Artistic Director Michael Stevenson &
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| by Stefano Massini | ||
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Directed by Michael Stevenson |
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August 27-September 28, 2025 PERFORMANCE LENGTH: 3 Hours, 2 Intermissions |
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FEATURING: |
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Matt K. Miller* Jackson Goldberg* Andrew Fridae |
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Ian Wallace |
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Lighting Designer Ethan Hollinger |
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| Sound Designer Ed Lee |
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Choreographer |
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| Properties Designer Riley Cisneros-Gruenthal |
Dramaturg K. Kevyne Baar, PhD |
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Stage Manager Erika L. Placencia* |
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| Assistant Stage Manager Hailey Bowland^ |
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| ADVISORY: Gunshots and flashing lights will be used during the performance. | ||
| SPONSORED BY: | ||
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SEASON WINE SPONSOR: |
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The Lehman Trilogy was first presented by the National Theatre and Neal Street Productions Ltd, that jointly commissioned the English adaptation of the original play, Lehman Trilogy, at the Lyttleton Theatre on Thursday 12th July 2018 and transferred to the Piccadilly Theatre, West End. The National Theatre and Neal Street Productions Ltd presented the US premiere of The Lehman Trilogy on 27th March 2019 at the Park Avenue Armoury, New York and first presented the production on Broadway at the Nederlander Theatre on 14th October 2021. |
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| *Member Actors' Equity Association | ^Capital Stage Apprentice | ||
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OUR MISSION
Capital Stage is dedicated to creating transformative, thought-provoking theater experiences that challenge, inspire, and connect.
THINGS TO KNOW
HEALTH & SAFETY:
Visit our COVID-19 Safety Protocols & Procedures Page to stay up to date on our Health & Safety requirements and recommendations.
VIDEO/PHOTOS:
Recording and photography during the performance are prohibited at Capital Stage by copyright law and union regulations.
CELL PHONES:
Patrons are asked to turn any noise making devices off upon entering the theatre.
LATE SEATING & RE-SEATING:
Due to the design of our theatre, we cannot guarantee seating for late arrivals or for patrons who leave the theatre during the performance. As a courtesy to our artists and our audiences, late arrivals will be seated in a suitable location by our staff if possible and at the appropriate intervals.
REFRESHMENTS:
Only concession items purchased in the Wine & Dessert Bar are allowed in the theatre, patio and lobby areas. Yes, you can bring your drinks and snacks into the theatre!
CHILDREN:
Capital Stage is noted for bringing intimate bold productions to our region and we encourage young adults to experience a live performance. Children age sixteen and up are welcome at Capital Stage unless specifically noted in the production’s description.
WHEELCHAIR SEATING:
Seating locations at Capital Stage for patrons using wheelchairs or with limited mobility are located in the first row. Tickets for these seats may be purchased in person or by calling the Box Office at 916-995-5464. Please call ahead to notify the staff if you required these seats.
RESTROOMS:
Restroom facilities are located in the lounge behind the Wine & Dessert Bar.
INFORMATION:
Brochures and information about upcoming Capital Stage productions and events are available in the box office or by visiting capstage.org.
Capital Stage is a member of Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States.
Capital Stage is a member of Theatre Communications Group (TCG), the national organization for the American theatre.
Capital Stage is a member of the National New Play Network, the country’s alliance of leading nonprofit theaters that champion the development, production and continued life of new plays.
Capital Stage is a member of Blue Star Theatres, offering discounts to Military personnel, Military family members, and Veterans.
SDC is the theatrical union that unites, empowers, and protects professional Stage Directors and Choreographers throughout the United States.
The Representative Voice of Designers and Scenic Artists
Sponsors
Cast
Creative Team
Stefano Massini
Ben Power
Michael Stevenson
Keith Riedell
Liz Gray
Tony Gabrielson
Caleb Jones
Erika L. Placencia*
Hailey Bowland^
Melissa Jernigan*
Ian Wallace
Ethan Hollinger
Ryan McKinney
Gail Russell
Shannon Mahoney
Ed Lee
Riley Cisneros-Gruenthal
Samantha McLean Haas
K. Kevyne Baar, PhD
Peter Chapman
Special Thanks
Joe Bertolucci, Affordable Heating & Air, Inc.
