Steve Koonce
Arts Patron

Dena Martinez
Talen Agent, Director, Actor

Kristi Quesada Mathisen
Sacramento Country Day School

Lori Abbott Moreland
Arts Patron

Brian Rickel
Dean of Arts, Media & Entertainment at Cosumnes River College

Vince Sales
Everyday Impact Consulting

Mike Tentis
University of the Pacific

Peggy Wheeler
California Hospital Association

Board Emeritus:

Stephanie Gularte, Founding Artistic Director
Capital Stage

Peter Mohrmann, Co-founder
Capital Stage

Jonathan Williams, Co-Founder
Capital Stage

Clif McFarland
Mitchell Chadwick

Arlen Orchard
SMUD

Julie Stark
Arts Patron

Donors

Special Thanks to our Donors

Donation Totals from 6/7/23 to 6/7/24

Please alert us to any errors or omissions by contacting Development Manager, Kirk Blackinton at kblackinton@capstage.org.

Founder's Circle: $20,000+

Kathryn Doi
Golden 1 Credit Union
Lesley & Steve Koonce
Sacramento City Office of Arts and Culture
Anita Scuri & James Simon
The Shubert Foundation

Executive Producer: $10,000+

John Abbott & Lori Abbott Moreland
Dan Brunner
Jeffrey Farley & Mike Tentis
Gloriette C. Fong
Kris Martin
Sacramento Region Community Foundation
Art & Sue Scotland

Producer: $6,000+

Chastity Benson
Susie & Jim Burton
Donna Chipps
Ted Cobb
Steven Debry
Downey Brand
Linda McAtee & Steve Sphar
Leonard Vincent Sales
Ed Telfeyan & Jeri Paik
Gloria & Don Yost

Director: $3,000+

Melissa Conner & Theodore Harris
Theresa Corrigan
Drs. John & Lois Crowe
Kathy Davenport & Ken Weiss
Susan Edling
Foundation for California Community Colleges
Deborah Franklin & Douglas Mitten
Patty Garcia & Jim Mattesich
Tuan Hoang
Scott & Linda Lasher
Bob Mandelson
Clif McFarland
Keetha Mills & Phil Nanni
Gretchen Peralta
Ken Rothaus
Sacramento Region Community Foundation - The James & Susan McClatchy Fund
SCRF - APIs Rise Fund
Kim Silvers & Sheila Cardno
Howard Slyter
Marty & Janet Steiner
Patricia Wall & David Stavarek
Susan Wheeler

Lead Actor: $1,200+

Chris Abare
Jacob Appelsmith
Walter Barnes
Peggy Beasley
David Bell & Katherine Newman
Linda Brandenburger
Karen Broido
Dr. William Bronston & Lisa Levering
John & Randi Brooklier
Lyndsay Burch
Margaret L Buss
Les & Peggy Chisholm
Kathleen Collins
Gayle Dax-Conroy
Jim & Kathleen Deeringer
Gail Finney
Donald Fraulob & Melissa Brown
Patty French
Carole Fritz
Curtis Fritz
Catherine Globus
Stephanie Gularte
Mary Hargrave
James R Hargrove
Eileen Heaser
Larry Hendrick
Josh Horowitz & Patti Baggett
Stephanie & David Hunt
Brian & Dorothy Landsberg
Doron Levitan
Janet Lial
Dena Martinez & Paul Verke
Kristi Quesada Mathisen & Josh Mathisen
Ed Mills
Peter Mohrmann & David Harris
Katherine Muris
Sara Nichols
Gail Pereira
Christopher Price
Laurie Nelson Randlett & Jim Randlett
Nathan Rangel
Marshall & Maureen Rice
Brian Rickel
Glenn Rondeau
Lori Saper
Diane Schertz
Chuck & Nancy Shulock
Roger & Barbara Smith
Barbara Sommer
Rae-Nani Stokes & Griff Field
Shirlee Tully
John Wilson & Susie Monary-Wilson
Claudia Wrazel & Frank Horowitz

