BWW Stage Mag Anatomy of Gray - Poudre High School Theatre Stage Mag

 

Poudre High School  Performing Arts

Presents...

 

Anatomy of Gray

 

 Written by Jim Leonard Jr.

 

Directed by Joel Smith

Original music composed by Jackson Dean

 

Costume Director

Kari Armstrong

 

Assistant Director

Carter Larson*

Producer & Production Coach

Avery Rudman

 

Student Technical Director

Gibson Wessel*

Technical Director

Laura Lenczycki

 

Stage Manager

Lucia Cruz-Rodenbeck*

 

* denotes an inducted Thespian, International Thespian Society, Troupe #2808

"Anatomy of gray" is presented by arrangement with Concord Theatricals on behalf of Samuel French Inc. www.concordtheatricals.com

 

 

Cast

Lennon Shipton*
Galen P. Gray
Harper Skjerseth*
June Muldoon
Marlie Clark*
Rebekah Muldoon
Riley Jané*
Pastor Phineas Wingfield
Suzie Matlock*
Tiny Wingfield
Calen Clapp*
Crutch Collins
Lexi Hapner
Belva Collins
Sky Smith
Maggie
Brooks Fohrman
Homer

Featured Musicians

Jackson Dean - Composer / Guitar

Bennett Stucky - Violin

Creative Team

Carter Larsen*

Assistant Director

Lucia Cruz-Rodenbeck*

Stage Manager

Izzy Johnson*

Assistant Stage Manager

Gibson Wessel*

Student Technical Director

Emily Hertzog

Construction Head

Michael Abramowitz*

Properties Head

MJ Scott-Donegan*

Lighting Head

Sara Ogden*

Marketing Head

Gwyneth Parker*

Sound Head

Gabe Gonzales

Costume Crew

Laurie Lindsey*

Costume Crew

Lily VanZant*

Costume Crew

Maisie Rhoda

Costume Crew

Merrick MacKinney*

Costume Crew

Piper Gurvish

Costume Crew

Robin Ford

Costume Crew

Birdie Fry*

Technical Crew

Sebastian Fuentes

Costume Crew

Quinlynn Hunt

Costume Crew

Avery Hicks

Technical Crew

Brooklyn Wilkes*

Technical Crew

Charli Lawler

Technical Crew

David Harris

Technical Crew

Ethan Boggs

Technical Crew

Kenya Caruth

Technical Crew

Kiernan Doty

Technical Crew

Langston Ziegler

Technical Crew

Mennah Elhmeri

Technical Crew

Natalie Thinnes

Technical Crew

Orissa Cruz*

Technical Crew

Riley Juniper

Technical Crew

Skylar Lamoreaux*

Technical Crew

Victoria Levick

Technical Crew

Z Poor

Technical Crew

Masen Odell*

Costume Crew

Director's Note

About a year and a half ago, Harper came to me and asked, “How come we keep doing comedies? Why don’t we ever do any dramas?” Be careful what you wish for, kid: you might just get it. But she was on to something: I’ve been playing it safe. And once that door was pushed open a crack, it was really hard to go back through. Point is, it was important to do this play, and it is important to do it now. This play taps into the core of what theatre does best—it reflects our shared experience, our dreams and our fears and the magic of our everyday lives, and especially in times of fear and loss and uncertainty. This production, though set in a different era, speaks to the challenges faced by us, our community and our world.

I was still in high school when we first started talking about HIV and AIDS, and I didn’t really understand at the time the profound impact on the theatre community I admired. The AIDS epidemic wasn’t just about loss; it was about artists coming together, finding strength in one another, and using their voices to make change. Theatre became a way to process the grief and fight back against the silence. It still is. Theatre reminds us that it’s our responsibility to speak out, to create, and to connect. Those lessons resonate now, in our fear and our hope and our fight for a future where our children can find belonging, respect, and love.

This production is truly a reflection of that kind of fierce love, and of the hard work and collaboration of our entire company. Credit where credit is due. Kari, your genius, creativity, and passion make me want to be a better director. Your kindness, patience, and cheer make me want to be a better person. Thank you for all the things, including the occasional shocks. Avery, thank you for your fresh eyes, creative ideas, gentle coaching. Thank you for being my “good cop”. Laura, you are one of the finest teachers I have ever been privileged to work with. “I’m not saying good-bye to you.” Thank you also to Bennett for sharing his music and his artistry. You probably didn’t plan to provide the soul for the show, but you have.

