IF ALL THE SKY WERE PAPER |
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Megan Van Dyken |
Jacob Van Dyken Elsa Rosemarie |
Jennifer Wassenaar |
Produced by special arrangement with Playscripts, Inc. | ||
(www.playscripts.com) |
"If All the Sky Were Paper"
After bestselling author Andrew Carroll found a riveting, heartfelt letter written by a distant cousin deployed as a pilot in World War II, he embarked on a trip to all fifty states and to more than thirty countries across the globe, including two active war zones, in search of more wartime correspondences. The letters and emails he found—by combat troops, medics, nurses, and chaplains, as well as family members on the home front and civilians caught in the crossfire of battle—came to represent to Carroll the “world’s great undiscovered literature.” They weren’t just about warfare, he realized, they were about the human condition itself—love and longing, courage and resilience, grief and hope, compassion and mercy, and, ultimately, reconciliation. Carroll’s journey, which is at times harrowing but also humorous, creates the narrative arc of the show. Already performed in high schools and colleges, community theaters, and major venues across the country, If All the Sky Were Paper is a play that is both timely and timeless.
A note on Costume Clarification and Character Representation:
As the directors, we want to clarify that the intention behind the costumes in our production was never to misrepresent or insult anyone, especially those with a military background. While we may not have adhered to exact historical or official military uniform standards, our goal was to focus on the essence of the characters rather than strict accuracy. We wanted to highlight their roles and experiences, portraying them with respect and authenticity, but without the constraints of perfect uniform details. We understand that military attire carries significant meaning, and it was never our intention to diminish that. Our primary objective was to honor the characters and their stories in a thoughtful, inclusive way, while acknowledging that we may not always get every detail right.
Out of respect for integrity and importance of Spotswood Rice, the African American character in our play, and in light of the fact that we currently do not have an African American actor available to portray the role, we have made the decision to have the character's lines read from backstage accompanied by an image projected on the screen. This approach aims to honor the role while being mindful of representation.
Randy Groen & Kevin Wassenaar