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Cast

Creative Team

ABOUT THE PRODUCTION

The videotaping or other video or audio recording of this production is strictly prohibited. Cell phones are to be put away during the performance.

* Denotes member of Actors’ Equity Association, the union of
  professional actors and stage managers in the United States.

The video testimonial clip used in The Drum Closet belongs to Muslim Public Affairs Council Foundation (MPAC), and is licensed under CC BY 4.0.

SPECIAL THANKS

The Morohunfola Family; Schaeffer Nelson; Ben Strain; Alex Valler; Chris Carter; BVHS Drumline; Nathan Wyman; Spencer Thompson; Sydney Cheek; Alice Combs; Gloria Wisby Goodwin; Kansas City Art Institute for original production designs by the Illustration Department’s student staffed agency, MICRO: The Drum Closet design by Lynn Hopkins.

The Coterie is proud to recognize funding from partners Richard J. Stern Foundation for the Arts – Commerce Bank, Trustee; The Sosland Foundation; and Spencer Fane for this production.

Additional financial assistance for The Coterie's season has been generously provided by Missouri Arts Council, Hallmark Corporate Foundation, The Shubert Foundation, Mark Edelman Theater Fund, Muriel McBrien Kauffman Family Foundation, Richard J. Stern Foundation, and Theater League.

The Coterie is a 501(c)3 nonprofit professional theatre, and a member of Theatre Communications Group (TCG) and Theatre for Young Audiences/USA: The US chapter of ASSITEJ, the International Association of Theatre for Children and Young People. The Drum Closet is a professional production employing members of Actors’ Equity Association, founded in 1913, representing more than 51,000 professional actors and stage managers in the U.S.

PLAYWRIGHT’S NOTE

Thoughts from Tosin Morohunfola, Playwright and Director

In life, we all hide in various closets. Some closets store secrets we are too ashamed to face - some hold identities we are taught can never be explored - and sometimes, we are stuck in a closet of our own self-denial. Other times, a closet can hold hidden histories that we don’t even know define us. No matter what our closets hide, we all have things about ourselves we don’t share with the world: a product of social conditioning. This story starts with drums kept in the closet… but there’s so much more inside. It’s full of secrets, fears, beliefs, values, harms, behaviors and deep desires.

I don’t think it’s bad to have a closet, but it is up to us to choose if we’ll live inside it or come out of it - because some closets keep you safe and some suppress your identity.

As one of the few Black students and even fewer immigrants at my Johnson County high school, I remember all too well how much my brothers and I were outsiders. That experience inspired me to share parts of my past and the closets we all stayed inside to fit in, to be safe, and to give ourselves time to observe the world around us.

In The Drum Closet, we explore an ensemble of high schoolers, each with their own closeted ambition, shame or motivation as they navigate stepping in and out of their own respective closets.While the play also explores obstacles of adolescence like attraction, friendship, bullying, harassment and the nature of musical competition, more than anything, it is a story about how young people find their identity and learn to be true to themselves.

The Drum Closet is also about family and honoring where you came from, especially as immigrants. It’s about the complicated ways in which your past—whether stored away or not –follows you and affects your life. It is about how one person’s shame can be another’s source of pride. It is about how your legacy pushes you forward into your future.

Ultimately, the play shows us that everyone lives in different circumstances, so your closet belongs to only you – and we all deserve to explore and display our identity on our own terms.

ABOUT THE COTERIE

The Coterie Theatre provides unique theatre experiences for families and young audiences. A not-for-profit professional theatre company, The Coterie is nationally recognized for its one-of-a-kind programming that features a year-round season of live plays and musicals on the company's mainstage. Since its founding in 1979 in Kansas City, Missouri, The Coterie has been at the forefront of commissioning new works or adaptations that contribute to the field of theatre for young audiences. More than 50 world or American premieres for all ages have been produced by The Coterie over the last 45 years, including hosting multiple major Broadway composers and lyricists to shape quality musicals for youth and families. The Coterie is interested in intergenerational conversation, and consistently includes teen programming in its season and outreach efforts.

The Coterie offers acting and theatre classes year-round for PreK-12th grades at multiple locations around Kansas City, including an extensive summer program of classes and performance camps. The Coterie’s community programming redefines traditional notions of work for young audiences with its unique dramatic youth writing programs (In-School Literacy Residencies and Young Playwrights Workshop), as well as two programs offered to students and schools free of charge, focusing on teen LGBTQ work (Project Pride) and preteen and teen mental health workshops (Project Daylight).

All these components serve on average over 75,000 young people and their families per year through over 350 performances. The Coterie's mission is to celebrate young people and engage diverse communities through professional theatre and education programs that foster creativity, confidence, and compassion. Donate at www.thecoterie.org.