Jackson Dean is a senior at Poudre and composed, arranged, and played the original music for this production. A “thank you” is not nearly enough: words cannot express my pride and gratitude. He's the best of what we do here.

Students—this production is really about you. You’ve taken on a script that’s demanding and layered, and you’ve done it with such grace and commitment. This is not an easy show, but you’ve embraced its challenges and trusted in your own abilities and each other. You’ve poured your heart and energy into this, and the results are a testament to your passion and dedication. I’m so proud of you all. 

I’m especially proud of you seniors, who have shown such growth and leadership throughout this adventure. You’ve been through so much, and your hard work, resilience, and trust in this company have been truly inspiring. Class of 2025, as we move toward the end of our journey together, I hope you keep in mind the message behind Larry Kramer’s work—silence is not an option. I hope you use your voices, your creativity, and your art to make a difference, to connect with others, and to speak up in times of challenge. Theatre is about telling stories, and this one is more than just a performance—it’s a reflection of our shared humanity. I hope you remember June's words: “We all come from loss, and from love.” I hope you allow yourselves to grieve, and to comfort, and to love. I hope you build communities by sharing your grief and comfort and love with others. I hope you use your beautiful voices to bring change. 

We cannot be silent in the face of injustice, suffering, or pain. We must speak out, create, and push boundaries. Silence = Death, but through art, we choose life—bold, messy, joyful life.

In my heart forever,

JS

February 2025

 

Broadway Cares

 

 

 

 

 

 

 

 

 

 

 

We are incredibly proud to be partnering with Broadway Cares/Equity Fights AIDS for this production of Anatomy of Gray. 

While Anatomy of Gray is not about HIV, it is a parable about the AIDS crisis in the 1980’s and 90’s. The playwright, Jim Leonard, Jr. wrote this play in response to a dear friend, John Geter, who died from AIDS. As he was exploring his own relationship with grief, Leonard witnessed the reactions to the death of his friend, the whispers that surrounded this illness, and the shock amidst John’s small-town, childhood community.When approached to commision a play celebrating the centennial of Washington University’s medical school, Leonard’s anger, his depression, his grief, led him in one particular direction…Anatomy of Gray

This play covers far more than illness, it explores one’s relationship to religion, grief, trust and mistrust, bargaining in the face of the unimaginable. But ultimately, it is a play about hope; as the playwright states, it's about “discovering love out of loss.” 

We chose to partner with Broadway Cares to assist those facing this unimaginable challenge. 

Broadway Cares/Equity Fights AIDS is a philanthropic organization that connects theatre artists with theatre lovers in an effort to provide support to those affected by HIV/AIDS and other life-threatening illnesses. Broadway Cares helps provide life saving medication, healthy meals, medication, and emergency resources. In collaboration with the American theatre community, Broadway Cares/Equity Fights AIDS has raised over 300 million dollars since 1988, Providing essential services in all 50 states, as well as Puerto Rico and Washington, D.C.

At this performance we will be accepting donations, in order to help Broadway Cares/Equity Fights AIDS reach their yearly goal, and grant resources for those affected by critical illness. At the end of this production, you will see crew members holding the iconic red buckets, where you can leave cash or coin donations, as well as cast members holding QR codes for card donations. 

Any donation is greatly appreciated, but how does your donation make a difference? 

  • $5 provides two healthy meals
  • $10 Covers the cost of an HIV test to empower an individual to know their status
  • $15 Provides a telehealth visit for someone who is ill
  • $25 provides 10 Fresh meals
  • $100 Helps provide a home care visit for someone struggling with a life-threatening illness

 

For resources and more information regarding Broadway Cares/Equity Fights AIDS, please visit: Broadwaycares.org

To directly Reach Poudre High School Theatre’s donation page, please visit: https://donate.broadwaycares.org/team/634605


 

Home: Broadway Cares. Broadway Cares/Equity Fights AIDS – What we do together, makes a difference. (n.d.).   

https://broadwaycares.org/

Leonard, J. (2006). Anatomy of gray. Samuel French, Inc.

 

ANATOMY OF GRAY by Jim Leonard Jr.

Meet the Company

Lennon Shipton*

Galen P. Gray
Lennon Shipton* - Galen P. Gray Lennon is a sophomore and this is his fifth production at Poudre Highschool. Some of his previous works include Prince Zorn in The Thirteen Clocks, Kevin G in Mean Girls, and Vlad Popov in Anastasia. He is so excited to be putting on this show. All of the cast and Crew have worked so hard to make this production as emotional and heartfelt as it is. He'd like to thank all of the people who helped him find his character. The journey was hard, but he made it.

