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JACK CANFORA

Jack’s Off-Broadway plays include Poetic License,  (59E59 Theaters), hailed by the Associated Press as “White-hot entertainment,” and Jericho, (59E59 Theaters, a New York Times’ “Critic’s Pick”)

His regional productions include Place Setting (New Jersey Repertory), a finalist with plays by Teresa Rebeck, Elaine May and Edward Albee for Best Play, 2007, Newark Star Ledger, Jericho, (NNPN Rolling World Premiere: New Jersey Repertory Company, Phoenix Theatre, Florida Studio Theatre, UpstART theater) The Source (NJ Rep), Poetic License (NJ Rep), and Fellow Travelers (Bay Street Theatre), which was optioned by the Shubert Organization for Broadway.

Jack is the recepient of two Edgerton Playwriting Awards, for Jericho (2010) and The Source (2018). He won the 2016 Webby Award for Best Writing in a Web Series and two 2026 Webby Awards for co-creating the true-crime spoof, The Murderer Killings, available wherever you get your podcasts. He has two children who are smarter than he is and a dog that isn’t.

EVAN BERGMAN

Vienna Lessons marks Evan’s fifth collaboration on a world premiere with Jack Canfora. His recent productions include Comfort by Neil LaBute and Sins of the Mother by Israel Horovitz. He has directed 16 productions for New Jersey Repertory Company, many of them world premieres.Evan has also directed at Jane Street Theatre, The Duke, Ensemble Studio Theatre, Daryl Roth Theatre, Barrington Stage Company, Bay Street Theater, Playwrights Horizons, Arclight Theatre, The Tiffany Theatre, and 59E59 Theaters. He is extremely proud of New Jersey Rep’s body of work and its ability to identify a wide range of talented playwrights deserving of having their plays produced. His film work includes Different Than Yesterday, which won Best Short Film at the Amsterdam International Film Festival, and Day Zero, which screened at the Toronto International Film Festival. Dig a Hole, Find a Finger was featured at the Palm Springs International Film Festival and the Newport Beach International Film Festival. He also directed a documentary for Warner Music Group featuring Roger Daltrey and Philip Bailey.

He is currently developing two new feature films, The Alternative and Life on the Flats.

This production is dedicated to my mother, Ada, and is also in memory of her parents, Fritz and Regina Erdman, who lived in Vienna before moving to the United States.

JEREMIAH BORNFIELD

Jeremiah Bornfield is an award-winning New York City-based composer, producer, and multi-instrumentalist whose work spans film scoring, concert music, commercial media, immersive audio, and modern pop production. He holds an M.A. in Music Composition from CUNY Hunter College, and his principal teachers include Conrad Cummings, Noah Creshevsky, and George Crumb.

Bornfield’s concert and media work has been performed or presented at venues including Carnegie Hall, Lincoln Center, and National Theater Concert Hall in Taipei. His film credits include Kent Jones’s Hitchcock/Truffaut and Diane, the latter winner of the Founders Award for Best Narrative Feature at the Tribeca Film Festival. He has recorded scores with Grammy-winning ensembles including Attacca Quartet and Sō Percussion, and has composed commercial music for campaigns including Vogue Scandinavia’s launch.

In recent years, Bornfield has expanded his work as a songwriter and producer through Postsound, writing and producing for artists including Zoe Fernanda and Michaela Jaé Rodriguez. For The Vienna Lessons, his score draws on Classical-era tradition while bringing a contemporary theatrical and cinematic sensibility to the production.

JANEY HUBER

Janey began her relationship at NJ Rep in 2004 as a patron & quickly became a subscriber: “They had me at Whores!” Janey brought close to 30 years of administrative experience to her 5-year role as Managing Director and is thrilled to remain in the NJ Rep family as Artistic Associate. Her previous theater management position was as Operations Director of Algonquin Arts Theatre in Manasquan, NJ. Janey has also been a Quality Assurance Consultant in healthcare since 1988 including 18 years at the Reading Birth & Women’s Center in PA and 10 years at the Frontier School of Midwifery in Kentucky. She served as Chief Financial Officer and then Executive Director of the Institute of Midwifery, Women, & Health, and Clinical Site Coordinator of The Midwifery Institute, both at Philadelphia University. She also served as the Director of Patient Services for a large Planned Parenthood affiliate in Pennsylvania for 2 years and for 11 years prior to that, worked at Northampton Community College in Bethlehem, PA as a biology professor; serving as Academic Dean during her last 5 years at the college. Her BA and MS degrees, from East Stroudsburg University, are in aquatic biology.

