The Arts at CCBC presents |
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The One-Act Play That Goes Wrong |
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by Henry Lewis, Jonathan Sayer & Henry Shields | ||
Directed by Damon Krometis | ||
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Production Team | ||
Stage Manager |
Technical Director G. Maurice "Moe" Conn |
Sound Designer John Milosich |
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Properties Master Nathanial Key |
Intimacy/Violence Coordinator Sierra Young |
The videotaping or making of electronic or other audio and/or visual recordings of this production and distributing recordings or streams in any medium, including the internet, is strictly prohibited, a violation of the author(s)’s rights and actionable under United States copyright law. The One-Act Play That Goes Wrong is presented through special arrangement with |
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The play will run for 1hr 15 minutes.
There will be no intermission
Setting:
Opening night of The Cornley Polytechnic Drama Society's
production of the murder mystery
The Murder at Haversham Manor, written by Susie H.K. Brideswell
Time: Now
Director's Note
As a junior in college, I was cast as Polonius in my school’s pseudo-experimental, pseudo-post-modern production of Hamlet. For several nonsensical reasons, the creative team made Polonius a wheelchair-bound war veteran. (I know. Ick.) One night, upon my death in Act 3, Hamlet wheeled my carcass out from my hiding place and accidentally undid my wheel brakes. I began rolling down the set’s steeply raked platform towards the gaping maw of the orchestra pit.
I remember my mind racing for a solution, one eye squinting open to gauge how much distance and time I had left till certain injury. All I knew for sure was, I was not going to break character. I was dead! While Hamlet saved me in time, the incident was the talk of community the rest of the run. And it’s my favorite memory as an actor.
Few experiences beat the thrill of the first curtain call – when you finally put your work before a live audience, and the months or years of toil pay off. It’s so exhilarating because, until the audience is there, you really don’t know if it all works. The only sensation that beats it? Honestly, it’s the moment of a mistake. It’s so precious because (hopefully) it will never repeat itself, you honestly don’t know what comes next, and everyone watching knows it to be the case. That liveness is what makes theatre . . . theatre. This silly little play is a celebration of living in that unknown. By the time you leave today, I hope you’ll agree: there’s nothing like it.
Damon Krometis
Director
Cast
Creative Team
Jonathan Sayer, Henry Lewis, Henry Shields
Damon Krometis
G. Maurice (Moe) Conn
Jess Rassp
Samuel Koch
Sierra Young
John Milosich
Amanda Sergnt
Aaron Partin
Nathanial Key
Jochebed Gwamna, Tatiyana Terrelonge
Paul Albers
Paul Albers, Katy Muhr, Owen Taliaferro, Autumn Smith, Amira Burman
Alex Bosworth, Nathanial Key, Sam Koch, Aaron Parton, Paul Albers, Jochebed Gwamna, Katy Muhr,Tatiyana Terrelonge, Sammy Jungwirth
Alex Bosworth, Nathanial Key, Sam Koch, Aaron Parton
Maddie Baynard, Darian Grade, Shakiara Saunders
Trent Haines-Hopper
Meet the Company
Jochebed Gwamna
Myles Rigsby
Jarod Johnson
Mel Francis
Tatiyana J. Terrelonge
Aaron Duenas
Addi Stashik
Caelyn Ricks
Damon Krometis
G. Maurice (Moe) Conn
Moe (He/Him) is in his eleventh year with CCBC where he is the full-time Technical Director and Designer at CCBC Catonsville’s Center for the Arts Theatre. He has an MFA in Scene Design and Technical Theatre. Moe has been doing technical theatre since 1993, as a Designer, Technician, Technical Director, and Educator. He served as the Technical Director for five summers at Cockpit in Court where he continues to design both lights and sets. He has also designed for Vagabond Players in Fells Point. Moe has received multiple nominations for Best Scene Design from Broadway World.com and received Best Scenic Design from the MD Theatre Guide’s Readers’ Choice Awards. When not backstage, Moe volunteers with “Behind the Scenes” which provides financial support for theatre technicians in need throughout the entertainment industry. He also helps coordinate the Long Reach Long Riders charity motorcycle ride, (www.LRLR.org) to benefit Broadway Cares/Equity fights AIDS and Behind the Scenes, two theatre-based charities.
Jess Rassp
Samuel Koch
Sierra Young
John Milosich
Amanda Sergnt
Aaron Partin
Nathanial Key
Jochebed Gwamna, Tatiyana Terrelonge
Paul Albers
Paul Albers, Katy Muhr, Owen Taliaferro, Autumn Smith, Amira Burman
Alex Bosworth, Nathanial Key, Sam Koch, Aaron Parton, Paul Albers, Jochebed Gwamna, Katy Muhr,Tatiyana Terrelonge, Sammy Jungwirth
Alex Bosworth, Nathanial Key, Sam Koch, Aaron Parton
Maddie Baynard, Darian Grade, Shakiara Saunders
Trent Haines-Hopper
Special Thanks
Dr. Sandra Kurtinitis
CCBC President
Dr. Joaquin Martinez
Provost & Vice President of Instruction
Dr. R. Michael Walsh
Dean, School of Arts & Communication
Professor Nick VanHorn
Chair, Performing Arts and Humanities
Tommy Parlon
Arts Pathways Coordinator
Dr. Anne M. Lefter
Director of the Arts
Johanna Lawrence
Administrative Assistant, Arts
Cathy Kratovil
Communications Assistant, School of Arts & Communication
Michael Elspas
Designer, CCBC Creative Services
Johari Barnes
Campus Director, CCBC Catonsville
Sabrina Mandell
Mark Jaster
CCBC School of Arts and Communication
Dr. R. Michael Walsh, Dean Professor
Professor Will Niebauer, Chair, Arts and Design
Professor Nick VanHorn, Chair, Performing Arts and Humanities
Dr. Anne Lefter, Director of the Arts
The Arts at CCBC
Dr. Anne Lefter, Director of the Arts
Johanna Lawrence, Assistant to the Director
G. Maurice “Moe” Conn, Technical Director
Jason Randolph, Technical Director
Marc Smith, Technical Director
Nicole Buckingham Kern, Galleries Coordinator
Lisa Boeren, Box Office Manager
Eva Grove, Thom Purdy, Box Office Assistant
Cathy Kratovil, Communications Assistant
Brad Norris, Production Manager
Jessica Rassp, Resident Costumer
Theatre at CCBC
Julie Lewis, Coordinator, Faculty Director
Damon Krometis, Coordinator, Faculty Director
Terri Raulie, Faculty Designer
Precious B. Stone, Faculty Director
Jennifer Ring, Visiting Lecturer