Harper Skjerseth*

June Muldoon
Harper Skjerseth* - June Muldoon This is Harper’s 10th show with Poudre Theatre. She is excited for people to see this show and is so proud of the work that the company has put into it. She’d like to thank her family and friends for being so supportive!

Marlie Clark*

Rebekah Muldoon
Marlie Clark* - Rebekah Muldoon Marlie is a senior and this will be her seventh production with Poudre Theatre. Previous shows include Anastasia, Thirteen Clocks, Play That Goes Wrong, and many more! Marlie wants to thank her family and friends. She attributes all of her achievements within her 17 years of living to the charismatic, courageous, Carter J Larsen. She is so excited to share this story with everyone and hopes you enjoy it!

Riley Jané*

Pastor Phineas Wingfield
Riley Jané* - Pastor Phineas Wingfield This is Riley's last production at Poudre and he is extremely grateful for the memories made and the unique experiences in this program. His previous roles include Jonathan in The Play That Goes Wrong and Hark in 13 Clocks. He would like to thank his family and friends for their support. Riley has loved the opportunity to be a part of this company and hopes you enjoy the production.

Suzie Matlock*

Tiny Wingfield
Suzie Matlock* - Tiny Wingfield Suzie Matlock is a Senior at Poudre High School, making this her second to last show. A few of Suzie's previous roles at Poudre include Anastasia in Anastasia, Janis in Mean Girls, Annie in The Play That Goes Wrong, and many more. She would like to thank her family and friends for the unconditional love and support throughout her theatre experience. Suzie has made the most beautiful memories in this company and is excited for you to see the show!

Calen Clapp*

Crutch Collins
Calen Clapp* - Crutch Collins Calen Clapp is a Junior at Poudre High School, and has participated in several productions at Poudre including past roles in Anastasia, Mean Girls, The Thirteen Clocks, and Matilda. He is thankful to have the opportunity to perform in this show, and is grateful to work with such a wonderful cast and crew!

Lexi Hapner

Belva Collins
Lexi Hapner - Belva Collins Lexi Hapner is a sophomore and this is her first Poudre High school production. She is so excited to be apart of this production. Lexi is also does theater with Debut Theater Company in the Debut Players troupe. She has been apart of Robin Hood, James and the Giant peach, the Fall of the House of Usher, and currently Anne of Green Gables. She would like to thank the cast for a great experience and Mr. smith for this opportunity.

Sky Smith

Maggie
Sky Smith - Maggie Anatomy of Gray is Sky's second production with Poudre Theatre. She was previously in Anastasia as ensemble. She is so glad is a part of this production, and hopes you enjoy the show! She would like to thank her family for their support in this experience and her cast-mates for their constant encouragement!

Brooks Fohrman

Homer
Brooks Fohrman - Homer Brooks Fohrman is a freshmen at Poudre High school. This is Brooks' first production with Poudre theatre. He has been in several other productions through Debut Theatre. His family is very supportive of his ongoing interest in acting, Brooks is really excited to be in this performance!

Carter Larsen*

Assistant Director
This is Carter's 5th show with Poudre High School. Previously he has taken on the role of costuming, however for Anatomy of Gray he is serving as the assistant director. He wants to thank everyone that has supported him throughout this process and hopes you enjoy the show!

Lucia Cruz-Rodenbeck*

Stage Manager
Lucia is a senior at Poudre High School and is proud to be participating in her 10th show here with Poudre Theater. Following her work as assistant director on The Play That Goes Wrong and Anastasia, she is excited to be stage manager for this show. Lucia would like to thank the other student leaders as well as this incredibly talented company, and her friends and family for their constant support.

Izzy Johnson*

Assistant Stage Manager
This is Izzy's 8th show at Poudre and second time being assistant stage manager, and she can't wait to do more.

Gibson Wessel*

Student Technical Director
This is Gibson's fifth show at Poudre High School, and his first time as student technical director. Some of Gibson's previous shows include The Show That Goes Wrong, The Thirteen Clocks, and Anastasia. He would also like to thank his family and friends for their unending support.

Emily Hertzog

Construction Head
This is Emily's 5th show at Poudre Highschool, She is excited to work on this production as construction head and is proud of her fellow peers in the show. Emily thanks her family and friends for all the support and love they given her throughout the production. She is passionate about this show and hopes you enjoy it!

Michael Abramowitz*

Properties Head
This is Michaels 8th show with Poudre, and his first show as the head of props. He has enjoyed gaining new experience while learning about this show and collaborating with others. Michael wants to thank his friends and family for their endless support to pursue theatre.