2026 COTERIE BOARD OF DIRECTORS

Joe Bellinger • President
Kristina Thompson • Secretary
Theresa Stoker • Treasurer
Laura Antolak • Board Engagement Chair
Ali Saucier • Development Chair

Sara Anthony
Angela Bedell
LaTanya Franklin
Carlos Gonzalez
Katie Hall
Jennifer Ingraham
Michael Judy
Gabriela Lucas
Greg Oborny
Ashlee Parker-Osborne
Natalie Simms-Patton
Ashley Strohm

COTERIE ADMINISTRATIVE STAFF

MANAGING DIRECTOR • Jonathan Thomas
PRODUCING ARTISTIC DIRECTOR • Khalia Davis Philp
MARKETING & PUBLIC RELATIONS DIRECTOR • David Golston
DIRECTOR OF THEATRE SCHOOL • Allison Nissley
COMMUNITY PROGRAM MANAGER • Xinyue Zhang
TECHNICAL DIRECTOR • Derek Trautwein
BOX OFFICE MANAGER • Jason Coats
BOOKING COORDINATOR • Stephanie Laaker
BOX OFFICE ASSISTANT/MARKETING SPECIALIST • Tressa Lee
HOUSE MANAGERS & BOX OFFICE ASSISTANTS • Dorian Allen, Kali Coates, Ciera Loran, Ezra Martinez-Haskins, Kelsey McGee, Pam West

PRODUCTION SPONSOR

Meet the Company

Damarion Leonhart

Timi

Damarion Leonhart loved reenacting movies like "Shrek," "The Incredibles," and "Cars" as a kid. He started theatre his sophomore year of high school at the suggestion of his competitive speech teacher after he quit pursuing video game programming. His first show was CLUE and he's been in love with theatre ever since. While Damarian makes his Coterie mainstage debut in THE DRUM CLOSET, he was previously a part of The Coterie's Young Playwrights Roundtable from 2021-2022 and participated as an actor in the 2022 Young Playwrights Festival, memories he cherishes deeply. He also participated as an actor in The Coterie's Project Daylight in during the 2022/2023 Season. Damarion is beyond grateful to start his 2026 with such a personal show as THE DRUM CLOSET. He began his theatrical journey in 2019 with Sumner Academy's production of CLUE as Mr. Body. He has since played The White Rabbit in ALICE IN WONDERLAND with Alcott Arts Center, in the BLM ensemble in BLACK MAN, MO with Terr. Studios, and as the Steward in MURDER ON THE NILE with City Theatre of Independence. While attending Kansas City Kansas Community College he also performed as Reverend Chasuble in THE IMPORTANCE OF BEING EARNEST and as Bob Martindale in PERFECT ARRANGEMENT. Damarion has also assisted in the creation of several Kansas City Kansas Community College sets and performed in a number of original works by playwrights in the Kansas City area. Damarion would like to give the greatest of gratitude to Tosin Morohunfola for taking a chance on a "long retired" band student who still has a great love for rhythm and soul. Damarian is a graduate of Sumner Academy of Arts and Science and Kansas City Kansas Community College. Find out more about Damarian on Facebook @Damarion Leonhart and Instagram @slick.the.lionheart.

Parker VanMichael Jones

Kareem

Parker VanMichael Jones found theatre though the musical arts. He's been playing drums since he was only a year old and it's become a part of his life as something he especially loves doing. Parker is excited to make his Coterie debut in THE DRUM CLOSET. Originally from Topeka, KS, Parker received his education from Allen County Community College and The University of Kansas School of Music. He has been drumming for the Kansas City Chiefs Rumble for 3 years and played on floats in the Super Bowl parades. Parker also plays drums in churches all around Kansas on Sundays. He would like to dedicate this show to his mom and grandfather. Find Parker on Instagram @TheprkerJones.

Tobi Omodehinde

Fatimah

Tobi Omodehinde has always loved the art of storytelling as a magical way to connect with other people and bridge the gaps in the world. She got into theatre because whether you're on stage or behind it every person involved in a production is an integral puzzle piece. She also feels that as an actor, she gets the gift of living in the story in a very tangible and personal way with the audience and even though the core of the story being told never changes, every day on stage is a beautiful and exciting new experience. Tobi is a Nigerian-American actress and emerging writer based in Los Angeles, CA. Born and raised in Lagos, Nigeria, she moved to Lenexa, KS, at the age of 14. Her interest in acting peaked at the age of eight after she played the role of Young Mary in a Christmas play. She would go on to spend most of her days passionately reenacting scenes from every movie after watching them. Ever since, she has inhibited each role with emotional depth and clarity. Most recently, she starred as the lead in the short film "We Are Not Alone," which premiered at SXSW. Other notable works include "Below The Fold" and "They Wait in The Dark." Her theatre credits include a handful of original one act plays, including THE AMERICAN D.R.E.A.M., BEGINNINGS FROM AN END, ADOPTION OF GRIEF, and THE BABY DANCE. Tobi graduated from Kansas State University then studied acting at The Actor’s Training Studio in Kansas City and Identity School of Acting in Los Angeles. An actress proud to be a Nigerian Immigrant, Tobi loves to tell cross-cultural stories that are rooted in empathy and bring global awareness to our shared humanity. Find out more about Tobi on Facebook @Tobi Omodehinde and on Instagram @the.art.of.lola.