Donna Chipps
Muffy Franke
Gigi Linquist
Bob Mandelson
Rabbi Deni Marshall
Owen Smith
Production Staff
Director & Artistic Director - MICHAEL STEVENSON
Production & Company Manager - TONY GABRIELSON
Stage Manager - ERIKA L. PLACENCIA*
Assistant Stage Manager - HAILEY BOWLAND^
Sub Stage Manager - MELISSA JERNIGAN*
Technical Director - CALEB JONES
Lead Carpenter - CONOR WOODS
Carpenter, Painter - SUNNY MACKEY
Lighting Designer - ETHAN HOLLINGER
Assistant Lighting Designer - RYAN MCKINNEY
Lead Electrician - SHAE MERCER
Scenic Charge Artist - SAMANTHA McLEAN HAAS
Sound Designer & Engineer - ED LEE
Scenic & Projections Designer - IAN WALLACE
Properties Designer - RILEY CISNEROS-GRUENTHAL
Costume Designer - GAIL RUSSELL
Choreographer - SHANNON MAHONEY
Build Crew - SUNNY MACKEY, CONOR WOODS, CALEB JONES
Painters - SAMANTHA McLEAN HAAS, CALEB JONES, SUNNY MACKEY, CONOR WOODS
Wardrobe/Run Crew - STEPHEN BYRUM^, LYDIA CRIST^, JAMES SIMPSON^
Resident Dramaturg - K. KEVYNE BAAR, PHD
Infection Control Manager/Admin. & Payroll Assistant - ELIJAH PETERS
Graphic Designer, Marketing Manager, Webmaster - MISTY MCDOWELL
Photographer - CHARR CRAIL
^ Capital Stage Apprentice | * Member Actors' Equity Association
About The Play
by K. Kevyne Baar, PhD
“We have to display the ignorance of the brothers. They’re completely unaware of the depth of the suffering that they’re engaging in and therefore profiting from. We have to allow the audience to draw their own conclusions.”
– Adrian Lester, Emanuel Lehman, Original Broadway Company
What you are about to see presented on our stage is the epic story of a family of Jewish immigrants from Rimpar, Bavaria who began arriving on the shores of American in 1844. Written in three distinct parts (allowing 2 intermissions): Three Brothers, Fathers & Sons, and The Immortal, their story will come to a sad and catastrophic ending 164 years later.
And why this subject by this author? It is said that Stefani Massini’s “ears pricked up when all those around him began calling bankers immoral thieves following the crash in 2008.” Massini was looking “to find answers to how we got to where we are...The Lehman brothers are emblematic, paradigmatic, of a much bigger historical phenomenon. I wrote it because I was convinced that if we can understand man’s relationship with money, we, as individuals who must deal with money every day, can live our lives more fully.” In the collapse of the bank, and in the foundation story of Lehman, “he discovered catnip: family, consumerism, the birth of a superpower, neurosis, immigration, religion.”
The story of how the play, the one you are seeing at this performance, came to be is a story worthy of its own play. First came the novel, Qualcosa sui Lehman. It took Massini 3½ years to write, was published in 2016 and won the Prix Médicis in 2018. Translating it into English in 2019, Richard Dixon understood that “The novel is written in blank verse, so I had to follow its rhythm and cadences. I had to remain faithful to the original meaning, but of paramount importance was its sound. Each line had to sound right, as well as being as readable and compelling as the original.”
The translation is almost 700 pages but still carries the same three distinct parts although there is no indication as to who speaks, or which character is which. This held true when the play was first done in the original Italian in 2016. It ran 5 hours with a cast of 12. It was this form of the play that found its way into the hands of the British director Sam Mendes and the adaptor, Ben Power. They got it translated and then went into a room with 12 actors. When they left that room 2 weeks later. There were three actors and a script which still retained the three parts, but had lines assigned to various characters.