MJ Scott-Donegan*

Lighting Head
This is MJ’s 7th show with Poudre. This show he had the privilege to be the lighting head. He’s loved teaching people about lighting during this show. He’s super grateful for this lively crew that always seems to be learning something new.

Sara Ogden*

Marketing Head
Sara is a junior thrilled to take on the role of Marketing Head for her 8th show at Poudre. Though new to marketing, she’s loving the creative challenge and the opportunity to support the production in a new way. Previously, Sara served as Student Technical Director for Anastasia in the fall, and has worked on props for many past productions. She’s excited to share this show with everyone!

Gwyneth Parker*

Sound Head
This is Gwyneth's 5th show at Poudre. She is so hyped to be here and loves this company!

Gabe Gonzales

Costume Crew

Laurie Lindsey*

Costume Crew
Laurie has been involved with Poudre Theatre for all four years of high school. They are so excited to graduate this May from Poudre, but will be incredibly sad to leave this program. They would like to thank their family for all the support they have provided over the last four years, and hope everyone enjoys the show!

Lily VanZant*

Costume Crew
This is Lily's eighth show at Poudre, and she is so excited for this production to go on stage. Some of her previous shows have included 'The Little Mermaid', 'The 13 Clocks', and 'Anastasia'. She would like to thank her friends, and her mother for their wonderful support over the last 4 years.

Maisie Rhoda

Costume Crew

Merrick MacKinney*

Costume Crew
Merrick is well-versed in both the acting and costuming world. Anatomy of Gray will mark his 7th production at Poudre Theatre, and 4th time costuming! Merrick also acted in Matilda the Musical, Mean Girls the Musical, and The Play that Goes Wrong.

Piper Gurvish

Costume Crew

Robin Ford

Costume Crew
This is Robin’s first show at Poudre High School, he looks forward to participating in more theatre productions at Poudre and away at college. He thanks Ms. Kari and all the members of this production for their welcoming community and helping him learn. This has been a wonderful opportunity for him and he hopes the show is as fun to watch as it was to work on.

Birdie Fry*

Technical Crew
Birdie Fry is currently a junior at Poudre High School. This is her 7th show in technical crew and she is excited to continue her theatre journey this year!

Sebastian Fuentes

Costume Crew

Quinlynn Hunt

Costume Crew
This is Quinlynn first show with Poudre. She grew up watching Poudre productions and is excited to be participating behind the scenes!

Avery Hicks

Technical Crew
This is Avery's second show at Poudre and first show on technical crew. She has done theatre for years and is so excited to be a part of another show! Some of her past shows have been Anastasia, where she was in the ensemble, and Antigone where she played the lead character of Antigone. She would like to thank her family and friends for pushing her to do something new and supporting her! Avery hopes you enjoy the show.

Brooklyn Wilkes*

Technical Crew
Brooklyn is a junior and is thrilled to be part of her 9th show, marking her 5th time on the tech crew. Recently, she has acted as Dunya/Ensemble in Anastasia and as Rachel Hamilton in Mean Girls. She has also worked on the costuming crew for The 13 Clocks and Matilda the Musical. Brooklyn’s previous tech crew credits include The Play That Goes Wrong, Mamma Mia!, Almost Maine, and Clue. She is grateful for the support of her friends and family and looks forward to another great experience with this production.

Charli Lawler

Technical Crew
Charli is has loved working on her seventh show with Poudre Theater, and hopes you enjoy the show as much as she has.

David Harris

Technical Crew
This is David’s first production on tech, he has been absolutely loving it. He hopes you enjoy the production.

Ethan Boggs

Technical Crew
This is Ethan's 2nd show at PHS, working behind the scenes this time. After learning many new skills, Ethan is super excited to give this beautiful set to the audience. He has had tremendous support from his parents and closest friends in all he does, and is extremely thankful for all they've done for him.

Kenya Caruth

Technical Crew
This is Kenya's second show. She loves doing theatre and all of the people that are part of the theatre community. She hopes you enjoy the show!

Kiernan Doty

Technical Crew
This is Kiernan’s first show and they are so excited to experience being a part of a high school production. They are very excited to graduate this spring and move onto the next stage in life. Kiernan would like to thank their friends for helping to give them encouragement to be a part of this production and their parents for supporting them through the late nights spent doing homework.

Langston Ziegler

Technical Crew
Anatomy of Gray is Langston's second show at Poudre High School. After the fall production, he can't wait to do more lighting. For the Production of SIX, he hopes to be in the band playing bass. Overall Langston is enthusiastic to put on a great show.