JESSICA PARKS

JESSICA PARKS has been working for NJ Repertory Company since 2003 and has been the resident scenic designer and prop designer since 2010. Set designs at NJ Rep include: The Promotion, Memoirs of a Forgotten Man, Wolf at the Door, The Jag, Swimming at the Ritz, Happy and Broomstick. NYC credits at 59E59 St. Theaters include: Michael Tucker’s Fern Hill, Butler, The Housewives of Mannheim, Jericho and Poetic License. Other credits include: The End of Hester at Theatre Row NYC, Bretch:Call & Response at Paradise Factory Theatre and Dan Lauria's Dinner with the Boys at Theater Row NYC.

PATRICIA E. DOHERTY

As NJ Rep’s resident costume designer since 2000, Doherty’s work includes: The Housewives of Mannheim, The Color of Flesh, Old Clown Wanted, The Good Daughter, Place Settings, Bookends, Engaging Shaw, Puma, Noir, Broomstick, View of the Mountains, Swimming at the Ritz, Dinner with the Boys (with Dan Lauria), Closure (with Wendy Malick, Gary Cole), Nobody’s Girl,  Butler, Mad Love and Iago , Fern Hill (with Jill Eikenberry, Dee Hoty and John Glover) to name  just a few. New York: Southern Comfort—The Musical (The Public Theater 2016 Lucille Lortel, Outer Critics, Drama Desk Award Nominations with Annette O’Toole, Jeff McCarthy); Dinner with the Boys  with Dan Lauria (The Acorn Theatre) Academia Nuts (2014 NYMF Best New Musical); The Devil’s Music (St. Luke’s); The Goldman Project (Abingdon Theatre); Freed, Fall to Earth, Poetic License, The Housewives of Mannheim, Butler, Small World (59E59th St Theatres); Love Therapy (DR2) Regional: Alley Theatre (past resident designer), Barrington Stage, Cleveland Play House, Merrimack Rep, Florida Rep, Penguin Rep, Engeman Theatre, Royal Manitoba Theatre Centre, Montreal Jazz Festival , Luna Stage, Playwrights Theatre of NJ, Merrimack Rep (MA), People’s Light and Theatre Festival (PA), Rubicon Theatre  of LA, Mosaic Theatre (DC), Cape Cod Playhouse (MA), Weston Playhouse (VT) TV/Video: AT&T, “Unsolved Mysteries,” Pennsylvania Public Television Guest Artist: Monmouth University, Case Western Reserve University, Ohio University, Niagara University, Syracuse University Guest Artist and Instructor: Kent State University, School of Theatre and Dance 1992-95.

JILL NAGLE

JILL NAGLE is the Resident Lighting Designer at NJ Rep. Partial NJ Rep include: Dinner with the Boys, Closure, Butler, Broomstick, Happy, Puma, Night Train, and Noir. Partial NYC designs include: Butler, A Stool at the End of the Bar, Jericho, Poetic License, Housewives of Mannheim, The Man in Room 306, The Dishwashers (59E59), Love Therapy (Daryl Roth), Dinner with the Boys (The Acorn) The Bully Pulpit (Samuel Beckett), Do Not Go Gentle (Harold Clurman), Count Down (Bank Street), In the Parlance (The Pulse), Carrera (La Mama E.T.C.), South Beach Rapture (Dixon Place). Other venues: John Engeman Theatre, Chester Theatre, Luna Stage, Playwrights of New Jersey, Montclair State University, New Jersey City University. www.jillnagle.net

NICK SIMONE

NICK SIMONE has been a performing arts educator in NYC for the past 18 years. He has worked at various music schools for all ages and has been a teaching artist for Roundabout Theatre Company, Apollo Theater, and Sundog Theatre specializing in sound design and musical disciplines. As a musician, Nick plays multiple instruments and has also performed at the renowned Carnage Hall and at the Metropolitan Opera House. Nick has also worked as sound designer and as an audio engineer for many productions such as: US: A Progressive Love Story, The Norwegians, North To Maine, IYOM, Wild Children, Time Travelers Trip To Niagara, The Diorama, Shakespeare's Hamlet at Bryant Park, Extreme Weather, Don’t Dress For Dinner, Villainous Company, Capone, & Romantic Trapezoid. Nick is also affiliated with MTV's production Artist to Watch series as a sound assistant. He is currently the chief audio engineer for Fenix Studios in Staten Island, NY and has credits on multiple albums, films, broadcasts, streaming, music videos and mobile apps. He has worked with up and coming talent and platinum selling artists in different genres from Lorde to Coldplay.

