COSUMNES RIVER COLLEGE DEPARTMENT OF THEATRE & DANCE-RIVER STAGE | ||||||||||||
proudly present | ||||||||||||
URINETOWN THE MUSICAL |
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Music & Lyrics by MARK HOLLMANN |
Book & Lyrics by GREG KOTIS |
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URINETOWN was produced on Broadway in September, 2001 by the Araca Group and Dodger Theatricals in association with TheaterDreams, Inc., and Lauren Mitchell.
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at the Black Box Theatre | ||||||||||||
2024-25 #THETIMEISNOW Season | ||||||||||||
Follow Us on Instagram: @seeaplayatCRC
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Featuring |
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ALEC HUDSON AUDREY DI PAOLO AVALON BARTH COOPER HINSHAW EMILY BENNER EMMA ROSE WEHRLI ERIC CHARLTON FAYE CROOK HAYLI CRANDALL IAN CAMPBELL JAELYNN CARR JAYDEN WYNN JIANNA EUGENIO MICHAEL VAUGHN PETER DEMARZIO PURJON BICKHAM RYLEE WALKER SEVRYN MICHAEL |
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Creative Team |
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Scenic Design | Lighting, Sound & Projection Design | Costume Deisgn | ||||||||||
TRICIA TECSON | CARY BABKA | MARI CARSON | ||||||||||
Production Stage Manager | ||||||||||||
JARED SHIH, MACIE UTILE & NATASHA LARSON-SWENSON | ||||||||||||
Musical & Vocal Director | ||||||||||||
GRAHAM SOBELMAN | ||||||||||||
Assistant Director & Choreographer | ||||||||||||
AMBRE SHONEFF | ||||||||||||
Director | ||||||||||||
RYAN PEREZ ADAME | ||||||||||||
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NOVEMBER 8-24, 2024PerformancesFridays, November 8, 15 & 22 @ 7:30 pm Saturdays, November 9, 16 & 23 @ 7:30 pm Saturday, November 23 @ 2:00 pm Sundays, Novmeber 10, 17 & 24 @ 2:00 pm Thursdays, November 14 & 21 @ 1:00 pm Tickets PAY WHAT YOU CAN Get URINETOWN THE MUSICAL Tickets
SHOW INFORMATIONSetting & Time
Photography & RecordingPlease take selfies and pictures before the show - and don't forget to tag our Instagram account @seeaplayatCRC! During the show, there is no photography or recording of any kind. |
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Licensing InformationUrinetown is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com |
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LAND ACKNOWLEDGMENT
We acknowledge the land currently occupied by Cosumnes River College as the traditional home of the Miwok and Nisenan people. These sovereign people have been caretakers of the area since time immemorial. The state of California is home to more than 110 Federally Recognized Indian Tribes, representing the most diverse set of tribal nations anywhere in the United States. Despite centuries of genocide and occupation, the Miwok and Nisenan people continue as vibrant and resilient federally recognized tribes, bands, and rancherias. The waters of the Sacramento, American, and Cosumnes Rivers have nourished Miwok and Nisenan tribal communities with cultural and dietary sustenance throughout time. ‘Cosumnes’ of Cosumnes River derives from the Plains Miwok language. Stemming from the words "kosumu," meaning salmon and "umne," meaning the place of, it translates as "The Place of the Salmon." Today, we celebrate our Miwok and Nisenan tribal neighbors as the ancestral stewards of this land and honor their sustained existence. It is with their blessing and continued guidance that Cosumnes River College seeks to provide an accessible, equitable, and principled institution of learning.
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About the Show
DIRECTOR'S NOTES: It's the oldest story...
By RYAN PEREZ ADAME
URINETOWN THE MUSICAL is one of my favorite musicals. It's one of the shows I can put on, listen all the way through, and go right back to the beginning again. It's sort of inexplicable: a musical with this premise and which ends - much to Little Sally's chargin - with...well, actually, I probably shouldn't be the one to give you too much exposition.
Styled after the works of Kurt Weill and Bertolt Brecht (THE THREEPENNY OPERA) and Marc Blitzstein (THE CRADLE WILL ROCK), with a healthy dose of classic musical theatre, and a not-too-subtle hint of melodrama, it's a collage of song and performance styles that begs us to laugh at its silliness in order to give us the medicine we need to take.
The oppression of the poor, corporate greed, and political corruption: an unholy trinity. URINETOWN would probably be thematically recognizable in just about any era. It can feel as though we never quite learn our lesson. That's precisely where the form of URINETOWN and type of theatre that inspired it comes in.
Brechtian theatre is famous for its devices and conventions - most especially the breaking of the "fourth wall". That invisible plane that exists between the audience and the world of the play. While breaking that plane wasn't a Brechtian invention - characters from ancient plays to Shakespeare and beyond have taken a moment to speak to us directly - his purpose was novel.
Breaking that fourth wall for Brecht (known roughly as the "alienation effect") was an effort to force the audience to confront the issues of the play, not to get lost in the world. To acknowledge their part in the real world and in the issues treated in the world of the play, not to escape from reality but to face it head on.
While URINETOWN is also a loving spoof of musical theatre itself, this Brechtian approach to greed, corruption, and oppression is what lies at the heart of URINETOWN. Seen as a metaphor for health care, the parallels are clear, for example. But what URINETOWN's silly form and happy music won't let us walk away from is this: what if heroes are wrong, villains sometimes right, and what if there aren't any truly happy endings?
The oldest story indeed...