Mennah Elhmeri

Technical Crew
Mennah is thrilled to be part of the technical crew again! She has had a fantastic experience working in theater and hopes to continue this journey with many more shows to come. This being her second show she is so exited to see what this journey brings. Mennah would like to thank her friends and family for their endless support. She has loved being part of the show and hopes you enjoy it!

Natalie Thinnes

Technical Crew
Natalie Thinnes is very excited to be apart of Anatomy of Gray. This is her second show at PHS, and her 4th show overall. Natalie’s other shows include Poudre High School’s Anastasia, Wellington Middle High’s Clue (High school edition), and Radium Girls in middle school. She wants to thank her family for being so flexible and allowing her to have such a wonderful opportunity.

Orissa Cruz*

Technical Crew
Orissia is a junior here at Poudre. This is also her third show after being a part of The Play that Goes Wrong and 13 clocks last year. She is so excited to be a part of this show and can't wait to do more shows in the future.

Riley Juniper

Technical Crew
Riley is on technical crew, meaning he has helped build the sets. This show is his second show, previously working on Anastasia. He loves the community of the company, and hopes you enjoy the show!

Skylar Lamoreaux*

Technical Crew
After combating possibly the most strenious music box lid, that even two cans of beans couldnt help in Anastasia, he is glad to be back to the simple labor work of tech. This is Skylar's 8th show with Poudre and second to last left in his senior year. Hopefully Gray Indiana is as simple as it seems...

Victoria Levick

Technical Crew
This is Victoria's second show. She has loved the theater community and all of its diversity. She says the people here are very accepting and it is a judgmental free space. Victoria is exited for the upcoming play because history is one of her favorite things to portray in plays and musicals.

Z Poor

Technical Crew
This is Z's second show at Poudre after doing crew for Anastasia in the fall, and he hopes to keep learning lighting here and helping put on more great productions. He plans on trying out for crew for SIX in the spring and can't wait to do more theatre in and hopefully out of school.

Masen Odell*

Costume Crew

Broadway Cares Provides $500,000 in Emergency Grants to Support California Wildfire Recovery

Broadway Cares has awarded $500,000 in emergency grants, powered by the theater community’s generosity, to help Los Angeles-area residents and first responders as they continue to battle the barrage of wildfires devastating the region.
 
Responding to one of the most catastrophic natural disasters in California’s history, Broadway Cares has sent $250,000 to the Entertainment Community Fund; $100,000 to the California Fire Foundation Wildfire & Disaster Relief Fund; $100,000 to the Los Angeles Regional Food Bank; and $50,000 to longtime Broadway Cares grantee Project Angel Food.
 
All of these organizations are providing much-needed, on-the-ground support for residents and first responders. These grants were unanimously approved by the Broadway Cares Board of Trustees executive committee.
 
“In times of crisis, the theater community, with Broadway Cares as its philanthropic heart, has always been a beacon of resilience and collective strength,” said Robert E. Wankel, Broadway Cares/Equity Fights AIDS Board of Trustees president and chairman and CEO of The Shubert Organization. “These wildfires have left deep scars, but they’ve also ignited a powerful wave of support from Broadway to the West Coast.”
 
Broadway Cares Executive Director Danny Whitman said: “Our compassionate community knows the power of coming together in times of need. Because of the generosity of the theater community - those onstage, backstage and in the audience - these emergency grants will immediately provide meals, shelter, medical care, clothing and emergency financial assistance, all first steps on the long road toward recovering, rebuilding and healing.”
 
What started as a catastrophic fire on January 7, 2025, affecting the Los Angeles neighborhood of Pacific Palisades rapidly transformed into multiple fires enveloping the city, forcing tens of thousands of individuals and families to flee their homes, often with just minutes to spare. Homes, businesses, forests, landmarks and vital infrastructure have been reduced to ashes, leaving thousands of residents displaced. The wildfires have burned more than 40,000 acres - nearly three times the size of Manhattan. The ongoing devastation will create long-term challenges for rebuilding efforts, while highlighting the increasing frequency and intensity of wildfires due to climate change.
 
