|
Much Ado About Nothing by William Shakespeare |
||||
|
|
||||
|
Costume Director Kari Armstrong
Assistant Director Alaina Hendricks |
Producer & Production Coach Avery Rudman
Student Technical Director Gwyneth Parker |
Technical Director Savannah Jackson
Stage Manager Emily Hertzog |
||
|
Set, Lighting, & Sound Design by Joel Smith Masquerade Choreography by Sierra LaRue Poster art by Brodie Eppler |
||||
Cast
Creative Team
Emily Hertzog
Alaina Hendricks
Gwyneth Parker
Marlow Walker
Masen Odell
Leyton Dellenmonache
Mikhail Abramowitz
Rory Chandler
Juni Lensick
Maisie Rhoda
Wrenna Orion
Reagan McIver
AJ Johnson
MJ Scott-Donegan
Z Poor
Nola Jane Renken
Sara Ogden
Colby Dorsey
Chloe Shaddeau
Annalee Keller
Langston Ziegler
Orissia Cruz
Birdie Fry
Delia Pena
Acacia White
Dahlila Hayes
David Harris
Aspen Rust
Birdie Croak
Natalie Thinnes
Ella Vollmer
Mira Reilmann
Meet the Company
Lexi Francel
Aurelia Zweygardt
Jon Quass
Lennon I. Shipton
Calen Clapp
Chantal Bouveron
Emmie Jackson
Josh Vanden Hock
Ethan Boggs
Avery Hicks
Vick Levick
Sky Smith
Bella Gammage
JJ Richardson
Hailey Giroir
Emily Hertzog
Alaina Hendricks
Gwyneth Parker
Marlow Walker
Masen Odell
Leyton Dellenmonache
Mikhail Abramowitz
Rory Chandler
Juni Lensick
Maisie Rhoda
Wrenna Orion
Reagan McIver
AJ Johnson
MJ Scott-Donegan
Z Poor
Nola Jane Renken
Sara Ogden
Colby Dorsey
Chloe Shaddeau
Annalee Keller
Langston Ziegler
Orissia Cruz
Birdie Fry
Delia Pena
Acacia White
Dahlila Hayes
David Harris
Aspen Rust
Birdie Croak
Natalie Thinnes
Ella Vollmer
Mira Reilmann
Costumer Snippets
Costume Snippets
Every two years PHS Theatre presents a Shakespeare play. Shakespeare stories are relevant through many different time periods. The 1940’s is popular. Modern day, or somewhere into the future are options, so most anything goes!
Originally we thought about setting our show in the 1500’s—the very time period the play was written. That might be novel in light of so many alternative concepts, right?
But men in tights? Short and silly balloon pants? Stiff, trussed up women’s gowns? Ack.
So with continuing research, we looked into different centuries and how we might visually present the show.
We tried…we really did. But we just weren’t inspired (this time around) by any actual place and era.
So costumes for this production are kind of…historically adjacent?
Timeless, maybe?
We have been looking forward to a big sew-it-from-scratch show. We explored our luscious stockpile of draperies, tablecloths, and upholstery fabrics, and found a beautiful palette to suit our characters.
And then we just kind of made things up.
With only a few exceptions, the costumes for this show were cut, draped and built entirely by this extraordinary costume crew.
I thank you amazing young people for going above and beyond all expectations during this impossibly busy time of year! Thank you for putting hours of love and care into the costumes during your lunches, free class times, weekends, and sometimes (too far) into the evenings. The complete chaos in the costume shop right now reflects the creativity and flurry of the past weeks!
A note of interest: several pieces on stage are reversible—such as some of the women’s outfits.
And if you look closely you may see that the watchmen’s costumes convert into maid costumes as capes become skirts and tunics drop down into to aprons.
Such wonderful work! And even now the fabulous chameleon costume crew is still working hard backstage, as they help with hair, make up and whirl through those fast changes. Amazing!
Thank you to Chantal Bouveron for being our wonderful guest teacher player!
Thank you to our outstanding and committed costume crew and to our dedicated student TED’s.
Thank you Savannah and the technical crew for the very pretty set!
Avery, your encouragement, insight and overall loveliness is always appreciated.
Lindsay Shipton, how wonderful to have you on board for teaching hair and makeup workshops!
And Joel, I just shake my head in amazement for all you do in the midst of huge challenges. Thank you as always for just everything.
Lastly, thank you to my dear husband and family for your patience and encouragement as I disappear into theatrical endeavors for weeks at a time.
Enjoy the show!
Wish List
Silk flowers
Telescoping magnet pick up tool
Plastic storage bins all sizes
Art paint brushes, craft supplies, acrylic craft paints
Rit Fabric Dyes (powder & liquid, regular and synthetic)
Old Sheets/muslin
Black sharpie markers all sizes
Glue guns/glue sticks
Buttons, notions, large snaps, thread
Fabrics—velvets, drapery, table cloths, brocades (1 yard or more)
Prom/bridesmaids gowns
Crinolines/petticoats
Vintage clothing (pre-1970) gloves, hats, shoes, jewelry, slips
Hairspray
Makeup sponges
Tissues
Liquid hand soap
Gift cards for: Michaels, Life of the Party
Zippered Garment bags
Windex cleaning spray/spray cleaner/wipes
Ghiradelli 60% dark chocolate chips
Thank Yous:
Linsday Shipton
Director's Note
There’s a lot of listening in this play.
Eavesdropping, mishearing, jumping to conclusions - and occasionally, actually listening to one another. In this play, words travel quickly, and not always accurately. Reputations are built and broken on what we think we’ve heard.
It doesn’t feel entirely unfamiliar: how quickly we decide what is true, and how rarely we stop to listen again.
And yet, for all its tricks and misunderstandings, this play keeps returning to something simple: the joy of connection, of actually hearing each other. The slow, surprising realization that it might be worth setting aside our defenses, dropping our guard, and letting ourselves be known.
Beatrice and Benedick circle each other with wit and confidence and bravado, and then something shifts. Not all at once, and not easily, but enough to suggest that change is possible, even for the most stubborn among us.
This company has leaned into both the playfulness and the heart of this story. They have found the humor, the rhythm, and the humanity inside Shakespeare’s language, and brought it to life with generosity and spirit.
Thank you to the cast and crew, especially your seniors, for trusting and growing and working hard.
Thank you to Kari, Chantal, and Avery for your imagination, your laughter, and your kindness and care in tough times.
Thank you, Savannah, for joining us on this year’s adventure. You have done amazing work with these students. I don’t want to derail any plans, but just know this: our world needs more awesome technical theatre teachers…
And thanks to all of you for sharing in the comedy, the confusion, and the small, hopeful moments of understanding that bring us back to one another.
My father used to say, “If you don’t have a sense of humor, it’s not funny.” Too right. Thanks, Dad.
Here forever,
J. Smith
April 2026
Support Theatre in Our Schools
.png)
.png)
Special Thanks
Thank You...
to the following individuals and businesses whose support
and generosity make our productions possible.
|
PHS Administrators & Deans Kim Witman & Justina Malm Isaac Morley & PHS TV Production students Lindsay Shipton Gregg Osterhout |
Antonio, Samantha & the PHS Custodial Team Don Cox Melanie, Jackson & Taryn Parent Meal & Intermission Volunteers |
and all the families and friends whose patience, flexibility and support make it all possible!










