The Trial of Ebenezer Scrooge |
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By Mark Brown |
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Produced by Cassandra Morris |
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Directed by Paul Morris |
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Produced by special arrangement with Originally produced by the Orlando-UCF Shakespeare Festival, |
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The Port Tobacco Players are supported by grants from the Charles County Arts Alliance, the Maryland State Arts Council, an agency dedicated to cultivating a vibrant cultural community where the arts thrive, and by the Charles County Charitable Trust. |
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ABOUT THE PORT TOBACCO PLAYERS
“The Port Tobacco Players is an all-volunteer organization that puts the performing arts within reach of our community by offering quality productions that are entertaining, educational and though provoking. We train, invest in and support the next generation of theatre artists.”
It was in the days following the Second World War, when a weary America turned its eyes toward rebuilding, that the residents of the small but history-laden town of Port Tobacco looked across their town square at the burned rubble of their once-proud courthouse and decided to rebuild. During the winter of 1947, in the drawing room of Stagg Hall, a plan was conceived to raise money to aid the Port Tobacco Restoration Society in returning their town to its former glory. This group of artists, from Port Tobacco and nearby La Plata, set out to bring to the stage entertainment that would earn enough profit to continue their endeavor and provide for their cause. They spent the next twenty years performing in high school auditoriums, court rooms, village green... where anyone who wanted to see a play could do so. Their efforts paid off and the courthouse was restored.
In 1974 they found a new home—an old 1940’s movie theater owned by a local pharmacist was the ideal spot for a new beginning. They evolved into what they are known as today, a cultural staple in Charles County’s historic landscape. In 2002 another page turned in history when they raised the money to purchase and renovate their home. Returning to their roots, they performed on the road for two years before returning to 508 Charles Street in 2005. And in 2010, their home expanded to include a much needed rehearsal hall and space to store and construct costumes in-house.
Today the Port Tobacco Players perform six shows on their main stage and countless road productions with various ENCORE touring companies. The Port Tobacco Players are dedicated to continuing the tradition of providing quality theater to the citizens of Southern Maryland.
Board of Directors
President - Mike Gahan
Vice President/Productions - Benjamin Simpson
Treasurer/Historian/Library - Craig Hower
Secretary/Membership - Carol Russell
Facilities - Michael Beryle, Jr.
Education - Heather Bauer
Costumes - Janice Sagers
Public Affairs - Stacey Swickert
Properties - Kaitelyn Bauer Dieguez
Port Tobacco Players is proud to be a charter member of the Washington Area Theatre Community Honors. www.washingtontheater.org
Director's Note
Charles Dickens’s A Christmas Carol is woven deep into our collective
consciousness, like a song we’ve always known.
The story’s characters are like figures depicted on ancient Greek pottery — heroes and gods instantly recognized by the Greeks of the time, whether by the way a warrior held a sword or a goddess’s iconic helmet. Tiny Tim’s small crutch, the eerie spirits, Marley’s chains, the chill of Scrooge’s office — all depicted slightly differently in each production, but instantly
recognizable to us all.
The Trial of Ebenezer Scrooge takes those iconic images and characters and turns them on their heads. In fact, it puts Dickens’s entire concept of “the Christmas spirit” under the microscope, forcing us to reexamine Scrooge and his “bah humbug” ways. It forces us to ask, “What if it wasn’t Scrooge who needed changing — but the Christmas Spirits themselves?”
When conceptualizing the design of our set, I wanted to put the actors right in your face, as downstage as I could get away with. Victorian theatre was known to be melodramatic and even interactive at times, so I needed to pull the audience into the courtroom so you could feel the intensity of the moment. You are, after all, a part of this trial!
In our work to bring this play to life, the cast and I have had a lot of fun. We’ve shared laughter, silly moments, and the joy that can only be found through hard work. We hope our production not only makes you laugh, but makes you think as well.
I feel privileged to be part of a long line of storytellers who have embraced this public domain masterpiece and striven to infuse it with new life and spirit. And now you’re here, reading this note. As much a part of that story as I am.
Thank you for sharing this experience with me as we happen to be alive on Earth together at the same time adding to the shared dream.
Oh, and Merry Christmas!
- Paul Morris
Cast
Production Crew
Producer - Cassandra Morris
Director - Paul Morris
Stage Manager - Grace Hanson
Assistant Stage Manager - Dale Burnham
Set Design - Chris Magee
Set Construction - Scott Hanson, Chris Magee
Paint Design - Lisa Magee
Set Painters - Mary DeMarco-Logue, Jordyn Shymansky
Lighting Design - Tommy Scott King-Taft
Properties & Set Decoration Design - Kathy Mead
Costume Design - Quentin Nash Sagers
Costume Crew - Erica Borgers, Janice Nash Sagers
Hair & Make Up Design - Kaitelyn Bauer-Dieguez
Hair & Make Up Crew - Foster Apple
Program Design - Jason Klonkowski & Isabel Jefferson
Photography - Eric Vorm of Tiny Owl Studios
Headshots - Eric Vorm of Tiny Owl Studios
SPECIAL THANKS
Craig Hower, PTP Board of Directors, PTP Publicity,
House Managers, the volunteer box office staff and ushers,
and all who pitched in after the program went to print!