Ben Brewer

Matt

Ben Brewer was signed up for a summer production of GREASE with Ibsen Dance Theatre by his dad and aunt. A year later, he attended the Deaf West production of SPRING AWAKENING with his aunt and he instantly knew he had found his passion! Ben makes his Coterie mainstage debut in THE DRUM CLOSET but previously took summer classes with The Coterie when he was in high school, including playing King Arthur in MONTY PYTHON'S SPAMALOT directed by Rachel May Cain. He also served as a teaching artist and actor in The Coterie's Project Daylight. Ben earned a BA in Theatre Arts from University of Wisconsin-Parkside an AFA in Theatre from State Fair Community College, where he has also served as a visiting lecturer and guest director. Ben's television and film credits include playing Young Paul in "Holiday Touchdown: A Chiefs Love Story" for Hallmark & Skydance Sports. His professional theatre credits include playing Patsy in MONTY PYTHON'S SPAMALOT for Thin Air Theatre Company, Dipper Riley in ROCKY THE MUSICAL, in the ensemble of BILLY ELLIOT and the original musical, SUGARPLUM, with Music Theatre Kansas City Pro, and as Master Page in MERRY WIVES OF WINDSOR and Duke Frederick in AS YOU LIKE IT with MidAmerica Nazarene University's Summer Shakespeare production. Previously, he appeared as Melchior in SPRING AWAKENING, Oliver in AS YOU LIKE IT, Mendel in INDECENT, and Jaxton in THE THANKSGIVING PLAY with attending University of Wisconsin-Parkside. Ben's directing credits include THE GROWN UPS at State Fair Community College. Find Ben on Instagram @bencbrewer.

Gregory Williams

Steven

Gregory Williams fell in love with theatre when he was very young and saw a commercial on the Disney channel for THE LION KING on Broadway. Gregory makes his Coterie debut in THE DRUM CLOSET. As an actor and singer from Kansas City, MO, he routinely appears on stage and in front of the camera, appearing in commercials, film, and live theatrical productions. Live theatre highlights include playing LeFou in BEAUTY AND THE BEAST with Culture House, as well as appearing in PETER PAN AND WENDY with Kansas City Repertory Theatre, and TITANIC: THE MUSICAL and THE SECRET GARDEN with Barn Players. He also appearing in commercials Head and Shoulders and Google Fiber. When not on stage, Gregory gives psychic readings with tarot cards at various fairs and public events. He dedicates his performance in THE DRUM CLOSET to his mom and dad. Find Gregory on Facebook, Instagram, and TikTok @yesthisisgreg.

Lauren Daugherty

Amy

Lauren Daugherty has always loved performing. One of her first memories is when she was three years old and in a toddler tap class. For their recital they got to sing along to “Stepping Out with my Baby,” and Lauren belted her heart out! Now, her her passion for theatre comes from the storytelling aspect - she loves helping a world (either real or made up) come into existence, viewing it through a character’s eyes, and watching it affect the audience. It inspires empathy, and understanding, and connection. Lauren makes her Coterie debut in THE DRUM CLOSET. She previously appeared in the ensemble as as understudy for Minnie in HELLO, DOLLY! at The White Theatre at the J, as Fiona in SHREK THE MUSICAL with Leawood Stage Company, as Claire in THE SECRET GARDEN with The Barn Players, and as Jane Doe in RIDE THE CYCLONE with Emporia State University summer theatre program. Lauren earned her AA from Metropolitan Community College-Longview. Find Lauren on Facebook, Instagram, and Youtube @lolopop.249.

Jen Mays*

Counselor/Moderator/Teacher A

Jen Mays got her love of theatre from her parents! Her mom was a music teacher who directed choirs and marching bands, including a drum corps. Her dad taught computers at a college, but would act in plays with the theater department. Jen took dance lessons when she was really small, and then moved on to band, choir, and drama in school. It never felt like just a hobby to her, as she knew she wanted to be a part of theatre for the rest of her life! Jen performed in her first Coterie production 32 years ago, appearing in ANIMAL FAIR, as Rocky the flying squirrel in ROCKY AND BULLWINKLE, SEUSSICAL, and THE MIRACLE WORKER, among others. She is a graduate of Univeristy of Missouri-Kansas City. Other favorite Kansas City credits include DESIGNING WOMEN, CLYBOURNE PARK, and the one-woman show APPLICATION PENDING at Unicorn Theatre; CAROLINE, OR CHANGE with Spinning Tree Theatre; AUGUST: OSAGE COUNTY and GUYS & DOLLS with Kansas City Repertory Theatre; THE PLAY THAT GOES WRONG, RUMORS, DIXIE SWIM CLUB, ON GOLDEN POND, GYPSY, and MAMMA MIA! at New Theatre & Restaurant; and DIAL M, PICNIC, and ABOUT ALICE at Kansas City Actors Theatre. Jen is a proud member of Actors' Equity and SAG/AFTRA and thanks you for supporting local live theatre! Find our more about Jen at www.jenmays.com.

