The International Human Rights Art Movement presents
Oud Player on the Tel |
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A play about one Palestinian's hope |
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Written by Tom Block |
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Mark Peters* |
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*Appearing through an Agreement between this theatre, the International Human Rights Art Movement, and Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States |
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Palestinian olive farmer, Amir, welcomes a family of Jewish refugees and envisions a future that can never be. A story about how founding Israel on the land of Palestine could have been peaceful instead of starting a 75-year war and the conflicts of today.
Co-produced by Kitty Williams Productions
The cars you'll see on stage were created and donated by Henry Garrou, Whitetree, LLC Trigger Warning: a reproduction of a gun will be used |
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Follow Us:
Letter from the Playwright
Truth can feel ugly when we don’t agree with it.
This play lays out some — but certainly not all — uncomfortable truths about the founding of the State of Israel, and the inception of 75 years of misunderstanding, injustice, hatred and violence, leading to the wars of today.
The road to peace, justice and equality for all people living in the ancient land of Palestine and the modern State of Israel, begins in understanding. Opening hearts and minds to appreciating, if not agreeing, with the perspective of the other side.
It also means coming to terms with a very difficult reality: that peace, justice and equality for everyone living in the Holy Land does not represent ultimate victory for either side. Neither side will ever completely subjugate the other.
“Oud Player on the Tel” explores through historical fiction, one possible interaction at the time of Israel’s founding. This play cracks open a doorway to another way of thinking, to a place awaiting beyond hatred, righteous anger and fevered dreams of complete victory. Because one of the largest impediments between Israelis and Palestinians is the misguided belief that one side — my side — can attain victory, and that this will lead to a lasting peace.
However, true peace between these Children of Abraham begins with the difficult, painful and humble step of understanding. Understanding that there are two irreconcilable and equally true narratives around the founding and existence of the State of Israel, and the fate and rights of the Palestinians.
Peace does not demand that partisans on either side give up their beliefs. It asks that they do not give into that darkness and act on it. That they move their energy toward implementing a cold, fragile and unsatisfying truce, instead of into the darkness of seemingly never-ending retribution and war, righteous though it may feel.
It may not seem fulfilling or even justified (given all of the ills the “other side” has visited upon “us”), but it will be much better than what we currently have ongoing in the Holy Land.
Oud Player on the Tel offers one manner of taking a first step.
~ Tom Block
Help us going to Broadway!
Help bring this vital story to a greater audience by supporting our off-Broadway production of Oud Player on the Tel!
The role of art is to go into the most difficult situations. Support the change you want to see in the world.
Thank you for making a difference in our path!
Photo Credits Steven Pisano
Cast
Creative Team
Tom Block (he/him)
Jesica Garrou (she/her)
A. Kasper (he/him)
Amanda Reynoso (she/her)
Richie Ouellette (they/them) ^
Cathy Small (she/her) ^
Riva Fairhall
Henry Garrou (he/him)
Katie Mack (she/her)
Andrea Alton/Alton PR (she/her)
Costanza Bugiani (she/her)
Aliyah Stephenson (she/her)
Paloma Dean (they/them, she/her)
Meet the Company
Hari Bhaskar (he/him) *
Gary Brintz (he/him) *
John Druzba (he/him) *
Inji El Gammal (she/her) *
Rachid Halihal (he/him)
Maya Koshaba (she/her) *
Mark Peters (he/him) *
Mark J. Quiles (he/him) *
Hala Shah (she/her) *
Jennifer G. R. Tulchin (she/her) *
Tom Block (he/him)
Jesica Garrou (she/her)
A. Kasper (he/him)
Amanda Reynoso (she/her)
Richie Ouellette (they/them) ^
Cathy Small (she/her) ^
Riva Fairhall
Henry Garrou (he/him)
Katie Mack (she/her)
Andrea Alton/Alton PR (she/her)
Costanza Bugiani (she/her)
Aliyah Stephenson (she/her)
Paloma Dean (they/them, she/her)
About Kitty Williams Productions
Kitty Williams Productions seeks to produce compelling and important new plays with social and cultural themes and containing significant roles for older actors. Kitty Williams was a Hungarian Holocaust survivor who settled in Iowa after the war and passed away in 2022 at the age of 98. In her 80s, Ms. Williams began a decade long role as a speaker for the Institute for Holocaust Education in Omaha, Nebraska, sharing her survival story with thousands throughout Nebraska, Iowa and elsewhere in the Midwest. She is the mother of Mark Peters, the company’s principal investor. Oud Player on the Tel is the company’s first theatrical venture.