As of this writing it has been translated into 27 languages and has been performed in more theatres around the world than the work of any other living Italian writer. As Ben Power opined, “The play uses the past to understand the present moment. And so, as the present moment has changed dramatically and in myriad ways since 2016, the play has evolved as well.” As you are reading this essay in 2025, dear Capital Stage audience, the time has come for you to draw your own conclusions.
About The Playwright
by K. Kevyne Baar, PhD
“Those who live in Florence, live immersed in a tremendous amount of art and history. Every character portrayed, every painting or sculpture is a story, even if in the form of images and not words. I believe it is impossible not to be influenced by these stories, which get under our skin inadvertently.”
–Stefano Massini
An internationally renowned novelist and playwright, Stefano Massini was born in Florence, Italy on September 22, 1975. He grew up in a Catholic family but also attended a Jewish school thus immersed in two cultures. During a February 2024 interview Massini spoke of his unconventional childhood, where for four years he went to ordinary Italian primary school every morning, and to the Jewish school in the afternoons, learning English and much else. “I had Christmas and Hanukkah, Pater Nostre and Baruch Atah Adonai. I had Pesach Seder, Sukkot, Shavuot, Rosh Hashanah.”
It was through this Jewish community that he had his first exposure to theatre. “I met the theatre for the first time in my life not through the Italian language, but in dialect — Hebraico Fiorentino — in the synagogue basement. For me, the Jewish world, Jewish culture, Jewish literature — with [Isaac Bashevis] Singer, [Franz] Kafka — was the language of theatre, of invention. That is the reason my books are so full of Jewish culture.”
After graduating from the University of Florence with a degree in Ancient Literature, Massini worked as an actor and theatre director, then started writing his own plays. Almost immediately he began winning accolades and prestigious Italian literary awards for “works whose eclectic subject matter set him apart from more parochial Italian writers.” As he noted, “I am not a real Italian writer. I hate — I really hate — to tell traditional Italian stories: my town, my country. In this 21st century, we live in a time when everything is globalized. We have no countries, no flags. We have only the flag of the whole world.”
Massini began his theatrical career at the Piccolo Teatro di Milano and the Maggio Musicale Fiorentino. He is the recipient of the Vittorio Tondelli prize and the Ubu award in Italy. Yet even as he was gaining fame as a writer, he continued to perform. “Here in Italy, we have an idea of writers — or artists — as not so far from a priest. I love the US so much because you have another idea: entertainment, show business. But the middle way between the priest and show business is a performer-writer, a writer that is unable to suffer the loneliness of writing. I can write a book in silence, and then you can buy my book and read my words in silence. But I hate this. I need not only silence. I need bodies. I need smiles. I need the audience.”
Enter Qualcosa sui Lehman (Something About the Lehmans), a novel, translated from the Italian by Richard Dixon, that became the play we know as The Lehman Trilogy. In 2022, Massini became the first Italian Playwright to accept the Tony Award for Best Play. Accepting alongside him was Ben Power who adapted Massini’s massive first version of the play (200 pages in Italian with 12 actors and a running time of 5 hours) into the magical and lyrical production you will be seeing at this performance at Capital Stage.
Meet the Company
Matt K. Miller*
This is Matt’s ninth production at Capital Stage, some others being SOMEONE WHO’LL WATCH OVER ME, SUPERIOR DONUTS, SWEAT, and THE HUMANS. For many years Matt was a company member at the Sacramento Theatre Company, acting in over forty productions including ARMS AND THE MAN, THE TEMPEST, OTHELLO, THE GRAPES OF WRATH, AMADEUS, TARTUFFE, OF MICE AND MEN, PRIVATE LIVES, two sold-out runs of FULLY COMMITTED and several years as Scrooge in A CHRISTMAS CAROL. He was appointed Artistic Director in 2010. Other Northern California credits include numerous roles at B Street Theatre, Sierra Repertory Theatre, Lucky Penny Productions, Davis Shakespeare Festival and the Lake Tahoe Shakespeare Festival.
