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Director's Note
The first time I was involved in a production of this show was my senior year of undergrad. I was the assistant director to someone who was really quite brilliant and had such a clear vision of the show, which did include a lesbian Lysander/Hermia. While I was deeply grateful for that experience, I came out of it feeling like that version of the show that I was involved in didn't really tap into the queer potentials of the text. For me, what makes this show queer isn’t the “forbidden love” aspect. Rather, it’s this idea that there is a world outside of the one we know that’s full of these magical creatures, who have their own issues, but ultimately are living a life free from the expectations of what it means to live in the human world.
As a result, I conceptualized a version of this show where the lovers were queer. I wanted the fairies to be drag inspired and perform lip sync numbers. I sat on this version of A Midsummer Night’s Dream for about two and a half years now. What you’re about to see is the result of that rumination. While there are moments of deep emotional turmoil, I hope you also invest in the joy woven throughout the show. Moments of queer joy that I find to be deeply radical in a moment where queer joy is being threatened. We can find empathy for the times where these characters experience extreme despair. However, I hope that you buy into the idea that joy can be just as radical as anger. Thank you for coming. Your presence makes me deeply grateful.
-Joss Gurkse-Carlisle (they/them)
Cockroach Theatre
Welcome!
In case you weren’t already aware, you are currently sitting at the first production of a brand-new theatre company. Congratulations! You are participating in what will either be a significant moment in the history of the performing arts, or an insignificant one. Both are equally beautiful.
Cockroach Theatre has been founded with dedication to the marginal, weird, experimental, apocalyptic, grotesque, and queer. It is a theatre that celebrates having no money, with hopes that maybe by cutting every other cost imaginable, we can actually pay performers for their time and talent. We use this “broke as hell” aesthetic to keep focus on innovative storytelling and intimate performance, creating productions that pop up easily and without warning, just like our namesake. In the spirit of the cockroach, we want to create theatre that can be performed in a bombed-out building because after the world ends, we will be sitting in the ruins of society with the cockroaches, and we will still be telling stories.
This company is still very new and actively developing. Please do follow us on Instagram or sign up for our mailing list to keep up with future projects as we conceive of and execute on them.
Speaking of…
This fall, we will be producing a “buglesque” fundraiser to raise money both to grow our insect-sized company and to donate toward pollinator conservation, so keep an eye out for that if you’d like to watch or participate! More details to come soon!
In gratitude,
Eric Craft (he/him)
Artistic Director and Founder
Cast
Creative Team
Joss Gurske-Carlisle
Eric Craft
Miranda Lucero
Natalie Peavy
Sage Simpson
Meet the Company
Miranda Lucero
Ian Dougherty
Joss Gurske-Carlisle
Lily Menice
Hawkins Davis Gardow
Cassian Weems
Eric Craft
Emit Brown
Giovanni Baca
Joshua Hobbs
Michael Hernandez
Chris Fuchs
Joss Gurske-Carlisle
Eric Craft
Miranda Lucero
Natalie Peavy
Natalie Peavy is an independent artist based in Albuquerque, New Mexico, whose practice incorporates scenic art, props, lighting design, film photography, mixed-media painting, and landscape design. Raised in the world of technical theater, she creates work centered on spaces that encourage connection, storytelling, and a shared sense of place. Natalie is completing her Master of Landscape Architecture at the University of New Mexico, where her graduate research explores the restoration of industrial landscapes through performance and mixed-media film photography. Her work investigates how landscape architecture can transform abandoned industrial sites into spaces for artistic expression, community gathering, and cultural renewal. Alongside her academic work, Natalie works professionally in technical theater and community planning. Bringing together fine art, performance, and environmental design into a practice rooted in collaboration and community. She also spends a lot of time camping with her partner and dog :)
Sage Simpson
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