Sam Wright

Band Director/SRO/Teacher B

Sam Wright read MACBETH in middle school and loved it. He later auditioned for a production of TWO GENTLEMEN OF VERONA and got a part. He knew then that he was hooked! Sam is thrilled to return to The Coterie where he made his professional theatre debut twenty years ago, appearing in SACAGAWEA/ EVERYDAY HEROES, THE STINKY CHEESE MAN & OTHER FAIRLY STUPID TALES, among others. Sam earned a BFA in Theatre Arts from Emporia State University and has appeared on almost every stage in Kansas City, including Unicorn Theatre, Kansas City Repertory Theatre, Music Theater Heritage, New Theatre & Restaurant, The Living Room Theatre, Kansas City Actors Theatre, Heart of America Shakespeare Festival, and even with the Kansas City Symphony. As a playwright, Sam has written and produced the zombie rock opera SLAUGHTERHOUSE OPERA, the award-winning one-man show CRAZY HORSE: A DREAM OF THUNDER, and the #1 Edinburgh Fringe winner and Off-Broadway folk musical PREJUDICE & PRIDE. Sam also teaches introductory acting classes at Kansas City Young Audiences and plays banjo with local folk band Gullywasher. Sam sends his deepest gratitude to his incredibly supportive wife, Danielle. For more info on Sam visit www.samwrites.org or find him on Facebook and Instagram.

Tosin Morohunfola

Playwright/Director

Tosin Morohunfola is an actor, writer, director and son of Nigerian immigrants, who you may recognize from his magnetic charm as a regular on “Run The World” (STARZ) or from his brooding intensity alongside David Oyelowo in the Taylor Sheridan western “Lawmen: Bass Reeves” (Paramount+). He also recurred as a dreamy romantic on the series “Julia” (HBO Max), a hilarious F-boy on ABC’s “Everything’s Trash” (Freeform), a teleporting supervillain on “Black Lightning” (CW), and a terrifying gang lord from “The Chi” (Showtime). Previous TV credits include an ark on “Love Is” (OWN) and guest appearances in “Stumptown” (ABC), NCIS (CBS), “I’m Sorry” (TruTV), and recurring as a doctor on “Chicago Med” (NBC). On film, he stars in Amazon’s “Blackbox”, BET’s romantic comedy “Always A Bridesmaid”, the erotic thriller, “Friend Request” and the bro-mantic comedy, “North of the 10”. He was also in Oscar-winner Kevin Willmott’s “The 24th”, nominated for a NAACP Image award. Currently, he costars in the action-heist film, “1992” (Lionsgate) with Ray Liotta. Up next, he’ll lead Tyler Perry’s heart-warming romantic drama “Finding Joy” (Amazon). Tosin is also a filmmaker whose festival-selected shorts include “The Pulpit: Prelude,” “Endowed, ” and “On Sight.” He is currently producing “Famous Enough”, a dark comedy about the dangers of celebrity. He has also written two series’ about his Nigerian heritage: “Single A.F.” and “Small Chops.” Tosin grew up in Leawood, KS, and attended Blue Valley High School. He earned his theatre degree at the University of Kansas, where his proudest accomplishment was founding the “Multicultural Theatre Initiative.” He began his career in Kansas City regional theatre; appearing at the Kansas City Repertory Theatre, Unicorn Theatre, Heart of America Shakespeare Festival, and his artistic home, The Coterie, where he was Resident Artist for two years and appeared in THE OUTSIDERS; THE WIZ; SHREK THE MUSICAL; and BUD, NOT BUDDY; among many others. His TYA play, “The Drum Closet” was commissioned by The Coterie and premieres in January 2026. After moving to Chicago, he performed stage roles at the Goodman, Lookingglass, Northlight, Court Theatres and Creede Repertory Theatre. He notably won the “Best Supporting Actor” award from the Black Theatre Alliance for his performance in Victory Gardens Theatres’ THE GOSPEL OF LOVINGKINDNESS.