BRIAN SNYDER

BRIAN SNYDER has been an artist, carpenter, and prop builder since 2003 for several companies in NY and NJ including The Art Department, PVS, Stone Dog Studios, Two River Theater Company, and NJ Repertory Company. After 4 years of teaching Visual Arts and Stagecraft at Lakewood High School he returned to the world of freelance and made his debut as Technical Director and Master Carpenter here at NJ Rep in 2014.

JAMES LOCKHART

JAMES LOCKHART has the pleasure of working as the Master Electrician for NJ Repertory Company. He is a young, vibrant freelance lighting designer & master electrician that has worked in the tri-state. He has a comprehensive set of skills.

ROSE RICCARDI*

Riccardi has been a NJ Rep Company member since 1998. She has worked on over a hundred productions for the Rep including: The Housewives of Mannheim (Alan Brody), The Little Hours (David Bucknam), Fern Hill (Michael Tucker), Dead Ringer (Gino Dilorio), Naked By The River (Michael Folie), Adult Fiction (Brian Mori), Bookends (Katharine Houghton, Dianne Adams, James McDowell), Whores (Lee Blessing), Donna Orbits The Moon (Ian August), Find Me A Voice (SuzAnne Barabas, Gabor Barabas) Off-Broadway credits include: Songbird by Michael Kimmel and Lauren Pritchard, Butler by Richard Strand, The Violin (Dan McCormick), The Road to Damascus (Tom Dulack), Terms of Endearment (Dan Gordon), Poetic License (Jack Canfora), On A Stool At The End Of The Bar (Robert Callely), A Better Place (Wendy Beckett), Murder In The First (Dan Gordon), Martin Luther on Trial (Chris Cragin-Day), Phoenix (Scott Organ), In The Pocket “A Sideman’s Tale" (James Manos Jr. and Mark Rivera) Rose has also been a proud member of Actors’ Equity since 1999.

IAN DUHART

IAN DUHART is very excited to be a part of this show at NJ Rep. He just finished a run as Sebastian in The Little Mermaid and Gator in Memphis the Musical. He’s honored to be a part of this team, and hopes you all enjoy the show!

SUZANNE BARABAS

SUZANNE BARABAS is the Artistic Director at NJRep. She has directed the world premiere of Pen Pals in NYC and NJ with a rotating cast that includes Catherine Curtin, Sharon Lawrence, Nia Vardalos, Mary Beth Peil, Kate Burton, Pauletta Washington, Nancy McKeon and Johanna Day. Also in NYC at 59E59 Theaters the NY premiere of What Doesn’t Kill You by James Hindman. For NJ Rep, SuzAnne directed the world premiere of Make Believe, The Two Hander (with Jill Eikenberry and Ella Dershowitz), Find Me a Voice (premiere), North Fork (premiere), Immortal Interlude (premiere), Octet (premiere), Till Morning Comes (premiere), Maggie Rose, Getting in Touch With My Inner B*tch (starring Christine Lavin, premiere), The Adjustment, 10% of Molly Snyder, Romulus Linney’s Klonsky & Schwartz, Apostasy (premiere), Women Who Steal, Apple,(U.S. premiere),The Housewives of Mannheim (premiere), Evie’s Waltz, Dead Ringer (premiere), Steven Dietz’s Yankee Tavern, Puma (premiere), Night Train (premiere), Hummingbirds, Just In Time: The Judy Holliday Story, Bakersfield Mist, Annapurna, Happy, Broomstick (premiere), Lucky Me (premiere), Swimming at the Ritz (U.S. premiere), and The Realization of Emily Linder (premiere). SuzAnne directed productions of The Housewives of Mannheim at 59E59 Theater (NYC), Ensemble Theater of Santa Barbara (CA), and Phoenix Theater (Indianapolis). In addition, she directed regional productions of Ibsen’s A Doll’s House, The Fantasticks, The Roar of the Greasepaint the Smell of the Crowd, Cabaret, Shaw’s Heartbreak House, A.R. Gurney’s The Perfect Party, Marsha Norman’s ‘Night Mother, Philip Barry’s The Philadelphia Story, Christopher Durang’s Beyond Therapy, Mark Dunn’s Belles, Lee Blessing’s Down the Road among others. She is a member of Actors Equity Association, BMI, the Dramatists Guild, and SDC.