The emergency grants are being awarded to:
 
· The Entertainment Community Fund, which, through its west coast office, is helping those in the industry affected by the wildfires and unable to pay their immediate basic living expenses get emergency financial assistance to cover housing, transportation, food, clothing, medical supplies and prescriptions. ($250,000)
 
· California Fire Foundation, which is the philanthropic arm of the state firefighters' union. The foundation’s Wildfire & Disaster Relief Fund is directly supporting firefighters and survivors of the horrendous wildfires with immediate, short-term relief through its Supplying Aid to Victims of Emergency (SAVE) program. ($100,000)
 
· The Los Angeles Regional Food Bank, which is working with its network of more than 600 partner organizations - nonprofits, government agencies and faith-based partners - to provide vital support to those that continue to operate so that anyone facing food or nutrition insecurity receives help. ($100,000)
 
· Project Angel Food in Los Angeles, which has been a grantee of Broadway Cares since 1993. This emergency grant to Project Angel Food's Fire Relief Fund ensures that staff and volunteer drivers will continue to tirelessly navigate road closures and hazardous air across Los Angeles to make sure no one misses a single delivery of nutrition and hope. ($50,000).

A WONDERFUL WORLD & Broadway Cares to Support New Orleans

The company of the Broadway musical A Wonderful World: The Louis Armstrong Musical will lead a special ongoing effort to support those affected by the horrific incident that took place in New Orleans, LA in the early hours of New Year’s Day.

A Wonderful World, which celebrates the life of Louis Armstrong, begins in New Orleans, where the jazz legend was born in 1901.

The company of A Wonderful World has honored the victims and their families with a heartfelt moment of silence, followed by a call to action for the Greater New Orleans Foundation, which provides crucial support to communities in need. Donations can be made directly at www.gnof.org

In addition, Broadway Cares will stand united with the company of A Wonderful World and has pledged to add an additional $10,000 as a special grant to whatever funds are raised during this effort. 

The fundraising effort was initiated by A Wonderful World cast member Darlesia Cearcy, who plays Armstrong’ wife, Lucille Wilson. Cearcy states, “A Wonderful World: The Louis Armstrong Musical sets up one foundational question: why and how did Louis Armstrong invite us into a song so full of hope, love and light about life? We as a company traverse through his life starting with his birthplace, New Orleans, and his humble, exciting and yet troubled beginnings. This birthplace was and is the place where he initially discovered his love for jazz and, thus, created an empire and status as the King of Jazz.

We honor that status each day at the top of our show inside the French quarter with a song titled ‘Bourbon Street Parade.’ Here we dance and sing to reignite the days of celebration of New Orleans and his contributions to it as an art form. We transport our audiences from there to his first home base called ‘ Jane Alley’ and sometimes ‘James Alley’ before we head to Storyville and onward. 

It is our hope, joy and responsibility to help, honor and support our fellow citizens that remind us of our surrogate home base and national neighbor through our leader Louis Armstrong. As one of the women who plays his wife (Lucille) I understand the importance of giving ourselves over to something greater than ourselves as Lucille would have done. We as a company know this truth. In order for us to share our story of A Wonderful World and sing that honestly, we must do our part. Louis found it for us and established the way forward. Our ‘compass’ including the moral one is being made clear. 

No one needs to suffer the way those innocent victims and their families have suffered, so we stand together in solidarity and love to support them. It’s what Louis Armstrong or ‘Pops’ (as they call him in New Orleans) would have wanted. We aim to serve the greater good. A musical can be fruitful inside of communities. I hope we have and will continue to demonstrate healthy, positive efforts for communities such as New Orleans.”

“We are so proud to be a part of this compassionate Broadway community, coming together to help those in need," said Danny Whitman, Executive Director of Broadway Cares. “This is a moment to show solidarity and provide real support to the people of New Orleans.”

In addition to this special grant, among the 450+ direct service organizations funded by Broadway Cares across the country, Washington DC and Puerto Rico, there are seven throughout Louisiana, including the New Orleans Musicians Assistance Foundation and Project Lazarus in New Orleans.

Broadway Cares Provides Emergency Grants To Victims Of Hurricanes Helene And Milton

Broadway Cares/Equity Fights AIDS announced that it has awarded, fueled by the theater community's generosity, $300,000 in emergency grants to nine food banks and community service organizations actively helping residents from Florida to North Carolina recover and rebuild from the catastrophic damage caused by Hurricanes Helene and Milton.

Eight local organizations, which already are part of Broadway Cares' National Grants Program, are each receiving $25,000 grants. Broadway Cares also is sharing a $100,000 grant with the Hispanic Federation, which is helping efforts to connect on-the-ground support with underserved families and communities affected by the hurricanes.

“We're proud to be able to share the Broadway community's support and generosity in times of crisis and hardship for so many,” Tom Viola, executive director of Broadway Cares/Equity Fights AIDS, said. “These grants are helping build the road to recovery by providing accessible meals, clean water and health, hygiene and cleaning supplies. The vital, on-the-ground local efforts of these eight grantees across six states are helping so many reclaim their lives after these heartbreaking disasters.”