Jackson Goldberg*
Jackson is thrilled to make his Capital Stage debut! Recent credits include: Yepikhodov in THE CHERRY ORCHARD at North Coast Rep, 25+ characters in Donald Marguiles’ SHIPWRECKED at Wellfleet Harbor Actor’s Theater, Liam in BAD JEWS (American Stage Co. Nomination for Outstanding Lead Actor in a Drama, directed by Amy Resnick); Doug in GRUESOME PLAYGROUND INJURIES (4615 Theatre, DC); Inspector Moore in DAK GHAR (George St. Playhouse); AEA National Tour: 17 characters, speaking in Arabic, Hebrew, and English in THERE IS A FIELD. Jackson is from San Francisco, CA.
Andrew Fridae
Andrew is a multidisciplinary theater artist delighted to return to Cap Stage after working there as an apprentice, carpenter, and marketing associate, as well as appearing twice in GEORGIANA & KITTY: CHRISTMAS AT PEMBERLEY. Other local credits include Vladimir in WAITING FOR GODOT at The Stage @ Burke, Feste in 12TH NIGHT under Janis Stevenson with Happy Hour Theatre, and “the Man” in Black Point’s HEIGHT OF THE STORM, directed by Adrienne Sher. Andrew is also a passionate writer, director, crafts-person, and musician. More of all their work is available at andrewfridae.com
Stefano Massini
Stefano Massini is an Italian writer, essayist and playwright. He was born September 22, 1975 in Florence, Italy, and graduated in Ancient Literature from the University of Florence. While working for the Maggio Musicale Fiorentino, Massini met theatre director Luca Ronconi, who later took him as an assistant at the Piccolo Teatro di Milano. Ronconi's words of encouragement were pivotal in prompting Massini to start writing his first plays. His play 7 MINUTI was the basis for the 2016 film 7 MINUTES, directed by Michele Placido. He is the author of THE LEHMAN TRILOGY, which has played in both London and Broadway to great critical acclaim, was nominated for five Laurence Olivier Awards and won five Tony Awards, including the Tony Award for Best Play. The play was also the basis for his novel QUALCOSA SUI LEHMAN, winner of the 2018 Prix Médicis. His work has been staged in the United States, France, Germany, Austria, Belgium, Switzerland, Spain, Greece, Canada, Argentina, Algeria, Peru, Mexico, South Korea, Russia and Hungary.
Ben Power
Ben Power is a British dramaturg, playwright and screenwriter. Since 2010 he has primarily worked at the National Theatre. He adapted Stefano Massini's play THE LEHMAN TRILOGY for the National Theatre in 2018. It transferred to the West End and Broadway, where it won the 2022 Tony Award for Best Play. His screenplays include the Netflix adaptation of Robert Harris' MUNICH - THE EDGE OF WAR and several parts of the BBC Shakespeare seriesTHE HOLLOW CROWN. His screen adaptation of JO NESBO'S BLOOD ON SNOW will be filmed by director Cary Fukunaga in 2025.
Michael Stevenson
For Capital Stage, Michael has directed KING JAMES, ARCHDUKE, HEROES OF THE FOURTH TURNING, GLORIA, THE LIFESPAN OF A FACT, ADMISSIONS, THE HUMANS, THE OTHER PLACE, SWEAT, THE THANKSGIVING PLAY, LUNA GALE, STUPID F##KING BIRD, HOW TO USE A KNIFE, DISGRACED, MR. BURNS, IDEATION, CLYBOURNE PARK, MAURITIUS, ERRATICA (World Premiere), and LES LIAISONS DANGEREUSES. He has directed at regional theaters including: B Street Theater, Lake Tahoe Shakespeare Festival, Orlando Shakespeare Company, Perseverance Theater Company, and Sacramento Theater Company. As an actor he has appeared at many regional theaters including: 42nd Street Moon, American Conservatory Theater, The Aurora Theater, Bailiwick Repertory Theater, Capital Stage, B Street Theater, the Utah Shakespeare Festival, and Marriott’s Lincolnshire Theater. He holds an M.F.A. from the American Conservatory Theater.