ACKNOWLEDGMENTS
We want to express our gratitude to the following:
- JULIE ZALASKY, Cosumnes River College Business Office
Song List
Act I
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"OVERTURE" (Instrumental)
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"TOO MUCH EXPOSITION" (Instrumental)
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"URINETOWN" (Lockstock, Little Sally, Bobby, Ms. Pennywise, Hope, Ensemble)
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"IT'S A PRIVILEGE TO PEE" (Ms. Pennywise, Bobby, Old Man Strong, The Poor)
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"MR. CLADWELL" (Mr. Cladwell, Hope, Mr. McQueen, Senator Fipp, Dr. Billeaux, Mrs. Millennium, UGC Executives)
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"COP SONG" (Lockstock, Barrel, Cops)
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"FOLLOW YOUR HEART" (Hope, Bobby)
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"LOOK AT THE SKY" (Bobby, Ms. Pennywise, The Poor)
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"DON'T BE THE BUNNY" (Mr. Cladwell, Hope, Mr. McQueen, Senator Kipp, Dr. Billeaux, Mrs. Millennium, UGC Executives)
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"Act One Finale" (Company)
Act II
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"WHAT IS URINETOWN?" (Company)
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"SNUFF THAT GIRL" (The Poor)
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"RUN, FREEDOM, RUN" (Bobby, The Poor)
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"FOLLOW YOUR HEART (Reprise)" (Hope)
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"WHY DID I LISTEN TO THAT MAN?" (Ms. Pennywise, Senator Fipp, Lockstock, Barrel, Bobby, Hope)
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"TELL HER I LOVE HER" (Little Sally, Bobby, The Poor)
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"WE'RE NOT SORRY" (Hope & her allies, Mr. Cladwell & his allies)
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"WE'RE NOT SORRY (REPRISE)" (Ms. Pennywise, Mr. Cladwell)
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"I SEE A RIVER" (Company)
Cast
Creative Team
RYAN PEREZ ADAME
AMBRE SHONEFF
GRAHAM SOBELMAN
MARI CARSON
TRICIA TECSON
CARY BABKA
MARTIN FLYNN
MIKE RUIZ
JARED SHIH
MACIE UTILE
NATASHA LARSON-SWENSON
CHLOE ESPINOZA
NICHOLAS SHARP
ELIDA SOUZA
LEE RODRIGUEZ
ALANA MOSLEY
CAMERON MATTHEWS
KLAUS CURTIS
CODY BEACH
SAVANNA STUEPFERT
MICHAEL VAUGHN
JERRY WEBSTER
IAN CAMPBELL
JAKE SANTOS
Meet the Company
ALEC HUDSON
AUDREY DI PAOLO
AVALON BARTH
COOPER HINSHAW
EMILY BENNER
EMMA ROSE WEHRLI
ERIC CHARLTON
FAYE CROOK
HAYLI CRANDALL
IAN CAMPBELL
JAELYNN CARR
JAYDEN WYNN
JIANNA EUGENIO
MICHAEL VAUGHN
PETER DEMARZIO
PURJON BICKHAM
RYLEE WALKER
SEVRYN MICHAEL
RYAN PEREZ ADAME
AMBRE SHONEFF
GRAHAM SOBELMAN
MARI CARSON
TRICIA TECSON
CARY BABKA
MARTIN FLYNN
MIKE RUIZ
JARED SHIH
MACIE UTILE
NATASHA LARSON-SWENSON
CHLOE ESPINOZA
NICHOLAS SHARP
ELIDA SOUZA
LEE RODRIGUEZ
ALANA MOSLEY
CAMERON MATTHEWS
KLAUS CURTIS
CODY BEACH
SAVANNA STUEPFERT
MICHAEL VAUGHN
JERRY WEBSTER
IAN CAMPBELL
JAKE SANTOS
Our 2024-25 Season: The Time Is Now
SHORTAGE: AN ANTHOLOGY
READING SERIES: STUDENT ONE ACT PLAYFEST
December 6-7, 2024
Original one act works by the students of our playwriting course get their first public performances!
ORLANDO
March 7-15, 2025
By VIRGINIA WOOLF, Adapted by SARAH RUHL
Orlando’s epic life spans five centuries and crosses class, continents, and gender identity in two-time Pulitzer Prize nominee Ruhl’s adaptation of Woolf’s classic novel.
Playwright Sarah Ruhl is a two-time Pulitzer Prize nominee for Drama for THE CLEAN HOUSE (2004) and IN THE NEXT ROOM, OR THE VIBRATOR PLAY (2009). ORLANDO recently completed an off-Broadway run in May 2024 at Signature Theatre in New York, with award MacArthur "Genius" Grant Recipient, and Tony and Pulitzer-nominated theatre and performance artist Taylor Mac.
WATER BY THE SPOONFUL
April 25-May 4, 2025
By QUIARA ALEGRÍA HUDES
In the 2012 Pulitzer Prize winner for Drama, the past is always present for a young veteran who comes home to the ghosts of war and his mother’s addiction.
WATER BY THE SPOONFUL is the second part of the ELLIOT TRIOLOGY, a three play collection tracing three generations of a Latino family. The first part, ELLIOT, A SOLDIER'S FUGUE was also a nominee for the Pulitzer Prize for Drama in 2007; the final installment, THE HAPPIEST SONG PLAYS LAST premiered in 2013.
TWELFTH NIGHT
July 18-August 3, 2025
Presented in community with the Cosumnes Community Services District under the stars at Laguna Town Hall in Elk Grove
($10 General Admission)
By WILLIAM SHAKESPEARE
A shipwreck, a love triangle, mistaken identity, a Fool (and a whole lot of foolishness) collide in one of Shakespeare’s greatest comedies and most beloved works.