The eight organizations receiving $25,000 emergency grants are AID Upstate in Greenville, SC; Feeding Tampa Bay in Tampa Bay, FL; Feeding Southwest Virginia in Salem, VA; Harvest Hope Food Bank in Columbia, SC; Loving Food Resources in Asheville, NC; Second Harvest of East Tennessee in Maryville, TN; Second Harvest of South Georgia in Valdosta, GA; and Second Harvest of the Big Bend in Tallahassee, FL.

“Our food bank was destroyed,” said Brent Wyatt, executive director of Loving Food Resources, which helps people living with HIV/AIDS and others facing in-home hospice care. “In 2019, we purchased a natural, gas-fed generator with a Broadway Cares grant, and because of that generator I am pleased to say we lost no refrigerator or freezer items from the hurricane. This $25,000 grant will allow us to continue our food distribution as we have been cut off from our food bank after the devastating floods."

At Feeding Tampa Bay, Director of Development Jennifer Kilburg said that more than 888,000 individuals in the area were experiencing food insecurity. “Those who were already struggling before the storm now face heightened risks,” Kilburg said. “This emergency grant will enable us to distribute 125,000 meals to individuals affected by the hurricanes.”

The $100,000 grant to the Hispanic Federation will support even more families and community-based organizations across North Carolina and Florida providing lifesaving emergency relief. Focusing on the needs of underserved populations, the grant will expand upon the Hispanic Federation's support already shared with 18 nonprofit partners.

“We could not be more grateful to Broadway Cares/Equity Fights AIDS for the way they continue to be first in line to respond to our call for help, especially during the most difficult of moments for our community,” said Frankie Miranda, president and CEO of Hispanic Federation. “Thanks to Broadway Cares' generosity and leadership, we are able to focus on providing care to the most vulnerable – those who are not seen or heard on the news, and often go unserved: mixed status families, guest farmworkers, meat and poultry workers, and Spanish and indigenous language speakers.”

Hurricane Helene, a powerful Category 4 storm, made landfall in Florida on September 26. With winds reaching 140 mph, it caused widespread devastation, including severe flooding and storm surge along the Gulf Coast, and inland damage as far as Georgia, Tennessee and the Carolinas. The storm's combination of heavy rainfall and strong winds killed nearly 250 people across the Southeast.

Hurricane Milton reached peak sustained winds of 180 mph, becoming one of the most intense Atlantic hurricanes in recent history. The storm, which made landfall as a Category 4 hurricane on October 9, caused widespread devastation across Florida. Milton produced dangerous storm surges, heavy rain and at least 41 tornadoes, with severe damage particularly in the Sarasota and Tampa Bay areas.

For more information on the organizations receiving emergency grants, visit aidupstate.org, feedingtampabay.org, feedingswva.org, harvesthope.org, lovingfood.org, secondharvestetn.org, feedingsga.org, fightinghunger.org and hispanicfederation.org

Special Thanks

Thank You...

to the following individuals and businesses whose support
and generosity make our productions possible.

 

PHS Administrators & Deans

Bennett Stucky & Chris Leonard

Kim Witman & Justina Malm

PHS Student Counsel

CSU Department of Theatre

Kim Nelson, Kimball Nelson Photography

Lindsay Shipton

Northern Colorado Health Network

 

Stephanie Mosnik & PHS TV Production students

Sadie Nelson

Gregg Osterhout

Antonio and the PHS Custodial Team

Ginny Carroll & Amy Berkner

Don Cox

Melanie, Jackson & Taryn

Parent Meal & Intermission Volunteers

 

and all the families and friends whose patience, flexibility and support make it all possible!

 

Costume Snippets and Wishlist

I was fairly confident that we could use many costumes from our stock for “The Anatomy of Gray”. Maybe we could even challenge ourselves to costume the whole show and spend zero from our costume budget! 

And so. The costume crew studied each character in the script. They researched rural farm-life clothing styles of the 1890 time period. They pulled together an appropriately faded but lovely palette of pastel skirts, blouses, overalls and vests. They found charming details such as petticoats, bloomers, aprons and lace-up boots. 

The costumes came together easily and were done and ready to wear three weeks into our production time. I was imagining time to do sewing workshops and costume shop organization for the (very rare) extra time we had before the production——BUT THEN…….