Keith Riedell
Liz Gray
Tony Gabrielson
Caleb Jones
Erika L. Placencia*
Erika Placencia is ecstatic about being the Production Stage Manager for THE LEHMAN TRILOGY. She has also been with Capital Stage as the Production Stage manager for KING JAMES, ENGLISH, THE HEART SELLERS, NOW CIRCA THEN and CRY IT OUT. She has been an assistant stage manager at Capital Stage for AMERICAN FAST, HOMBRES and HEROES OF THE FOURTH TURNING. She has a bachelor’s in communications studies and a Bachelors in Theatre Arts. As a 21-year Air Force Veteran, her husband and family have been by her side through one career and fully support her in her new endeavors. She would like to say that “It’s never too late to follow your dream!” GO FOR IT!
Hailey Bowland^
Melissa Jernigan*
Melissa most recently worked at Capital Stage on UNSEEN and the world premiere of EVERYTHING BEAUTIFUL HAPPENS AT NIGHT. She has been stage managing at Capital Stage since 2016. Some of her favorites include VIETGONE, THE NETHER, STUPID F##KING BIRD, CLYDE’S and THE HOMBRES. Other credits include being a PA on Broadway’s LENNON, Off-Broadway: FELA! the Lagos Tour, David Cromer’s OUR TOWN, John Leguizamo: A WORK IN PROGRESS, BEAUTY OF THE FATHER at Manhattan Theatre Club, BREATH & IMAGINATION at Hartford Stage, OUR TOWN starring Helen Hunt at The Broad Theatre in Santa Monica. She was a sub stage manager on HARRY POTTER & THE CURSED CHILD in SF and this past holiday season returned to her roots as an ASM on ELF: THE MUSICAL at Broadway at Music Circus. She is a proud Equity Member. When she’s not inside the stage management booth with her good friend Ed Lee, Melissa enjoys spending time with her Husband and two sons.
Ian Wallace
Ethan Hollinger
Ryan McKinney
Gail Russell
Shannon Mahoney
Ed Lee
Riley Cisneros-Gruenthal
Samantha McLean Haas
K. Kevyne Baar, PhD
Peter Chapman
Peter Chapman is author of THE LAST OF THE IMPERIOUS RICH: LEHMAN BROTHERS, 1844-2008, a leading reference on the history of the Lehman family.
ACTORS’ EQUITY ASSOCIATION (AEA)
Founded in 1913, this union represents more than 45,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence.
Capital Stage Staff
MICHAEL STEVENSON - Artistic Director
KEITH RIEDELL - Managing Director
LIZ GRAY - Managing Director
KIRK BLACKINTON - Development Manager
TONY GABRIELSON - Production & Company Manager
MISTY MCDOWELL - Marketing Manager
LOGAN JACOB GERMANO HELLER – Education & Box Office Manager
AVERY HERSEK - Audience Services Manager
THEODORE ALEXANDER - House Manager
CALEB JONES - Technical Director
CONOR WOODS - Lead Carpenter
SUNNY MACKEY - Carpenter, Painter
ED LEE - Resident Sound Designer & Engineer
SHAE MERCER - Lead Electrician
CECILIA CASTILLO JUAREZ - Concessions & Box Office Associate
YASMINE SALMERON - Production Associate
K. KEVYNE BAAR - Resident Dramaturg
JAMIE JONES, PETER MOHRMANN, GAIL RUSSELL, JANIS STEVENS – Associate Artists
ELIJAH PETERS - Infection Control Manager, Payroll & Administrative Assistant
2025/26 SEASON APPRENTICE COMPANY - Hailey Bowland, Stephen Byrum, Lydia Crist, James Simpson
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Stephanie Gularte, Founding Artistic Director
Capital Stage
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Capital Stage
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Capital Stage
Arlen Orchard
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Special Thanks to our Donors
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Please alert us to any errors or omissions by contacting Development Manager, Kirk Blackinton at kblackinton@capstage.org.