Designer: $600+

John Angell
Stephen & Melva Arditti
David & Marsha Baskins
Donna Campbell
Michael Cohen
Edward Condon
Annabel Cooper
Ellen Covairt & Bernard Kalscheuer
Fred Deneke & Jim Eastman
Stuart Eldridge
Richard & Barbara Falcon
Ellen Ferguson
Muffy & Terry Francke
David Fulk & Keith Riedell
Brian Galacio
Carol & Steven Goldberg
Alex Gonzalez
Adrienne Graham
Mary Graziose
Patricia & James Grieshop
Helen & Glenn Hakanson
Ed Hall & Warren Lindeleaf
Suzanne Hanrahan
Team Hanseth
Gary & Eva Incaudo
Laura Jackson
Janet Jensen
Leili Khalessi
Jolanta Kieturakis
Dawn & Dave King
Charles & Elizabeth Kuehner
Dr. John & Rosemary Lamb
Nancy Lee
Shannon Mahoney & Kirk Blackinton
Dennis Mangers & Michael Sestak
Carol McCormick
James McElroy & Ann Gerhardt
Mr. Colin A. Miller
Roger & Kristina Montero
Shelley Mydans & John Griffing
Suzanne Ness
Frank Pajerski
Richard Pearson & Jean Hart
David Pitman & Rani Pettis
Ron Robie
Bob & Shirley Rosenberg
Fred & Polly Schack
Elaine Silver
Susan & Ross Siragusa
Peggy Stare
Julie Stark
John Stefanki
Stephanie Tucker
Kim Varner
Marian Ver Wey
Elaine Verbarg
Denise Verbeck
Megan Van Voorhis
Chris Wagner
James Watkins
LeRose Weikert
Martha West
Tim Whalen
Buzz Wiesenfeld

Ensemble: $300+

Candace & Doug Adams
David Alois & Jacquie Embs
Merle Axelrad
Barbara Black
Bruce Bowers
Sandra Briggs-Howell
Margaret & Stephen Brush
Carin & Bob Bryans
Celia Buckley
Sharon Cammisa & Joseph Orr
Kathryn & Jim Carlson
Steven Chase
Melissa Cirone
Idelle & Dan Claypool
James Crouch
Daniel DeFoe
Katherine Downey
Cindy Dunning
Anne Eisenberg
Tracie & Richard Fike
Sara Floor
Daphna Fram
Dalinda Harman
Sherry Haus
Brian & Tiffany Heacox
Charlotte Hegle
Zheyla Henriksen
Mike & Doris Horton
Kim Hunter
Linda Iseri
Barbara Jeffus
Anne Jennings
Don Johnson & Elizabeth Miller
Lial Jones
Margaret Kane & Richard Frey
Dean & Sandi Karagianes
Shenandoah & Andrew Kehoe
JR Keith
Kellie Kilgore
Jane Kirkland
Pamela Kisor
Nancy LaCasse
Beverly & Ronald Lamb
Susie LaPointe
Daniel Leahy
Sandy Lee
David & Ruth Lindgren
Spencer Lockson
Olga Mandrussow
John Marinko
Elizabeth McClatchy
Steve & Cheryl Meyer
Hallie Morrow
Shirley Nelson
Allison Noren
Tracey O'Reilly
Steve Patwell
Sarah Phelan
Ann Porten
Allan Robin
Carol Rogers & Jon Courtway
Donald Rubin
Peter Saucerman
Michael Scheible
Chris & Julia Smith
Harold Smith
Robert Snider
Susanne Sommer & George Ramsey
Michael Stevenson
Robert Suskind & Leslie Lewinter-Suskind
Patrica Symkowick
Carrie Thomsen
Jelena Tiemann
Peter & Karen Von Elten
Bryan Weare
Peggy Wheeler
Joan Williams
Richard Williams
Karen Willstatter
Claudia & Olin Woods
Yield Open Giving
Robert Young
Karen Ziskind
Wendy & Mark Zlotlow