Donors
Cars donated by Whitetree, LLC
SPECIAL THANKS TO:
Victor Block
Zane Fairservice
Henry Garrou
HERE Arts Center
Katrin Hilbe
Jamaica Center of Arts and Learning (NY)
SOHO Rep
Sticks and Stones Landscaping
Emma Garrou for her help with strike
A few words from the Director
Over a year ago, Tom Block invited me on a journey to direct his play, Oud Player on the Tel. It seemed so appropriate to be delving into this topic at this time, but I first had to ask myself, “Am I the right person to lead this production?”
With ancestors that came to America before the pilgrims, I was raised in a small New England town centered around its baptist church. I do not consider myself to be “religious” and I don’t have a stake in the conflict represented in this play. But I do have a passion for rediscovering narratives, so I have approached this play from the perspective that everyone is an expert - an expert in their own experience. My job is to view the story of these two families through the pieces from the kaleidoscope from the multitude of narratives we gathered to be part of this process- actors, consultants, creatives, and of course, the playwright. We will be successful when you, the audience, feel a shift in your perspective or find empathy for a character you didn't expect, or if you find yourself at least considering a fact you didn’t know to be true before this evening.
Which brings me to my one request of you as an audience member. You may hear things tonight that are different than what you believe to be the truth. You may find yourself inclined to dismiss the entire play because you disagree with some of the facts presented tonight. I ask that you consider everything you hear tonight stems from multiple people’s narrative and that you attempt to listen to what is being said. Feel the emotional journey these seven characters are about to partake in front of you- experience their pain, feel their predicament, see where they have come from and where they need to get to to find peace within their individual lives. While the story is historical fiction, the emotional ride is based on experiences by the actors, the creatives, and the consultants on this production. Some of the characters will achieve peace, others will not. Just as some members of the audience will find peace and others will be disappointed at the end. When the show is over, I hope you can take time to reflect on how and why you feel as you do. If nothing has changed for you, why not? If much has changed for you, why?
Thank you for coming. And an extra special thank you to my family for supporting me through this journey. I have been a “virtual mom” to my teenager for the last couple months, and my husband stepped-in to play the role of both parents throughout this process. Even my brother and mother have shown up in various ways to make sure that I can devote my time and energy to creating this piece, and for that, I can not thank them enough.
Enjoy the show,
Jesica Garrou, Director.
HERE Arts Center
IHRAF Festival 24
Join the International Human Rights Art Movement and its yearly event
International Human Rights Art Festival
December 9th - 15th, 2024
The Tank
312 W 36th St., New York, NY 10018
The International Human Rights Art Festival (IHRAF) began at Dixon Place (NYC) in March 2017 to create an open space for performance artists-activists in New York City to tell their stories and influence society. Freedom of expression and ethnic/cultural/economic and religious diversity are fundamental to our work, as is the protection of human rights and social justice. DEI is in our DNA, as we use creativity to build a more equitable world. Over the past six years, we have presented more than 1000 artists at our festivals and interim events throughout NYC. We believe in a world where artists are free to use their creativity to provide an engine for social change, and their work is honored as a human right.
The International Human Rights Art Festival is presented by The International Human Rights Art Movement, which values are;
Beauty as a fundamental creative principle; Sincerity and Vulnerability of presentation; Celebrating Diversity and opening doorways of Engagement!