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Paul & Jane Lammerding
Susie LaPointe
Renee Larsen
Janice Levin
Jonathan C Lewis
Janet Lial
Joanne Matsui & Arthur Lai
Geoff Maxey
Lynne Meredith
Connor Mickiewicz
Livia Moe
Diane & Lisa Moore
Karen Morrison
Hallie Morrow
Scott Moyer
Catherine Mulhall & Steve Danielson
Carly Narlesky
Michael Paparian
Kellie Paredes
David Paul
Cherril Peabody
Larry Pearson
Jeff & Karin Pelz
Sarah Phelan
Karyn Quan
David L. Reed
Margaret Roberts
Nancy Roberts
Rachel Roberts
Christine Rodrigues
Carol Rogers & Jon Courtway
Sally Rogers
Patrick Romano
Chris Ronshausen Household
Kurt Rosen
Ann Samuelson
Deborah Seiler
Adrienne Shapiro
Shonna Shearson
Adrienne Sher
Jean & David Shiomoto
Michael Sicilia
Nancy Silva
Susan & Ross Siragusa
Chris & Julia Smith
Robert Snider
James E Soller
Neill SooHoo
Pamela Stewart
David Stolcenberg
Dan & Karen Tajbl
Penelope Taylor
Patty Torbert & Ken Graber
Devin Valdez
Dennis Valentine
Rebecca Valentino
Christi Van Eyken
Kristina Vandershaf
Peter & Karen Von Elten
Robin Wallace
Kevin Walsh
John & Carole Whitelaw
Steven Winlock
Arnold Wolf & Fern Tablin
Mary Worthington
"The Crew" - Recurring Donors
Chris Abare
John Abbott & Lori Abbott Moreland
Candace & Doug Adams
John Angell
Merle Axelrad
Jose Barbosa
Peggy Beasley
Bill Bronston & Lisa Levering
Margaret & Stephen Brush
Celia Buckley
Margaret L Buss
Ann Byfield
Kathryn & Jim Carlson
Bernice Chin
Les & Peggy Chisholm
Kathleen Collins
Kaoru Cruz
Jennifer Cummings
Daniel DeFoe
Gail & Tom Devitt
Martha & Jim Dickson
Lily Douglas
Katherine Downey
Stuart Eldridge
Ellen Ferguson
Mary Helen Fischer
Sara Floor
Muffy & Terry Francke
Deborah Franklin & Douglas Mitten
David Fulk & Keith Riedell
Mary Graziose
Kathryn Grey
Stephanie Gularte
Suzanne Hanrahan
Courtney & Nate Hans
Dalinda Harman
Josh Horowitz & Patti Baggett
Suzanne Houlton
Stephanie & David Hunt
Kim Hunter & Sherry Reser
Linda Iseri
Eillen Jacobowitz
Anne Jennings
Iris Johnson
Maria Jurado
Dean & Sandi Karagianes
Pamela Kisor
Dr. John & Rosemary Lamb
Sandy Lee
Doron Levitan
Shannon Mahoney & Kirk Blackinton
John Marinko
Kristi & Josh Mathisen
Linda McAtee & Steve Sphar
Carol McCormick
Shelley & James McFarland
Peter Mohrmann & David Harris
Diane & Lisa Moore
Suzanne Ness
Ann OConnell
David Pitman & Rani Pettis
Laurie Nelson Randlett & Jim Randlett
Carol Rogers & Jon Courtway
Sunny Romer
Linda Roth
Donald Rubin
Leonard Vincent Sales
Peter Saucerman
Diane Schertz
Susan Scott
Chris & Julia Smith
Jennifer Sommer
Peggy Stare
Michael Stevenson
Michael Storey
Linda & Scott Taylor
Martha West
John Wilson & Susie Monary-Wilson
Claudia Wrazel & Frank Horowitz
Learn more about "The Crew": capstage.org/play-a-part/donate/
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