JOEL STONE

JOEL STONE was formerly the artistic director of Off-Off Broadway’s The Theatre Asylum. On May 17, 1998, his play Horrors of Doctor Moreau (published by Samuel French, Inc.) became the first script-in-hand reading to debut at New Jersey Repertory Company. The following year, his short play The Age of Miracles premiered at NJ Rep and went on to be a finalist at the Samuel French Short Play Festival. Also in 1999, NJ Rep presented “Written in Stone”, an evening of Joel’s short plays, including The Speck of Dust in Bugsy’s Eye (featuring the late Kim Hunter). In 2001, he co-produced “One Night With You”, a collection of six short plays about Elvis, created exclusively by NJ Rep playwrights. From 2000-2002, he was the Theatre Education Coordinator for the New York City Board/Department of Education. He has written and directed for all four NJ Rep Theatre Brut Festivals, including Prairie Dogs (2004), Abilene (2004), Trouble on the PATH (2005), Seven4Seven (2006), and The Purgatory of Charlie Hustle (2008). In 2012, Joel directed the acclaimed MainStage production of Gino DiIorio’s Release Point. In 2014, Joel was the Director/Mentor of the award-winning NJ Rep Young Playwrights Project, “Shelter From The Storm”, in which local high school students wrote short plays about Hurricane Sandy. For the past three years, he has been an adjunct professor of playwriting at Monmouth University and recently taught the initial playwriting class for New Jersey Repertory Company’s West End Arts Center. Currently, he is the literary manager for NJ Rep. He was recently commissioned by NJPAC to write The Calling, his first full-length play in decades.

JT PUBLIC RELATIONS

Founded by Joe Trentacosta, JT Public Relations is a full-service entertainment public relations firm. For over 20 years, they have handled over 300 projects on Broadway, Off-Broadway, festival productions, industry readings, films in release, film festivals, non-profit organizations, and special events. Current projects include Anthony Rapp’s Without You, Dog Man The Musical, and the international hit Katsura Sunshine’s Rakugo. Theater companies include AMT Theater, Houses on the Moon, Royal Family Productions, TheaterWorksUSA, Theater Breaking Through Barriers, and Urban Stages. Joe is currently developing a Broadway-bound musical about the Six Triple Eighth Postal Battalion with Holly Garman and Blair Underwood.

DEE DEE IRWIN

DEE DEE IRWIN joined NJRep in 2022, bringing with her almost 30 years of experience in the performing arts and live events industry. Prior to coming east, Dee Dee spent nine years as the Director of Marketing and Communications/Associate Producer for Laguna Playhouse in Laguna Beach, CA, and 12 years as part of the Broadway in Hollywood team for Nederlander’s beautiful Pantages theatre in Hollywood, CA. Dee Dee can also be found playing with puppets as part of the gang that produces "Brian Henson’s Puppet Up! Uncensored" at the legendary Jim Henson Company Lot. While in Laguna Beach, Dee Dee served as chair for the Laguna Beach Arts Alliance, celebrated the theatre's 100th birthday, and produced much of the virtual programming during the pandemic. Originally from Los Angeles, Dee Dee holds an MA in Humanities, a BA in Theatre, and is a proud member of IATSE 857.

GABOR BARABAS

For NJ Rep, GABOR BARABAS has produced over 80 world premieres including Ends, A World I Never Made, North Fork, Octet, The Girl With the High Rouge, In Search of Red River Dog, Naked by the River, An Unhappy Woman, Immortal Interlude, Getting in Touch With My Inner B*tch, Till Morning Comes, Slave Shack, Panama, Big Boys, Winterizing the Summer House, Piaf in Vienna, The Color of Flesh, Emil, Touch of Rapture, Beyond Gravity, A Child’s Guide to Innocence, The Good Daughter, Apostasy, The Best Man, Tilt Angel, Love and Murder, tempOdyssey, October 1962, Place Setting, And Her Hair Went With Her, Engaging Shaw, Poetic License, The Housewives of Mannheim, Dead Ringer, Exposure Time (recipient of and Edgerton New American Plays Award), Character Assassins, The Tangled Skirt (nominated for an Edgar Award by the Mystery Writers of America), Puma, Night Train, The Judy Holliday Story, Jericho (recipient of and Edgerton New American Plays Award), American Stare, Release Point, Esther’s Moustache, Ants, Noir, Happy, Broomstick, Admit One, A View of the Mountains, Butler (recipient of and Edgerton New American Plays Award), Lucky Me, Dinner with the Boys, Angels and Ministers of Grace, and the musicals Immortal Interlude,Bookends, The Little Hours (recipient of and Edgerton New American Plays Award), and Date of Lifetime. His book Miklos Radnoti: The Complete Poetry in Hungarian and English was recently published by McFarland.