

Poudre High School Performing Arts Presents...
SIX: TEEN EDITION
By Toby Marlow and Lucy Moss
Originally Produced in the West End by Kenny Wax, Wendy & Andy Barnes and George Stiles Originally Produced on Broadway by Kenny Wax, Wendy & Andy Barnes, George Stiles and Kevin McCollum in association with Chicago Shakespeare Theater
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Produced by Joel Smith
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Music Director/Conductor Bennett Stucky |
Vocal Director David Lonowski |
Choreographer Sierra LaRue |
Costume Director Kari Armstrong |
Technical Director Laura Lenczycki |
Hair & Makeup Lindsey Shipton |
Stage Manager Sara Ogden* |
Student Director Lucia Cruz-Rodenbeck* |
Student Technical Director Emily Hertzog* |
* denotes an inducted Thespian, International Thespian Society, Troupe #2808
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Director's Notes
What if history was rewritten by the women who lived it?
SIX doesn’t just ask this question—it answers it with defiance, rhinestones, and heartbreak. As we learn the true tales of the six wives of Henry VIII, we raise the voices of those who have been erased from our history books.
This show has been a beautifully intimidating challenge. How would we bring this show to life, and tell these stories with the power they deserve. How would we pull it off? When Mr. Smith approached me and asked me if I would be interested in directing this show, I won’t lie, I was terrified. However, we decided that maybe that’s just what this show needed… Less patriarchy.
From day one, we made a promise: put these girls at the forefront. These queens deserved to shine—not just in their crowns and corsets, but in their confidence, their vulnerability, and their strength. Their histories have been flattened into a single line — “one of six” — but we knew our cast could breathe life, individuality, and power into each woman’s story.
Watching this cast bloom into a group of powerful, confident young women has been one of the greatest joys of my life. I am endlessly proud of them. The personal touches each of them brought to their role, the honesty in their work, and the bravery they’ve shown on and off the stage—it’s been nothing short of inspiring.
To our amazing cast and crew: thank you for your bravery, your talent, and your commitment to telling these stories with honesty and joy. Continue to find your voice… This story is yours to tell.
To our seniors: thank you for your trust. Your trust in yourselves, your trust in me,and your trust in each other. Thank you for being an example of what hardwork and dedication looks like, bringing grace to this production, on the good days, and the bad. You have made such an impact on this department, and I cannot wait for you to let the world hear your voice.
This production would not have been possible without an incredible team: Laura — Thank you for your devotion to Poudre Theatre and to these students. Your technical vision and belief in our crew have made this world come alive. I’m excited to see where your journey takes you next. Kari — You help our girls shine, inside and out. Your artistry, your heart, and your 20 years of commitment have left a permanent mark on every student lucky enough to work with you. You still got it. Sierra — Your choreography has elevated this show beyond what I ever imagined. You’ve helped these queens find power in every step and spin. Thank you.
And Joel — Thank you for entrusting me with this story. You’ve taught me so much—about leading with heart, about believing in students even when they don’t believe in themselves. Thank you for the opportunity to grow as a teacher, director, and artist. I cannot wait to keep learning from each other.
Now… to our audience (Thats you!), This show is for anyone who’s ever been silenced, sidelined, or simplified. It’s for anyone who’s found their voice and for those still looking for it. It’s loud, it's bold, and it’s brilliant. But beneath the glitter and glam is a vital reminder:
herstory is just as important as history—
Song List
“Ex-Wives” – Company
“Ex-Wives (Reprise)” – Company
“No Way” – Catherine of Aragon and Company
“The One You’ve Been Waiting For” – Company minus Anne Boleyn
“Don’t Lose Ur Head” – Anne Boleyn and Company
“Heart of Stone” – Jane Seymour and Company
“The Haus of Holbein” – Company
“Get Down” – Anna of Cleves and Company
“All You Wanna Do” – Katherine Howard and Company
“I Don’t Need Your Love” – Catherine Parr and Company
“Six” – Company
“Megasix” – Company
Who's Who
Cast
Creative Team
Sara Ogden*
Lucia Cruz-Rodenbeck*
Emily Hertzog*
Birdie Fry*
Laurie Lindsey*
Gibson Wessel*
Gwyneth Parker*
MJ Scott-Donegan*
Z Poor
Calen Clapp*
Charli Lawler
Chloe Shaddeau
Berlin Beadle
Ethan Boggs*
Orissia Cruz*
Kiernan Doty
Bella Gammage
David Harris*
Emmie Jackson*
Adalina Johnson
Izzy Johnson*
Skylar Lamoreaux*
Victoria Levick*
Juelz Martin*
Lennon I. Shipton*
Natalie Thinnes
Marlow Walker*
Michael Abramowitz*
Rory Chandler
Willow Conant
Leyton Dellemonache*
Robin Ford
Piper Gurvich
Alaina Hendricks
Carter Larsen*
Reagan McIver
Masen Odell*
Wrenna Orion
Maisie Rhoda
Lily Van Zant*
Meet the Company
Harper Skjerseth*