On his way out the door, Mr. Smith quickly looked at the perfect array of authentic-looking nearly finished costumes and said “Hmm…..”
Oh dear…..
He and I had an emergency meeting the next morning. He tossed around words like “I’m not sure what I want to see…” and “needs to be more abstract” and “not grey jumpsuits…” and “maybe everyone in denim?”
I began to feel woozy.
But before I face-planted with despair onto the pincushions, I faintly heard my own voice say. “I’ve always wanted to do a black and white show….maybe we could try that and still stay in 1890?” 
And Mr Smith said “Yes!”

So after explaining the change to the wide-eyed costume crew, those astonishing and resilient students just shrugged and started again. 
From scratch. 
We all loved the results. We had the opportunity to do some sewing after all, worked to balance the application of black and white in solids and patterns, added touches of symbolic colors in red and gray, and it all just…..worked! 

It’s always interesting working with you, Joel Smith. And although you challenge me creatively and make me laugh hard (sometimes reaching for my imaginary remote for the imaginary shock-collar around your neck) I trust you and truly love the work we do together. 

My gratitude and appreciation goes out to this intrepid and imaginative costume crew. You are each brilliant, talented, patient—and hilarious to boot. Thank you for your trust and hard work.

Thank you to Laura and the wonderful technical crew. And added thanks for the wonderful projects the technical crew built for us to improve the costume shop!

Cast, wow. Just WOW. Your amazing work often makes me beam, but this time you made me weep. Thank you for that.

This is a beautiful show. I hope it moves your hearts as it did ours.

Kari Armstrong
Costume director

 

Costume Wishlist:


Plastic storage bins all sizes
Art paint brushes, craft supplies, acrylic craft paints
Rit Fabric Dyes (powder & liquid, regular and synthetic)
Old Sheets/muslin
Black sharpie markers all sizes 
Glue guns/glue sticks
Buttons, notions, large snaps, thread
Fabric Scissors
Fabric—velvet, drapery, brocades (1 yard or more)
Prom/bridesmaids gowns
Crinolines/petticoats
Vintage clothing (pre-1970), gloves, hats, shoes, jewelry, slips
Gift cards for: JoAnnes, Michaels, Life of the Party
Zippered Garment bags
Windex cleaning spray/spray cleaner/wipes
Ghiradelli 60% dark chocolate chips

Thank You’s:

Lindsay Shipton
Sewing Guild of Northern Colorado 
Parent donations

Shop Talk

One of the reasons I love theatre is the way it constantly transforms. Coming from the large-scale spectacle of a musical—filled with moving parts, elaborate sets, projections, and high-energy movement—to Anatomy of Gray has been a complete 180-degree shift. This show is subtle, intimate. The way we serve the story as the technical crew changes, and the challenge becomes not filling the space with motion, but with allowing there to be a place to construct meaning.

I have deeply appreciated the slowed-down pace of this process, the chance to be intentional in our work, and the reminder that simplicity does not mean ease. While the demands of a musical are complex and grand, this show required a different kind of precision—a quiet commitment to storytelling. 

And yet, even with the shift in scale, our technical crew came together with the same passion and dedication, and in numbers. We had more than enough hands, and that made for light work—but more importantly, it made for time. Time to build platforms, to paint, to stomp the heck out of strips of wood to make the set, and to find community in the process. Thank you to every crew member who showed up, who took on the odd jobs, and who spent hours in the theatre, not just working, but being with each other. You’ve built a beautiful set, paid attention to the smallest of details and shown your ability to adapt in the moment for the aesthetics. You’ve also made the most out of a lot of standing and holding planks, which is a surprising arm workout, and showed your finesse by tying endless knots. I hope you are as proud of the work and dedication you’ve shown as I am. 

To our crew heads, thank you for your leadership and for sharing your knowledge. To Izzy, our Assistant Stage Manager, for your creative vision, and to our student technical director, Gib, for fixing everything, which was usually the stuff I would break. And as always, thank you to our directing team, To Ms. Kari, for being the guardian of the basement and all the wonder it holds. To Avery for minding the details that need minding. And to Mr. Smith, for choosing this story, for guiding the work to bring it to life and for asking me to be a part of this company (I know, I know, I was very reluctant at first, but, look, I’m saying thank you now).

And thank you, the audience, for supporting the local arts community and the stories being told. I hope that you are able to find the beauty in the simplicity, the heart in the quiet, and the characters who emerge from the grey.

— Laura Lenczycki, Technical Director

 

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Coming Soon...

Up next at Poudre Theatre!

 

April 2025

More info and tickets at www.poudretheatre org.

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