FARMERS ALLEY THEATRE
presents
Book, Music and Lyrics by
JONATHAN LARSON
Music Arrangements | Original Concept/Additional Lyrics |
Steve Skinner | Billy Aronson |
Music Supervision | |
and Additional Arrangements | Dramaturg |
Tim Weil | Lynn Thomson |
RENT was originally produced in New York by New York Theatre Workshop and on Broadway by Jeffrey Seller, Kevin McCollum, Allan S. Gordon and New York Theatre Workshop
RENT
Is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com
Setting:
1989. Lower East Side, New York City.
There will be one fifteen minute intermission.
Follow Us:
NOTE FROM THE MANAGING ARTISTIC DIRECTOR
I love the musical RENT. It’s hard to describe the importance and the impact that the show has had on the theatre community. Jonathan Larson captured the emotions and anxieties of a generation grappling with unaffordable housing, creativity vs capitalism, and the fear of the AIDS epidemic. Woven into the story of a close-knit group of artists, Larson created a show filled with love and hope in spite of these struggles.
RENT is perhaps most groundbreaking in the way it puts LGBTQIA+ characters front and center. The audience gets an inside look into gay, queer, lesbian, non-binary and other non-traditional characters in an honest and truthful way. And with the recent scourge of anti-LGBTQIA+ words, actions, and policies, telling this story feels just as important now as it was in 1996.
Alongside this production, and with the generous support of the Arts Council of Greater Kalamazoo, we have the honor of hosting a twelve by twelve foot section of the Aids Memorial Quilt throughout the run of RENT. The panel in our lobby is one of nearly 50,000 such panels dedicated to 110,000 individuals who have died of AIDS. It is a sobering lesson in how ignorance, intolerance, silence, and bigotry can lead to the loss of millions of lives, as well as a stirring reminder of the power and hope that lies in community and collective action. If you have not yet done so, I encourage you to spend a moment with the quilt, to take in the names and reflect on this living memorial.
Looking ahead to Season 16 at Farmers Alley, themes of love and community run throughout the shows we’ve selected. We’re excited to present a well balanced season with productions that reinforce our commitment to producing high-quality professional theater in a collaborative, welcoming and community-based environment. Highlights include Working: The Musical where stories from working class people, some specifically from Kalamazoo, will be lifted up. Another special show is Sondheim on Sondheim where we are grateful to collaborate once again with the Gilmore Piano Festival, and also pay tribute to the late great Stephen Sondheim, known as the father of the modern American musical. And closing out our season is the Kalamazoo premiere of School of Rock: The Musical, based on the movie starring Jack Black. We are proud to present this show where our young local talent will be rocking out every night to new songs by Andrew Lloyd Webber, telling this hilarious and heartwarming story about not being afraid to pursue your dreams.
We hope you enjoy the show tonight, and we also hope that you will join us for Season 16. Membership packages are on sale now.
Thanks for being here tonight. You are the best part of Farmers Alley. We couldn’t and wouldn’t do it without you. We hope that watching this performance of RENT will help you remember that when you look at your life, the best way to analyze your time on earth is to “measure your life in love”.
Jeremy Koch, Managing Artistic Director
DIRECTOR'S NOTE — FOUND FAMILY AND REPRESENTATION
It is with great pride and excitement that I return to the wonderful Farmers Alley Theatre to direct this production of RENT. (It’s hard to believe I was here a decade ago as an actor in Next to Normal.) I had the great fortune and honor to play Mark Cohen on Broadway many years ago, with my first performance landing on my birthday. And since then, the miracles, both big and small, just keep coming. I am filled with immense gratitude for the opportunity to bring Jonathan Larson's iconic musical to life once more. At its core, RENT is a testament to the power of found family and the significance of representation, themes that resonate deeply with us all, seemingly now more than ever.
In a world that can often feel isolating and fragmented, the concept of found family becomes a sanctuary for the characters in RENT. These artists, misfits, and dreamers forge bonds that transcend blood ties, offering support, love, and acceptance to one another. In our interpretation of the story, we celebrate the profound connections formed within this tight-knit community, emphasizing the strength that arises from unity and the unwavering belief that we are never alone in our struggles.
Representation lies at the heart of RENT. Jonathan Larson's groundbreaking work dared to give voice to the marginalized, shining a light on the LGBTQ+ community, people of color, and those affected by the AIDS crisis.
At first, I feared Farmers Alley presented a challenge in its limited space, yet as rehearsals have progressed, I’ve come to realize what a fabulous gift it is to tell this story in such an intimate setting. Through the staging, set design, and lighting, we aim to create an immersive experience, transporting you to the streets of Alphabet City in the late 1980s. It is a world vibrant with raw energy, where passion and desperation collide.