Zoë Anderson

Lexi Francel

Aurelia Zweygardt*

Suzie Matlock*

Marlie Clark*

Emma Goodman

Lilliana McMorrow

Zoe Mozer*

Brooklyn Wilkes*

Sara Ogden*
Lucia Cruz-Rodenbeck*
Emily Hertzog*
Birdie Fry*
Laurie Lindsey*
Gibson Wessel*
Gwyneth Parker*
MJ Scott-Donegan*
Z Poor
Calen Clapp*
Charli Lawler
Chloe Shaddeau
Berlin Beadle
Ethan Boggs*
Orissia Cruz*
Kiernan Doty
Bella Gammage
David Harris*
Emmie Jackson*
Adalina Johnson
Izzy Johnson*
Skylar Lamoreaux*
Victoria Levick*
Juelz Martin*
Lennon I. Shipton*
Natalie Thinnes
Marlow Walker*
Michael Abramowitz*
Rory Chandler
Willow Conant
Leyton Dellemonache*
Robin Ford
Piper Gurvich
Alaina Hendricks
Carter Larsen*
Reagan McIver
Masen Odell*
Wrenna Orion
Maisie Rhoda
Lily Van Zant*
Costumer Snippets
The costume crew was SO excited to build these unusual costumes for “SIX”!
Joel Smith wanted to keep the iconic and recognizable look for the musical, and yet give us freedom to play around with our own interpretations.
We enjoyed researching the historical queens of Henry VIII, and took a few days to sketch and brainstorm. The crew found ways to subtly incorporate some of the historical fashion lines into the costumes, while staying within the contemporary pop rock visuals of the original Broadway production.
Each of the seven small teams took on a queen and the ladies in waiting. The students came up with wonderful ideas, which we combined and edited into final working sketches.
We unified the look of the costumes with fishnet fabrics and tights, and jewel-toned metallic fabrics on black leather-like vinyl. Lots of studs and bling of course!
Lindsay Shipton’s hair and make up designs, and Willow Conant’s original earring and necklace designs completed the vibrant looks. Willow actually reproduced the “B” necklace that Anne Boleyn wore in some of her historical portraits. Gorgeous work!
It was a huge challenge to work with leather-like fabrics—which required Teflon needles, coated sewing machine presser feet, and sometimes sewing with tear-away tissue paper! The seam ripper became a familiar tool, and new lessons were learned by all of us with this experience!
As always, many thanks to Joel Smith, Laura Lenczycki, and Avery Rudman who inspire me in every new theatrical adventure. And deep gratitude patient husband and family, who encourage and believe in me while I disappear into the depths of the costume basement for weeks at a time.
Kari Armstrong
Costume director
Wish List
Plastic storage bins all sizes
Art paint brushes, craft supplies, acrylic craft paints
Rit Fabric Dyes (powder & liquid, regular and synthetic)
Old Sheets/muslin
Black sharpie markers all sizes
Glue guns/glue sticks
Buttons, notions, large snaps, thread
Fabric Scissors
Fabric—velvet, drapery, brocades (1 yard or more)
Prom/bridesmaids gowns
Crinolines/petticoats
Vintage clothing (pre-1970) gloves, hats, shoes, jewelry, slips
Gift cards for: Michaels, Life of the Party
Zippered Garment bags
Windex cleaning spray/spray cleaner/wipes
Ghiradelli 60% dark chocolate chips
Shop Talk
Poudre Theatre has always been a part of my history (or her-story, as the queens say). I remember watching shows with my sister on stage, then doing my sixth grade "Five Themes of Geography" project on this very theatre space. So, when I came to Poudre, it was never a question—I joined theatre right away. I was mostly in the ensemble, a drama club officer and then truly found my place senior year as a stage manager. (Project management is my forte, foreshadowing to now) And while I love theatre, my true love is for science (just not physics—as Smith likes to forget) and I went to study chemistry teaching in college.
Fast-forward a few years: I came back to Poudre as a teacher, trying to navigate the chaos of teaching through a pandemic. When Mr. Smith asked me to be the technical director, I literally ran the other way. I had nothing left to give at that time. A year later, I agreed—on a trial basis—with the clear disclaimer: “I don’t know power tools. Or lighting. Or anything, really.” But maybe because I started with no experience, I was able to appreciate every moment. I was learning right alongside the students.