Caroline Vuchetich

Associate Director

Caroline Vuchetich is an actor, director, producer, and teacher. She first fell in love with storytelling in her childhood at the Lincoln Community Playhouse. Her family moved to Kansas City, where as a teenager she performed with Theatre for Young America, then onward to Nebraska Wesleyan University, where she earned her BFA. A transformative chapter abroad took her to Paris, where she studied with Sei Shiomi and performed with a bilingual theatre company, including starring roles in REFUGE and OLD SAYBROOK. She later earned her MFA in Acting and Directing from the University of Missouri–Kansas City. Her theatrical career includes favorite roles as Armand in THE LEARNED LADIES, Mairead in THE LIEUTENANT OF INISHMORE, and the world premiere of FREEDOM RIDER, developed with Ricardo Khan. On screen, she portrayed a grieving daughter in the short film "Marbles," which won Best Film at several festivals across the nation. In Los Angeles, she worked with Julie Bowen’s production company, Bowen & Sons, as part of a small creative team developing multiple television projects. A passionate educator, she frequently teaches as a guest artist in summer camps and universities, especially at her beloved alma mater, Nebraska Wesleyan. She currently lives in Los Angeles and is joyfully embracing life as a new mother of twins.

Gary Mosby

Scenic Designer

Gary Mosby's family was involved in a community singing group and that evolved into his love of theatre. A talented scenic designer, Gary has spent many years working alongside an impressive range of creative minds. He's also a dedicated educator, having made significant contributions at Unicorn Theatre, including recent designs for DESIGNING WOMEN and FAT HAM, which was directed by Tosin Morohunfola. With experience in most local theatres, he’s truly excited to work on this play with such talented artists at The Coterie. He previously worked on The Coterie's MOST VALUABLE PLAYER over twenty years ago as well as a more recent happy collaboration with The Coterie and Kansas City Kansas Community College. Starting this June, as he transitions into retirement from full-time teaching, Gary will enthusiastically pursue freelance design full-time. To find out more about Gary, visit www.gmosby.com.

Bradley Meyer

Properties Designer

Daniel Warneke

Sound Designer

Daniel Warneke's high school theatre department needed someone to figure out how to run the sound equipment, so he stepped in. He loved the feeling of being in an empty theatre with all the equipment and feeling the creative potential! Daniel returns to The Coterie after serving as resident sound designer for the 2012/2013 Season, including productions of ONCE UPON A MATTRESS, SPRING AWAKENING, SLASHDANCE!, and the TYA world premiere of SHREK THE MUSICAL, which featured Tosin Morohunfola in the cast. In fact, Daniel and Tosin have worked together on many theatre and film projects over the years, so Daniel is especially honored to help bring Tosin's deeply personal story to life with THE DRUM CLOSET. Daniel previously served as lead audio engineer for the New Theatre & Restaurant from 2015-2020 and is currently working as the Director of Production for Country Club Christian Church, where he manages the tech team and video production. Daniel earned his MFA in Sound Design and Studio Recording from University of Missouri-Kansas City.

Zan de Spelder

Lighting Designer

Zan de Spelder was first introduced to the world of theatre at the age of five helping her mother with quick changes backstage during a production of CINDERELLA. She knew from that moment that she loved the magic of storytelling. Zan returns to The Coterie after having worked as lighting designer on CINDERELLA: A SALSA FAIRY TALE, FINDING NEMO TYA, the world premiere of ONLY ONE DAY A YEAR, and THE WHITE ROSE: WE DEFIED HITLER, associate lighting designer for ELECTRIC POE (2023) and TELL-TALE ELECTRIC POE, and assistant lighting designer for ELEPHANT & PIGGIE'S "WE ARE IN A PLAY!" and SECRET SOLDIERS: HEROINES IN DISGUISE. Recent work includes resident lighting designer for Padgett Productions since 2021, resident lighting designer for Pittsburgh New Music Ensemble since 2022, resident lighting designer for Miller Marley School of Dance & Voice since December 2024, lighting designer for THE UNEXPECTED with Tristian Griffin Dance Company, DIAL M FOR MURDER with Kansas City Actors Theatre, and project lead on Kemper Horizon Theater upgrade at the WWI Museum and Memorial. Zan has a MFA in Design with the University of Missouri-Kansas City. For more designs visit www.zandespelder.com.

Matt Snellgrove

Costume Designer

Matt Snellgrove took a chance at a theatre appreciation course in college and fell in love with the process of costume design immediately! Matt is a freelance costume designer and visual artist based out of Kansas City. THE DRUM CLOSET is his first production for The Coterie. Matt's recent design credits include A STREETCAR NAMED DESIRE and SPRING AWAKENING for Flint Repertory Theatre in Michigan, SCHOOLHOUSE ROCK LIVE! for Kansas City Kansas Community College, UNCLE VANYA and DIAL M FOR MURDER or Kansas City Actors Theatre, RAGTIME for Hangar Theatre Company in New York, and COPENHAGEN for Burning Coal Theatre in North Carolina. Matt has a MFA in costume design and technology from the University of Missouri-Kansas City Conservatory and a BFA in theatre design and technology from the University of Southern Mississippi. He resides in Kansas City with his husband Trey and cat Miss Bernina. Find out more about Matt as www.mattsnellgrove.com.