As you witness the journey of the characters in RENT, I encourage you to reflect on the power of found family and the importance of representation. In a country that often seems more divided than ever, may their stories inspire empathy, understanding, and compassion within each of us. Let us embrace the courage to step outside our comfort zones and celebrate the beautiful tapestry of humanity that surrounds us.
I extend my deepest appreciation to the extraordinary ensemble of actors, musicians, and technicians who have dedicated themselves to this production. Their talent and willingness to dig deep into the emotional core of the characters have breathed life into this remarkable story.
To you, our audience, thank you for coming tonight and keeping the theatre alive, and to my cast and crew, welcome to the family!
Trey Ellett, Director
Farmers Alley Theatre Staff
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Farmers Alley Theatre Board
Alice Kemerling — President
Dan Guyette — Vice President
Charles Ofstein — Treasurer
Patricia Huiskamp — Secretary
Alice Kemerling
Julie Nemitz
Lanford J. Potts
Jack Hopkins
Sonya Bernard-Hollins
Cast
Creative Team
Steve Hodges (he/him)
Dr. Quincy Thomas (he/him/they/them)
Music Theatre International (MTI)
Erin Hope (she/her)
Amy Hunter (she/her)
Nathan Behrend and Ben Arnett
Jaycee Mynar (she/her)
Melissa Sparks (she/her)
Jonathan Larson
Sam Snow (she/her)
Lori Hatfield (she/her)
Kyle (Cole) McCurdy and Erin Hope
Trey Ellett (he/him)
Issac “Ziggy” Middleton (he/him)
Julie Minar (she/her)
*Proud Member of Actors Equity
Marcia Smith and Tom Smith
David Knewston (he/him)
Erin Truesdell (she/her)
Savannah Draper (she/her)
Tony Mitchell (he/him)
Jason Frink (he/him)
Mike Borzkowski (he/him)
Roger W. Burleigh* (he/him)
Crew
Roger W. Burleigh (he/him) |
|
|
Sophia Smith (they/them) |
|
|
Julie Minar (she/her) |
|
|
Jan Campbell (she/her) |
|
|
Jaycee Myner (she/her) |
|
|
Toni King (she/her) |
|
|
Zoe Gobble (she/her) |
|
|
Hannah Cowgill (she/her) |
|
|
Meet the Company
Travon Moore (he/they)
Brittany Allen (she/her)
Alexis Aponte (she/her)
Kemar Williams (he/him)
Oluchi Nwaokorie (she/her)
Stephanie Reuning-Scherer (she/her)
David Nacio* (he/she/they)
Mariangeli Collado (she/her)
Christopher C. Minor* (he/him)
Jason Koch (he/him)
Teddy Huff (he/him)
Jack Ford-Teich (he/they)
Michael Davis Arnold (he/him)
Logan Farine* (he/him)
Kailin Kenerly (they/them)
Jalen Xavier (he/him)
Dr. Quincy Thomas (he/him/they/them)
Melissa Sparks (she/her)
Jaycee Mynar (she/her)
Nathan Behrend and Ben Arnett
Amy Hunter (she/her)
Erin Hope (she/her)
Music Theatre International (MTI)
Trey Ellett (he/him)
Jonathan Larson
Sam Snow (she/her)
Lori Hatfield (she/her)
Kyle (Cole) McCurdy and Erin Hope
Steve Hodges (he/him)
Issac “Ziggy” Middleton (he/him)
Julie Minar (she/her)
*Proud Member of Actors Equity
Actors' Equity Association (“Equity"), founded in 1913, is the U.S. labor union that represents more than 51,000 professional Actors and Stage Managers. Equity fosters the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actors' Equity is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions.Marcia Smith and Tom Smith
David Knewston (he/him)
Erin Truesdell (she/her)
Savannah Draper (she/her)
Tony Mitchell (he/him)
Jason Frink (he/him)
Mike Borzkowski (he/him)
Roger W. Burleigh* (he/him)
Special Thanks
Becky Klose/Klose2U Photography
Bronson Hospital
Camille Curtis/Kalamazoo Creative Studio
CARES Sexual Wellness Services
Catherine A. Walker
Chenery Auditorium
Chris Lewis
D-K Fence Company
Dane Covey
David James
Fred Western
Gryphon Place
Kat Mumma/VDA Productions
Krystal Gast/Jerico
Michael McElroy
OutFront Kalamazoo
Queer Theatre Kalamazoo