Patron: $150+

John & Kathleen Agnew
Rebecca Armstrong
John Atwood
Jose Barbosa
Robert & Jean Bonar
Constance Brown
Carol Buck & Dennis Beaty
Russell Burgess (Marie Smith)
Margaret Burns & Roy Bellhorn
Allison Cagley & Farel Brosio
Bernice Chin
Allison Claire
David A Combies
Mary Jo Compton
Kelly Coplin
Jennifer Cummings
Gretchen Cypin
Gail & Tom Devitt
Martha & Jim Dickson
Linda Dixon
Lily Douglas
Anne Duffey
Daniel & Diane Durawa
David Felderstein & Dan Hoody
Stephanie Finelli
Mary Helen Fischer
Pamela Fitch
James Fitzpatrick
James Flynn
Carolyn Foland
Leah E Frey
Marc Gabrys
Jan Geiger
Anne Geraghty
Cynthia Gerber
Wayne & Mary Ginsburg
Barbara Greenwood
Linda Gregory
Glenn Harris
Linda Hayward
Shirley Hazlett
Robert Herne
Alexandra Hewitt
Beatrice Hildebrand
Hirst Law Group, P.C.
Dennis Hock
Marlys Huez
Patricia Hull
Lydia Inghram
Eillen Jacobowitz
Myrna Johnston
Jamie Jones
Bobbie Keill
Jacquelyn M. Kelly
Mimi Khan
Kay Michelle Khayat
Anne Knuut
Deb Kollars
Paul & Jane Lammerding
Patricia Levin
Lisa Luthra
Brian Lutz
Margaret McCarthy Household
George Ed McCune
Becky & Bob Norris
Douglas Patton
Catherinie Pierini
Enid Pritikin
Diana & Bill Proctor
Richard Rawson & Cynthia Neuman
Raymond Reis
Tina Reynolds
Lowell Richardson & Paula Sugarman
Ted Ridgway
Patti Roberts
Myrna Rodriguez
Sunny Romer
Laura Rosenthal
Eric Ross & Karen Tarp
Linda Roth
Elizabeth Sachs
Nai Saechao
Lisa Sargent
Seasons Coffee Roasters Inc.
Adrienne Shapiro
Adrienne Sher
Walter Sherwood
Daniel G. Stone
Michael Storey
Harry & Linda Struthers
Patricia Sturdevant
Janet Summers
Penelope Taylor
Susan & Ken Taylor
Nina Thomson
Rachel Tooker
Patty Torbert & Ken Graber
Michael & Barbara Ullman
Roger Paul Villaluz
James O Walker Jr
Debra Waltz
Steven Winlock
Anita & John Winslow
Arnold Wolf & Fern Tablin
Megan Wygant
Karen Zamarripa
Timothy Zindel
 

"The Crew" - Recurring Donors

Chris Abare
John Abbott & Lori Abbott Moreland
Candace & Doug Adams
John Angell
Merle Axelrad
Jose Barbosa
Peggy Beasley
Bill Bronston & Lisa Levering
Margaret & Stephen Brush
Celia Buckley
Margaret L Buss
Ann Byfield
Kathryn & Jim Carlson
Bernice Chin
Les & Peggy Chisholm
Kathleen Collins
Kaoru Cruz
Jennifer Cummings
Daniel DeFoe
Gail & Tom Devitt
Martha & Jim Dickson
Lily Douglas
Katherine Downey
Stuart Eldridge
Ellen Ferguson
Mary Helen Fischer
Sara Floor
Muffy & Terry Francke
Deborah Franklin & Douglas Mitten
David Fulk & Keith Riedell
Mary Graziose
Kathryn Grey
Stephanie Gularte
Suzanne Hanrahan
Courtney & Nate Hans
Dalinda Harman
Josh Horowitz & Patti Baggett
Suzanne Houlton
Stephanie & David Hunt
Kim Hunter & Sherry Reser
Linda Iseri
Eillen Jacobowitz
Anne Jennings
Iris Johnson
Maria Jurado
Dean & Sandi Karagianes
Pamela Kisor
Dr. John & Rosemary Lamb
Sandy Lee
Doron Levitan
Shannon Mahoney & Kirk Blackinton
John Marinko
Kristi & Josh Mathisen
Linda McAtee & Steve Sphar
Carol McCormick
Shelley & James McFarland
Peter Mohrmann & David Harris
Diane & Lisa Moore
Suzanne Ness
Ann OConnell
David Pitman & Rani Pettis
Laurie Nelson Randlett & Jim Randlett
Carol Rogers & Jon Courtway
Sunny Romer
Linda Roth
Donald Rubin
Leonard Vincent Sales
Peter Saucerman
Diane Schertz
Susan Scott
Chris & Julia Smith
Jennifer Sommer
Peggy Stare
Michael Stevenson
Michael Storey
Linda & Scott Taylor
Martha West
John Wilson & Susie Monary-Wilson
Claudia Wrazel & Frank Horowitz

Learn more about "The Crew": capstage.org/play-a-part/donate/