And it filled my cup. Coming into this space, being creative, working with students who want to be here—it made all the difference. I couldn’t have done it without the guidance of Mr. Smith, Ms.Kari, Alec, my family, and—most importantly—the students.
This set? It’s all them. It’s always all them. They picked the fabrics, legged the platforms, cut the foam (a rite of passage), and built the runway. From scratch, with little help from me. They lit the stage, balanced the mics, bejeweled the mics, dressed the set and brought it all to life. They wear black and hide in the shadows (or under the runway)—but their work shouldn’t go unseen.
A special spotlight to the seniors: Laurie, who has seen the chaos of my entire tenure, kept doing theatre anyhow and knows where everything is before I even ask. Gib, who tried theatre on a whim and became indispensable. And Skylar, who I nudged into leadership these past shows and who embraced it with glorious, wacky joy, which he brings to every call. And to every technician, whether you do every show or just one: thank you. Thank you for your Saturdays, your laughter, your patience, your brilliance. For turning my vague directions into something magical. You have all made me a better teacher, a better person.
Forgive the monologuing, this is my last show at Poudre as I move into a new teaching adventure, my curtain call for this chapter. These have been the most exhausting, rewarding years of my life—and each person who has worked on these shows with me is written on my heart of stone.
It has been one of my greatest joys to be your Grandma Slinky.
Thank you.
Laura Lenczycki
...5, 6, 7, 8!
This show has been such a dream to work on. With an amazing production team and such a wonderful, hardworking cast, I am so proud of what we are putting out on stage this weekend. My 5th show here at PHS is a perfect showcase of the growth I have seen in these students (and myself, truthfully) in the last 5 years. These talented young women have worked incredibly hard, and I am feeling so lucky to watch these artists shine on stage. Harper, Suzie, Zoe, Marlie, El, Lexi, Brooklyn, Lily, Zoe and Emma, thank you so much for all of your incredible hard work and dedication to this show. You all make me feel so respected and valued as a choreographer, and your commitment to making this show empowering has truly paid off. I am so proud of all of you.
I have the biggest of thanks as well to Avery, our amazing director. Your professionalism, research and dedication to this show has been so inspiring to me and your make me strive to be better in my artistry. You have picked up my slack in so many ways as I juggle multiple jobs and projects and the grace you have given me is so appreciated. I have felt so lucky to work alongside you throughout this process, and I am so grateful our paths crossed in multiple ways two years ago, as you are such a joy to have in my life.
And to never be forgotten, Joel Smith. Stumbling upon Joel’s email address and reaching out on a limb for some work has proven to be one of the best decisions I have made to further my dance career even to this day. Joel has seen in me more potential than any other, and he pushes me to be the best choreographer I can be. Joel has put together such an amazing team and program, and his passion for theatre education shines through in all of his work.
-Sierra LaRue, Choreographer
Special Thanks
Thank You...
to the following individuals and businesses whose support
and generosity make our productions possible.
PHS Administrators & Deans Chris Leonard, PHS Music Laurel Ladzinski Kim Witman & Justina Malm John Garner, Fossil Ridge Theatre CSU Department of Theatre Lindsay Shipton
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Stephanie Mosnik & PHS TV Production students Gregg Osterhout Antonio and the PHS Custodial Team Don Cox Melanie, Jackson & Taryn Reeve Eliachar Parent Meal & Intermission Volunteers |
and all the families and friends whose patience, flexibility and support make it all possible!
Donors
Thank you to these local businesses for feeding our company!![]() |
Please support them for supporting us!
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