Selby Marksbury

Video Designer

Selby Marksbury was introduced to theatre at a young age by their grandparents. They have always been a visual artist, and were lucky enough to be presented with the opportunity to use their art to help bring stories to life. Selby is a visual artist and projection and video designer based in Kansas City. Their recent design credits include serving as digital artist on MAXINE’S CHRISTMAS CAROL with Padgett Productions, projections designer on SHE KILLS MONSTERS with University of Central Missouri, and as assistant lighting designer on CHRISTMAS AIN’T A DRAG with The Black Box and BEAUTY AND THE BEAST with Kansas City Ballet. When not behind the tech table, you can find Selby painting or hanging out with their wife and five cats!

Mackenzie Goodwin Tran*

Production Stage Manager

Mackenzie Goodwin met the theatre through her parents, and she doesn’t remember a time when she wasn’t constantly participating in or going to theatrical productions– including at The Coterie! Her mom is a theatre actor, director, and educator. Her dad was an acrobat and a lighting and sound technician. Mackenzie returns to The Coterie after having worked on numerous productions, including serving as production stage manager for ELECTRIC POE (2025), A YEAR WITH FROG AND TOAD (2025), CINDERELLA: A SALSA FAIRY TALE, the world premiere of JUST ASK!, FINDING NEMO TYA, the world premiere of HORSE POWER: TOM BASS' AMERICAN STORY, ROALD DAHL'S CHARLIE AND THE CHOCOLATE FACTORY, NAKED MOLE RAT GETS DRESSED: THE ROCK EXPERIENCE, THE LIGHTNING THIEF: THE PERCY JACKSON MUSICAL, ELECTRIC POE, ALICE'S WONDERLAND, PETE THE CAT, THE SPONGEBOB MUSICAL FOR YOUNG AUDIENCES, and as a production assistant and an actor in DR. SEUSS' THE CAT IN THE HAT. Other recent credits include associate director on A CHRISTMAS CAROL for Kansas City Repertory Theatre (2022, 2023, 2024); director of THE BUTCHER’S SON (Chicago Musical Theatre Festival, Winner: Most Promising New Musical), swing stage manager on NEWSIES, ELVIS: ALOHA FROM VEGAS, DREAMGIRLS, and MILLION DOLLAR QUARTET for New Theatre & Restaurant; stage manager for workshops of NINA SIMONE: 4 WOMEN and 4 DIRECTIONS at Kansas City Repertory Theatre; production stage manager on THE PRICE and DOT for Kansas City Actors Theatre; SHOWS FOR DAYS for Fishtank Theatre; production assistant for MY NAME IS ASHER LEV, BLACKTOP SKY and DISTRACTED at Unicorn Theatre; and TITUS ANDRONICUS and MASTER OF THE UNIVERSE for The Living Room Theatre; lead ASM and youth coordinator at Kansas City Ballet; and safety coordinator at KC Rep. Mackenzie is the co-producing artistic director for Brother Octopus Productions at The Black Box (formerly Stuffed Buffalo Productions), former producing artistic director of Westport Center for the Arts, an intimacy director, a voice over actor, and a member of Actors' Equity Association and Stage Managers’ Association. She won a fellowship at the O’Neill Center through the Eugene O’Neill Critics’ Competition (KCACTF) and was a founding member of Omaha’s Ætherplough company as well as a member of Lincoln Center Theater Directors Lab (2015/16) & Chicago Directors Lab (2018/19). She studied theatre, dance, & Latin American literature at Kansas State University. “Theatre for young audiences is the last true bastion of the avant garde.” For more about Mackenzie visit www.goodwincalling.com.

