Poudre High School Theatre presents |
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by
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Laura Lenczycki |
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Directed by Joel Smith | |||
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Presented by arrangement with Dramatic Play Service under license from Mischief Worldwide Ltd. |
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THE PLAY THAT GOES WRONG was first presented by Mischief Theatre under the title The Murder Before Christmas on December 4th, 2012, at the Old Red Lion Theatre in London. |
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Cast
Creative Team
Esther Ambrose
Laurie Lindsey
Marlie Clark
Jeremiah "Geralt" Daley
Sara Ogden
MJ Scott-Donegan
Octavio Sutton
Izzy Johnson
Skylar Lamoreaux
Gwyneth Parker
Juelz Martin
Alice Kress
Birdie Fry
Brooklyn Wilkes
Calen Clapp
Charli Lawler
El Zweygardt
Emily Hertzog
Emmie Jackson
Gibson Wessel
Mia Pulido
Orissia Cruz
Lucia Cruz-Rodenbeck
Carter Larsen
Katy Riley
Maeve Schinkel
Lily VanZant
Shop Talk
Upon learning that our winter show was titled The Play that Goes Wrong, one might envision it as a technical director’s nightmare. You wouldn’t be wrong. The first read-through of the script induced some minor heart palpitations, as did the second. By the third, I was both nervous and genuinely excited. You see, for something to "go wrong" on stage, many things need to go exactly right, and I count my blessings that they have.
The first right thing has and will always be my incredibly supportive family—my parents and siblings who are there for me, primarily by listening to anything and everything I need to say after a long crew call. The second right thing is our amazing directing team behind this show. Thank you, Ms. Kari, for being a hopeful visionary and a positive presence in our creative space. Thank you, Alec, for being my "supervising adult" in crime, spending endless hours brainstorming and implementing some crazy ideas. And, Mr. Smith, thank you for never accepting anything less than our best, for challenging me to grow as a person, and to use skills I didn’t think I had. We've come a long way since Eurydice's "stringa" set design when you asked me to come in and see what being a technical director might be about.
Finally, this show would not be able to go wrong without the very right skills and attitude of this technical crew. They've turned some ideas that felt impossible into reality. They've had to think creatively to meet the script's insane demands and be precise in their execution so that it could all come off as "theatre magic." When building a box set like this, you need a wide variety of skills, from construction, sourcing props, painting, wallpapering, set dressing, practical light wiring, and more that I am probably forgetting. We had the full spectrum of experience on this crew, from new people who had never used an impact drill or held a paintbrush to our experienced heads who were teaching others to use power tools, hang lights, program on the boards, and hone their scenic painting skills. All of this was done under the pressures of a short build time and the dreary winter weather. To say that I am proud is an understatement. I am truly amazed at the work they have done, the challenges they have overcome, and the friendships that were forged in the long hours of Saturday tech calls. I am excited for this show that will bring down the house and hope that you find it "wrong" for all the right reasons!
Help Send Our Thespians to Internationals!
3 PHS Thespians are travelling to the International Thespian Festival this June with Fossil Ridge High School. Please help support their trip!
Costumer Snippets
I love to shower well-deserved praise on the amazing costume crews who work so hard on each show here at Poudre Theatre. And here I go again.
We knew our decision to present this play would use a small cast—half which would be wearing technical black clothing, typical of backstage work.
I chose superstars Maeve Schinkel, Carter Larson, Lily Van Zant and Katy Riley to fit the men’s looks and to build the very few women’s costumes for our 1920’s play within a play “The Murder at Haversham Manor”.
We knew the physical comedy nature of this show would be hard on the sturdiest of costumes. There have been daily repairs from rehearsals alone! We simply could not put our actors into the delicate, authentic vintage pieces gracing our stock. We also reasoned that the costumes were one of the few parts of the play NOT necessarily “wrong”.
Before the hilarious disasters within the play, there was every intention of the Cornley Drama Society to present a well-done and classy production. To illustrate those good intentions, the costume crew used truly authentic, complicated, and often bewildering women’s sewing patterns reproduced directly from the 1920’s. The crew bravely took on the challenge of building and styling these complex puzzle-piece gowns with a believable, beautiful, (and mostly sturdy) result.
The sewing talent, hard work, great attitude, and total dedication of this small but mighty crew has me shaking my head with astonishment and appreciation. Thank you so much, you fabulous four!
Astonishment and appreciation also go to Joel Smith, my longtime partner in magical theatrical insanity, to Laura Lenczycki who we lured back into technical shenanigans, and Alec Munoz, who glows with positivity and possibilities. Thanks also to our valued student assistants Ester, Laurie, and Lucia. You’re the best!
As always, such gratitude to my patient husband and family, who encourage and believe in me while I disappear into the depths of the costume basement for weeks at a time.
Please enjoy this zany show!
Kari Armstrong
Costume Director
Meet the Company
Suzie Matlock
Harper Skjerseth
Christine Pannell
Riley Jané
Harriet Marcus-Bause
Cooper Hix
Finn Vaughan
Pelé Allen
Lennon Shipton
Merrick Mackinney
Zoë Anderson
Owen Johnson
Josephine Beck
Logan Yaste
Masen Odell
Michael Abramowitz
Esther Ambrose
Laurie Lindsey
Marlie Clark
Jeremiah "Geralt" Daley
Sara Ogden
MJ Scott-Donegan
Octavio Sutton
Izzy Johnson
Skylar Lamoreaux
Gwyneth Parker
Juelz Martin
Alice Kress
Birdie Fry
Brooklyn Wilkes
Calen Clapp
Charli Lawler
El Zweygardt
Emily Hertzog
Emmie Jackson
Gibson Wessel
Mia Pulido
Orissia Cruz
Lucia Cruz-Rodenbeck
Carter Larsen
Katy Riley
Maeve Schinkel
Lily VanZant
Special Thanks!
Thank You
to the following individuals and businesses whose support
and generosity make our productions possible.
- PHS Administrators & Deans
- Kim Witman & Justina Malm
- Matt Grevan. Melissa Centgraf & CSU Department of Theatre
- Lindsay Shipton
- Stephanie Mosnik & PHS TV Production students
- Christy Gigliotti & PHS Advanced Photography Students
- Gregg Osterhout
- Madison McGinty and PHS Catering Students
- Antonio, Jesus, and the PHS Custodial Team
- Don Cox
- Melanie, Jackson & Taryn
- Parent Meal & Intermission Volunteers
and all the families and friends whose patience, flexibility and support make it all possible!
Support Theatre in Our Schools
Director's Notes
We're all thinking it: February is the worst.
After the fun of the holidays and the resolutions of the new year, February drags me down and fills me with the kind of indistinct dread and nebulous anxiety that I cannot define enough to do something about. February is the mosquito buzz in the middle of the night. It's the calendar-equivalent of that maddening tingle when the Novocain wears off and the toothache sets in. I don't know how the shortest month can last soooo long, but it really, really does.
So, I want to thank the cast, crew, Ms. Kari, Laura, Alec, and this show for getting me through a really rough month. There has been precious little to laugh about so far this year, but this company has made me laugh out loud with their hard work, comic timing, brilliant ideas, and excellence in craft. They have made an unbearable month not just bearable, but so much fun.
Thanks also to Adam, for his awesome vocal coaching; Matt, for teaching us how to pull hair; Melissa, for some very good weapons safety lessons; and Lindsay, for bee-stung 1920's lips. I am so grateful for the community of artists here willing and excited to teach our students their craft and their passion.
I also want to recognize the theatre teachers in our district. You push me to be a better teacher, designer, director, artist. From the brilliant directors at the other 5 high schools to the elective teachers at our middle and elementary schools doing theatre as a club or a special or a skinny, I see you, admire you, cherish the work you do. I know I'm preaching to the choir, but yours is the vital work of creating in destructive times, building community in an divisive age, building human beings in the face of AI, nurturing the empathy that we will all need to survive (it's an election year: I'm gonna get political!). I'm sure you will recognize your students, yourselves, the joyful absurdity of what we do in The Play That Goes Wrong. I know I do. If we can't laugh at ourselves...
And finally, speaking of empathy, I want to thank the three incredible women in my life for helping me get through these past few months. My mother, my wife, and my daughter are such amazing, caring, generous, humble, talented, and beautiful women, and they have picked me up and carried me when I couldn't make it alone. The men in my family are a work in progress (you're on the right track, J!), but I am blessed to have these strong and giving women in my world. Thank you, thank you, thank you.
J Smith
February 2024