Derek Trautwein

Technical Director

Derek Trautwein is a Kansas City theatre artist with a wide berth of professional and educational experience. Derek recently made his Coterie directing debut with the world premiere production of the Theatre for Young Audiences version of ELF - THE MUSICAL. He has served as technical director on The Coterie's A WRINKLE IN TIME, CINDERELLA: A SALSA FAIRY TALE, JUST ASK!, FINDING NEMO T.Y.A., ELECTRIC POE (2024 & 2025), the world premiere of HORSE POWER: TOM BASS' AMERICAN STORY, Roald Dahl's CHARLIE AND THE CHOCOLATE FACTORY, NAKED MOLE RAT GETS DRESSED: THE ROCK EXPERIENCE, and RUDOLPH THE RED-NOSED REINDEER: THE MUSICAL (2023). After graduating from Northwest Missouri State University in 2009 with a Bachelor’s Degree in Theatre Performance, Derek received his Master of Arts Degree in Theatre History in 2012 from the University of Central Missouri (UCM). During his time at UCM, Derek began his journey as a carpenter and Technical Director to accompany his endeavors in acting, directing, and playwriting. From 2013 to 2023, Derek served as faculty amongst the Department of Theatre and Dance at Benedictine College in Atchison, KS. Initially hired as the Technical Director, as he oversaw all sound, light, and scenic elements, Derek was promoted to Assistant Professor and Department Chair in 2021. Derek’s final directing spotlight at Benedictine, THE MOUSETRAP by Agatha Christie, received a Meritorious Achievement Award for Play Direction from the Kennedy Center American College Theatre Festival in 2023. Around Kansas City, Derek has worked with the Kansas City Repertory Theatre, Kansas City Public Theatre, KC MeltingPot Theatre, Relevance Productions, Card Table Theatre, and Stuffed Buffalo Productions. Since 2012, Derek has been an active participant in the Kansas City Fringe Festival, producing over a dozen pieces of original works written by other artists as well as his own, including DECEIT, which earned Derek the inaugural Mark Edelman Best New Play Award in 2019. Derek’s original plays have also been featured multiple times each for Kansas City Public Theatre, Olathe Civic Theatre, and the Kansas City Horror Play Festival. Lately, Derek has been bouncing around multiple spaces in the Kansas City theatre community including performing on stage in THIS RANDOM WORLD: THE MYTH OF SERENDIPITY at Just Off Broadway Theatre and ELF - THE MUSICAL with Padgett Productions as well as serving as technical director of NATASHA, PIERRE & THE GREAT COMET OF 1812 at The Black Box and THE SHOOTER produced by Trish Mitchell at Just Off Broadway Theatre. Moving forward, Derek seeks to create on his own terms while aiding artists of all kind to find their voices and venues.

Dorian Allen

Associate Technical Director

Dorian Allen got started in live music before eventually migrating to working in theatre. Dorian has served on The Coterie's technical team for over a year, including as techincal director on the world premiere of ELF - THE MUSICAL TYA. He has also spent time stage managing and performing at theatres around Kansas City. Dorian's other recent credits include playing guitar in FUN HOME with Olathe Civic Theatre Association and in BEAUTIFUL with The Barn Players; assistant stage managing NATASHA, PIERRE, AND THE GREAT COMET OF 1812 with Fishtank Theatre, and stage managing The Living Room Theatre's No Sleep November festival. When not on a ladder or covered in paint you can find Dorian serving drinks at The Black Box or seeing shows at local dives. He would like to thank his family, his dog, and Heidi Van for their continued support.

Bethany 'Bee' Gradwohl

Assistant Stage Manager/Deck Manager

Bee Gradwohl is a technical theatre artist who grew up in the industry as a dancer. A native of eastern Pennsylvania, Bee and their siblings performed in many shows while their mom volunteered backstage to support them. In 2020, Bee graduated from the University of Missouri-Kansas City with a degree in Dance Performance and Choreography but decided to change careers and work in technical theatre. They have been working professionally in the Kansas City area as a stage manager, electrician, PA, spotlight operator, and other titles for many years. They also have experience working in theme parks and for live production events companies. Bee returns to The Coterie after previously serving as stage manager on A WRINKLE IN TIME earlier this season, assistant stage manager/deck manager on A YEAR WITH FROG AND TOAD, CINDERELLA: A SALSA FAIRY TALE, and CHARLIE AND THE CHOCOLATE FACTORY, as stage manager and lighting designer on The Coterie's performance at the National WWI Museum and Memorial for Winnie the Pooh Day 2025, and as stage manager on ELECTRIC POE (2024). Other recent credits include JERSEY BOYS, NEWSIES and ELVIS: ALOHA FROM VEGAS at New Theatre & Restaurant, A CHRISTMAS CAROL and LITTLE SHOP OF HORRORS at Kansas City Repertory Theatre, LITTLE WOMEN at Music Theater Heritage, and PETER PAN and THE NUTCRACKER at Kansas City Ballet. Bee is excited to return for their first mainstage production as the stage manager to bring the magic of live theatre to young audiences! They would also like to thank their family for the endless support in helping them get to where they are today.

August Rowse

Master Electrician

Zoe M. Spengler

Electrician

Daisy Melton

Sound Supervisor

Bethany Elliot

Scenic Charge Artist

Jonathan Thomas

Coterie Managing Director

Jonathan Thomas serves as Managing Director of The Coterie Theatre, having stepped into his role managing operations after the tragic loss of Executive Director Joette Pelster. He co-leads the organization with the Producing Artistic Director Khalia Davis, working to bring The Coterie’s innovative performances and programs to the Kansas City region. Jonathan began his path as a professional opera and musical theatre performer out of college, working locally with many area performing arts organizations including the Kansas City Symphony, Kansas City Chorale, Simon Carrington Chamber Singers, Lyric Opera of Kansas City, and New Theatre & Restaurant. After seven years building a successful insurance and financial advising agency, he moved to San Francisco to follow his passion in arts administration. Before returning to Kansas City in 2018, he served as the development manager for The Walden School for three years, where he oversaw organizational fundraising strategies and expanded alumni relations. At ArtsKC, he served as Senior Development Manager, which greatly expanded his knowledge of the Kansas City arts sector. Prior to joining The Coterie, Jonathan served as the Senior Manager for Individual Giving and Partnerships at Lyric Opera of Kansas City, combining his love for the performing arts with his passion for leadership and fund development. Jonathan received a Bachelor of Music in Vocal Performance from the University of Kansas. He continues his commitment to educating and advocating for the arts by serving on the Kansas City Chorale Board, the Johnson County Park and Recreation Artist Selection Committee, and by chairing the Theatre in the Park Advisory Council. He is a frequent guest speaker about the economic impact of the arts in Kansas City, appearing at the NAAAP Leadership Conference, Arts Day for Centurions, and at the Northeast Kansas City Chamber of Commerce. Jonathan is married to Gail Nakano and is a father to Sofia, a senior at Cornell University, Tristan, a senior in high school, and Cassia and Koda, two littles who haven’t decided on college plans to date.

Khalia Davis Philp

Coterie Producing Artistic Director

Khalia Davis was eleven years old when she was cast in her first role in an original play at a theatre summer camp. At the top of the show, when she said her first line, the audience actually laughed and she knew she was hooked! For Khalia, that is the magic and beauty of live theatre: that special exchange you share with the audience, knowing that your art is the reason they are transported for a short time to new worlds, learning, and experiencing new stories. Khalia co-leads The Coterie with the managing director to bring the organization’s innovative performances and programs to the Kansas City region. She previously directed The Coterie's production of FINDING NEMO TYA. Khalia is a multidisciplinary artist and arts leader who most recently served as the Assistant Director for the Broadway-bound world premiere, THE HIPPEST TRIP: THE SOUL TRAIN MUSICAL. As the former Artistic Director of Bay Area Children’s Theatre (BACT), she led the world premieres of A KIDS PLAY ABOUT RACISM, which brought together over 40 theater producing partners, including The Coterie, and was viewed on Broadway on Demand nearly 80,000 times during its limited run then became a free resource for educators and their students; and THE IMAGINARIES: AN IMMERSIVE MUSICAL, an original new work that transformed their theater into an accessible playground created by the newly-formed BACT Writer’s Room, which was created as a direct response to the lack of opportunities for BIPOC playwrights and composers specializing in TYA projects. During the COVID pandemic when theaters were closed in the Bay Area, Khalia worked in partnership with former Executive Director of BACT, Nina Meehan, to conceive and produce various forms of theatrical digital and audio content for young audiences that activated their creativity and imaginative play, showcasing the potential for future digital and theatrical collaborations in TYA programming. Khalia directed and devised other new works like the award-nominated world premiere, SHE PERSISTED, THE MUSICAL, based on the popular children’s book by Chelsea Clinton; the Off-Broadway world premiere of an original adaptation of Maya Angelou’s I KNOW WHY THE CAGED BIRD SINGS with New York City Children’s Theater; and the world premiere ARTHUR AND FRIENDS MAKE A MUSICAL! based on “Arthur,” the longest-running animated series on PBS with First Stage. Other prominent theaters include: A.C.T., Atlantic Theater Company’s Atlantic for Kids, New York City Children’s Theater, Disney Theatrical Group, Spellbound Theatre, and more. As a producer, Khalia has helped organizations reach hundreds of thousands of young people through interactive “edu-tainment” with the nationally known STORY PIRATES, generated new digital pre-school content with Spellbound at Home, and produced children’s media with her personal company, Kids at Heart Productions. Before assuming her role as Artistic Director of Bay Area Children’s Theater in 2020, Khalia served as the Director of Inclusion and Education with Brooklyn Children’s Theatre restructuring their children’s musical theatre programming through an anti-racism lens. Khalia is a proud board member for TYA/USA, Spellbound Theatre, and The Story Pirates. Awards include: 2019 Emerging Leader Fellowship-TYA/USA, 2019 NYCCT Leader Fellowship, and 2021 Corey Medallion Award-Children’s Theatre Foundation of America. Khalia has a BA in Theater Arts from the University of Southern California. To find out more, visit www.khaliadavis.com.

Donors

The Coterie wishes to express its deepest appreciation to the many corporations, foundations, agencies, and individuals that so generously support The Coterie.

The following list celebrates gifts received September 1, 2024, and September 15, 2025.

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